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The Present Book Is A Detailed Exposition Of The Multiple Dimensions Of Creativity In Men And Women Vis-À-Vis The Difference Of Sexuality And Gender As Mirrored In Their Texts. This Innovative And Perceptive Study Confronts The Essentialist Biodeterministic Standpoint That Men And Women Are Out And Out Different, Dissimilar And Divergent. By Discussing The Texts Of The Post-Independence Men And Women Poets Of India And Drawing Comparisons Between Them, It Asserts That, Despite Certain Biological Differences, Men And Women Are Similar In Many Ways. By Employing Theoretical Approaches Based On Psychoanalysis, Linguistics, Poetics, Reader-Responses And Cultural And Gender Studies, The Book Expounds That Gender Or Sexuality Can Make Some Difference To The Aesthetic But It Cannot Solely Determine The Content. The Social, Cultural And Political Milieu Of The Day Plays A Crucial Role In Deciding The Content And Object Of Writing, Besides Conditioning The Psyche And Thought Process Of The Author, More Than Gender Or Sexual Difference Does. This Study Provides New Insights Into The Varied Aspects Of Man-Woman Relationship, The Nitty-Gritty Of Different Family Relations, The Milieu, Human Correlation With Nature, And Metaphysical Questionings Of Life, Death, God And Human Existence, Besides Analyzing The Influence Of Gender And Sexual Difference On Poetic Craft, Particularly On Language, Style And Technique.It Analyses The Poems Of Over Twelve Major Indian Men And Women Poets And Compares Them In Terms Of Diverse Themes, Diction And Idiom, And With Particular Focus On The Workings Of Gender And Sexual Difference. The Major Poets Discussed Are Nissim Ezekiel, A.K. Ramanujan, Keki N. Daruwalla, Shiv K. Kumar And Jayanta Mahapatra Among Men And Monika Varma, Kamala Das, Gauri Deshpande, Sunita Jain, Suniti Namjoshi, Mamta Kalia And Eunice De Souza Among Women.Since These Authors Are Prescribed In The English Syllabi In The Universities Of India, This Study Will Be Extremely Useful To The Students And Teachers. The General Readers Who Are Interested In Indian Literature In English Will Find It Interesting And Informative.
This Is The First Comprehensive Anthology Of English Verse Written By Indians, Compiled And Edited By One Who Himself Was A Poet And A Critic Of Distinction. Such A Volume Is Of Considerable Historical Value And Contemporary Interest, For English Has Been For More Than 150 Years, And Continues To Be, A Vehicle Of Creative Expression For Many Of Our Poets And Writers. The Anthology Includes Selections From 108 Poets From Derozio And Toru Dutt Of The Last Century To A.K. Ramanujan And Kamala Das Of The Recent Times.
The result of extensive archival recovery work, Ellen Brinks's study fills a significant gap in our understanding of women's literary history of the South Asian subcontinent under colonialism and of Indian women's contributions and responses to developing cultural and political nationalism. As Brinks shows, the invisibility of Anglophone Indian women writers cannot be explained simply as a matter of colonial marginalization or as a function of dominant theoretical approaches that reduce Indian women to the status of figures or tropes. The received narrative that British imperialism in India was perpetuated with little cultural contact between the colonizers and the colonized population is complicated by writers such as Toru Dutt, Krupabai Satthianadhan, Pandita Ramabai, Cornelia Sorabji, and Sarojini Naidu. All five women found large audiences for their literary works in India and in Great Britain, and all five were also deeply rooted in and connected to both South Asian and Western cultures. Their works created new zones of cultural contact and exchange that challenge postcolonial theory's tendencies towards abstract notions of the colonized women as passive and of English as a de-facto instrument of cultural domination. Brinks's close readings of these texts suggest new ways of reading a range of issues central to postcolonial studies: the relationship of colonized women to the metropolitan (literary) culture; Indian and English women's separate and joint engagements in reformist and nationalist struggles; the 'translatability' of culture; the articulation strategies and complex negotiations of self-identification of Anglophone Indian women writers; and the significance and place of cultural difference.
Indian English Literature In Its Very Tone And Tenor Presents A Unique Blend Of Tradition And Experiment In Both Its Matter And Manner. The Present-Day Indian English Literatteur Is Firmly Grounded In A Philosophico-Cultural Sensibility Tracing Its Uninterrupted Links With The Very Dawn Of Civilisation In This Part Of The World. And Yet The Product Is Not An Aberration In Any Way In The Modern Context. This Imbues Indian Writings In English With A Distinctive Aesthetic Flavour, To The Connoisseurs' Obvious Delight.The Present Volume Incorporates The Painstaking Application Of Diverse Critical Methodologies To Analyse Indian English Literature Poetry, Drama, Novels And Prose From This Broad Perspective. Comprising Close Analyses Of The Works Of Rabindranath Tagore, Mulk Raj Anand, Raja Rao, R.K. Narayan, Bhabani Bhattacharya, Anita Desai, Arun Joshi, Kamala Das And Nissim Ezekiel, The Collection Offers Fresh Critical Insights, Opening Possibilities Of Further Exploration Along The Avenues Here Suggested.A Fresh Look At Established Works, Highlighting Aspects Hitherto Unexplored.An Indispensable Source-Book For Students, Researchers And Teachers Of Indian English And Commonwealth Literature.