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Contributions by Novia Shih-Shan Chen, Elizabeth Rae Coody, Keri Crist-Wagner, Sara Durazo-DeMoss, Charlotte Johanne Fabricius, Ayanni C. Hanna, Christina M. Knopf, Tomoko Kuribayashi, Samantha Langsdale, Jeannie Ludlow, Marcela Murillo, Sho Ogawa, Pauline J. Reynolds, Stefanie Snider, J. Richard Stevens, Justin Wigard, Daniel F. Yezbick, and Jing Zhang Monsters seem to be everywhere these days, in popular shows on television, in award-winning novels, and again and again in Hollywood blockbusters. They are figures that lurk in the margins and so, by contrast, help to illuminate the center—the embodiment of abnormality that summons the definition of normalcy by virtue of everything they are not. Samantha Langsdale and Elizabeth Rae Coody’s edited volume explores the coding of woman as monstrous and how the monster as dangerously evocative of women/femininity/the female is exacerbated by the intersection of gender with sexuality, race, nationality, and disability. To analyze monstrous women is not only to examine comics, but also to witness how those constructions correspond to women’s real material experiences. Each section takes a critical look at the cultural context surrounding varied monstrous voices: embodiment, maternity, childhood, power, and performance. Featured are essays on such comics as Faith, Monstress, Bitch Planet, and Batgirl and such characters as Harley Quinn and Wonder Woman. This volume probes into the patriarchal contexts wherein men are assumed to be representative of the normative, universal subject, such that women frequently become monsters.
In America, comics and comic books have often been associated with adolescent male fantasy--muscle-bound superheroes and scantily clad women. Nonetheless, comics have also been read and enjoyed by girls. While there have been many strong representations of women throughout their history, the comics of today have evolved and matured, becoming a potent medium in which to explore the female experience, particularly that of girlhood and adolescence. In Girls and Their Comics: Finding a Female Voice in Comic Book Narrative, Jacqueline Danziger-Russell contends that comics have a unique place in the representation of female characters. She discusses the overall history of the comic book, paying special attention to girls' comics, showing how such works relate to a female point of view. While examining the concept of visual literacy, Danziger-Russell asserts that comics are an excellent space in which the marginalized voices of girls may be expressed. This volume also includes a chapter on manga (Japanese comics), which explains the genesis of girls' comics in Japan and their popularity with girls in the United States. Including interviews with librarians, comic creators, and girls who read comics and manga, Girls and Their Comics is an important examination of the growing interest in comic books among young females and will appeal to a wide audience, including literary theorists, teachers, librarians, popular culture and women's studies scholars, and comic book historians.
Explores the production, representation, and reception of prominent female superheroes in mainstream superhero comics, television shows, and films.
Women and the Comics is the first attempt to document the careers of the hundreds of women who have created and worked in the field of comic strips, comic book and cartooning. The women whose work is showcased in this book have been long overlooked or ignored by most other histories of comics. In this volume you'll encounter the art of Rose O'Neill, whose Kewpies popularity spans over 70 years; Nell Brinkley, whose "Brinkley Girl" was just as famous in her day as Gibson's; Grace Drayton, whose lovely drawings gave the Campbell Kids life; the "flapper" artists of the 1920s; Dale Messick, creator of Brenda Starr; Martha Orr, who originated Mary Worth; the once anonymous female comic book artists of the 1940s; newspaper strip creators Marty Links (Bobby Sox), Cathy Guisewite (Cathy) and Lynn Johnston (For Better or For Worse); and the many women who write and draw today's most popular comic books. A special chapter surveying female cartoonists in Europe, Japan, and Australia is also included. Women and the Comics is a landmark book, the result of four years of research by Catherine Yronwode and Trina Robbins. It is a reference source designed to serve future generations interested in discovering the contributions women have made to America's most popular art form.
Lex Luthor finds himself literally at Death's door, which leads to a fascinating look not only into the mind of one of the all-time greatest villains, but also at what Death means in the DC Universe. Featuring Death of the Endless from Neil Gaiman's SANDMAN! 'The Black Ring' part 5.
Growing Up With Girl Power considers how real girls who grew up with girl power interpreted its messages about empowerment, girlhood, strength, femininity, race, and more, and suggests that for young girls, commercialized girl power had real strengths and limitations - sometimes in fascinating, unexpected ways.
A collection of essays by award-winning women writers and artists celebrating the comics medium and its creators.
In the United States at mid-century, in an era when there were few opportunities for women in general and even fewer for African American women, Jackie Ormes blazed a trail as a popular artist with the major black newspapers of the day. Jackie Ormes chronicles the life of this multiply talented, fascinating woman who became a successful commercial artist and cartoonist. Ormes's cartoon characters (including Torchy Brown, Candy, and Patty-Jo 'n' Ginger) delighted readers of newspapers such as the Pittsburgh Courier and Chicago Defender, and spawned other products, including fashionable paper dolls in the Sunday papers and a black doll with her own extensive and stylish wardrobe. Ormes was a member of Chicago's Black elite in the postwar era, and her social circle included the leading political figures and entertainers of the day. Her politics, which fell decidedly to the left and were apparent to even a casual reader of her cartoons and comic strips, eventually led to her investigation by the FBI. The book includes a generous selection of Ormes's cartoons and comic strips, which provide an invaluable glimpse into U.S. culture and history of the 1937-56 era as interpreted by Ormes. Her topics include racial segregation, cold war politics, educational equality, the atom bomb, and environmental pollution, among other pressing issues of the times. "I am so delighted to see an entire book about the great Jackie Ormes! This is a book that will appeal to multiple audiences: comics scholars, feminists, African Americans, and doll collectors. . . ." ---Trina Robbins, author of A Century of Women Cartoonists and The Great Women Cartoonists Nancy Goldstein became fascinated in the story of Jackie Ormes while doing research on the Patty-Jo Doll. She has published a number of articles on the history of dolls in the United States and is an avid collector.
One of the deadliest villains in the DCU returns: Parallax! Things continue to twist and turn for John Stewart, Guy Gardner and Kilowog as they come face to face with their greatest enemy--the man who destroyed the Green Lanterns. Meanwhile, Green Arrow struggles to find a way to stop Parallax as the JLA, the JSA and the Teen Titans join the fight!
During the Golden Age of comics, publishers offered titles supporting the war effort -- presenting fighting men and their feminine counterparts -- babes in arms! Comic books during this period featured US service-women fighting all of the axis bad guys and gave several of the most noteworthy women artists of the era opportunities to create action-packed, adventure-filled, four-color stories. Now for the first time renowned pop-culture historian Trina Robbins assembles comic book stories by artists Barbara Hall, Jill Elgin, Lilly Renee, and Fran Hopper together with insightful commentary and loads of documentary extras to create the definitive book chronicling the work of these important Golden Age artists. This magnificent art book offers page-after-page of good girl action!