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In a challenging and authoritative analysis of the role of Iranian women in the political process, Parvin Paidar considers the ways they have been affected by the evolutionary and revolutionary transformations of twentieth-century Iran. In so doing, she demonstrates how political reorganisation has of necessity redefined the position of women, and that, contrary to the view of conventional scholarship, gender issues are fundamental to the political process in contemporary Iran. The implications of the study bear on the broader issues of women in the Middle East and the developing countries generally.
"This book is the first collection of its kind. It brings together articles by historians, sociologists and political scientists as well as contributions by intellectuals and essayists currently engaged in the intellectual scene in Iran, thus outlining not only a range of intellectual concerns and trends in the tumultuous 20th century but also presenting authentic insights from a number of present-day participants."--Ahmad Ashraf, Center for Iranian Studies, Columbia University Intellectual Trends in Twentieth-Century Iran, a collection of essays by journalists and Iranian scholars based in both North America and the Middle East, examines the major intellectual trends in twentieth-century Iran and explores the role that the intellectual has played in shaping the debates and political culture in both prerevolutionary and postrevolutionary Iran. The issues discussed in this collection are among the most provocative in contemporary Iran and range from the hermeneutics of Mojtahed-Shabestari to the movement of the reformist press to clerical discourses on the subject of women's rights. Additionally, Intellectual Trends discusses broader issues such as Iranian liberalism and the relationship between tradition and modernity with a depth and insight that is essential in understanding the diverse issues facing a contemporary Middle East. Together, the collection provides a valuable account and analysis of the intellectual currents in this pivotal state across the last century. Contents Introduction Part I. Intellectual Discourse in Pahlavi Iran 1. The Ambivalent Modernity of Iranian Intellectuals, by Mehrzad Boroujerdi 2. Khalil Maleki: The Odd Intellectual Out, by Homa Katouzian 3. Ahmad Shamlu and the Contingency of Our Future, by Hamid Dabashi and Golriz Dahdel 4. The Discourse of "Authentic Culture" in Iran of the 1960s and 1970s, by Negin Nabavi Part II. Intellectual Expressions and Dynamics in Postrevolutionary Iran 5. Crossing the Desert: Iranian Intellectuals after the Islamic Revolution, by Morad Saghafi 6. Religious Intellectuals and Political Action in the Reform Movement, by Hamidreza Jalaeipour 7. Improvising in Public: Transgressive Politics of the Reformist Press in Postrevolutionary Iran, by Farideh Farhi 8. Sacral Defense of Secularism: Dissident Political Theology in Iran, by Mahmoud Sadri 9. Women's Rights and Clerical Discourses: The Legacy of 'Allameh Tabataba'i, by Ziba Mir-Hosseini Negin Nabavi is assistant professor of Near Eastern studies at Princeton University.
This book charts the history of Iran's sexual revolution from the nineteenth century to today. The resilience of the Iranian people forms the basis of this sexual revolution, one that is promoting reforms in marriage and family laws, and demanding more egalitarian gender and sexual relations.
For years, Iranian academics, writers, and scholars have equated national development and progress with the reform of men’s sexual behavior. Modern intellectuals repudiated native sexuality in Iran, just as their European counterparts in France and Germany did, arguing that transforming male identity was essential to the recovery of the nation. DeSouza offers an alternate narrative of modern Iranian masculinity as an attempt to redraw social hierarchies among men. Moving beyond rigid portrayals of Islamic patriarchy and female oppression, she analyzes debates about manhood and maleness in early twentieth-century Iran, particularly around questions of race and sexuality. DeSouza presents the larger implications of Pahlavi hegemonic masculinity in creating racialized male subjects and “productive” sexualities. In addition, she explores a cross-pollination with Europe, identifying how the “East” shaped visions of European male identity.
These essays examine Iran’s place in the world--its relations and cultural interactions with its immediate neighbors and with empires and superpowers from the beginning of the Safavid period in 1501 to the present day. The book provides important historical background on recent political and social developments in Iran and on its contemporary foreign relations. The topics explored include Iranian influence abroad on political organization, religion, literature, art, and diplomacy, as well as Iran's absorption of foreign influences in these areas. A special focus is the prevailing political culture of Iran throughout its early modern and contemporary periods. The authors combine approaches from history, political science, anthropology, international relations, and culturalstudies. Some essays address Iran’s interactions with various Arab and Turkic ethnicities in the region stretching from India to Egypt. Others examine its relations with the West during the Qajar and Pahlavi eras, women's issues, culture inside Iran during the Islamic Republic, and the Shi`ite theocracy of Iran as compared with other Muslim states.
Gender and Dance in Modern Iran: Biopolitics on Stage investigates the ways dancing bodies have been providing evidence for competing representations of modernity, urbanism, and religiosity across the twentieth century. Focusing on the transformation of the staged dancing body, its space of performance, and spectatorial cultural ideology, this book traces the dancing body in multiple milieus of performance, including the Pahlavi era’s national artistic scene and the popular café and cabaret stages, as well as the commercial cinematic screen and the post-revolutionary Islamized theatrical stage. It links the socio-political discourses on performance with the staged public dancer, in order to interrogate the formation of dominant categories of "modern," "high," and "artistic," and the subsequent "othering" of cultural realms that were discursively peripheralized from the "national" stage. Through the study of archival and ethnographic research as well as a diverse literature pertaining to music, theater, cinema, and popular culture, it combines a close reading of primary sources such as official documents, press materials, and program notes with visual analysis of filmic materials and imageries, as well as interviews with practitioners. It offers an original and informed exploration into the ways performing bodies and their public have been associated with binary notions of vice and virtue, morality and immorality, commitment and degeneration, chastity and eroticism, and veiled-ness and nakedness. Engaging with a range of methodological and historiographical methods, including postcolonial, performance, and feminist studies, this book is a valuable resource for students and scholars of Middle East history and Iranian studies, as well as gender studies and dance and performance studies.
The seventeen essays in Women and Power in the Middle East analyze the social, political, economic, and cultural forces that shape gender systems in the Middle East and North Africa. Published at different times in Middle East Report, the journal of the Middle East Research and Information Project, the essays document empirically the similarities and differences in the gendering of relations of power in twelve countries—Morocco, Algeria, Tunisia, Egypt, Sudan, Palestine, Lebanon, Turkey, Kuwait, Saudi Arabia, Yemen, and Iran. Together they seek to build a framework for understanding broad patterns of gender in the Arab-Islamic world. Challenging questions are addressed throughout. What roles have women played in politics in this region? When and why are women politically mobilized, and which women? Does the nature and impact of their mobilization differ if it is initiated by the state, nationalist movements, revolutionary parties, or spontaneous revolt? And what happens to women when those agents of mobilization win or lose? In investigating these and other issues, the essays take a look at the impact of rapid social change in the Arab-Islamic world. They also analyze Arab disillusionment with the radical nationalisms of the 1950s and 1960s and with leftist ideologies, as well as the rise of political Islamist movements. Indeed the essays present rich new approaches to assessing what political participation has meant for women in this region and how emerging national states there have dealt with organized efforts by women to influence the institutions that govern their lives. Designed for courses in Middle East, women's, and cultural studies, Women and Power in the Middle East offers to both students and scholars an excellent introduction to the study of gender in the Arab-Islamic world.
Why were urban women veiled in the early 1900s, unveiled from 1936 to 1979, and reveiled after the 1979 revolution? This question forms the basis of Hamideh Sedghi's original and unprecedented contribution to politics and Middle Eastern studies. Using primary and secondary sources, Sedghi offers new knowledge on women's agency in relation to state power. In this rigorous analysis she places contention over women at the centre of the political struggle between secular and religious forces and demonstrates that control over women's identities, sexuality, and labor has been central to the consolidation of state power. Sedghi links politics and culture with economics to present an integrated analysis of the private and public lives of different classes of women and their modes of resistance to state power.