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The status of women has become an important parameter to gauge the level of development and sensitivity in any society. This book penetrates the silence that surrounds the lives of India's women. It offers a perceptive understanding of the trials faced by women from the country's state of Rajasthan, in all segments of its society - tribal, rural, and urban - and provides a comparative viewpoint of the status of women in all three segments. It is a comprehensive and holistic examination of questions relating to the rights and status of women in India. There have been infinite variations of the status, according to the cultural milieu, family structure, caste, class, property rights, etc. All these distinctions are significant determinants of variations.
An impressive collection of writings on women's issues in Indian history
Reminding us that the road to the complete empowerment of women in India is a long one, this book focuses on the globalization experiences of women from the Indian urban middle class. It covers reconstructing gender, violence, media, neo-liberal globalization, information and communication technologies, and politics.
Includes songs by Buddhist nuns, testimonies of medieval rebel poets and court historians, and the voices of more than 60 other writers of the 18th and 19th centuries. Among the diverse selections are a rare early essay by an untouchable woman; an account by the first feminist historian; and a selection from the first novel written in English by an Indian woman.
The word doyenne signifies the various expressions of female, feminine, and feminist aspects of contemporary literature in India, through multiple theoretical frameworks. Contemporary Women’s Writing in India is an edited collection dealing with a range of these issues set in the society of Indian culture. Indian women’s literature is still a fertile ground for critical enquiry. There are three sections in the collection: Section I deals with specific instances in history, historical constructions, and representations of gender. Section II offers a varied spectrum of feminist critical discourse on contemporary Indian women’s writing, intersecting with the frameworks of post-colonial theory, deconstruction, perspectives on race and ethnicity, and eco-feminism. Section III touches upon the notion of the woman’s body and psyche through the varied perspectives of psychoanalysis, feminism, and post-feminism. By thoroughly exploring a range of issues, Contemporary Women’s Writing promises to take the reader by the hand, and journey through the unfamiliar but refreshing landscape of women’s literature in India.
"A formidable achievement. . . . Mitter spans almost the entire spectrum of the 'woman's question' providing both information and insight into the complex patterns that determine the image, self-image, and status of women in contemporary India." -- Manini Chatterjee, The Hindu (India). -- Book cover.
Contributed articles.
In 1992, Bhanwari Devi, an administration social specialist in the north Indian province of Rajasthan, was assaulted before her better half by higher position neighbors infuriated by her endeavors to stop a youngster marriage in their loved ones. quity evaded Bhanwari Devi. A lower court cleared the blamed for assault and indicted them with lesser offenses for which they served nine months in prison. The allure is as yet forthcoming in the state's High Court today, after 28 years. However, public shock and activism catalyzed by her trial made ready for new legitimate securities against lewd behavior in the working environment for a large number of Indian ladies.After state specialists, her boss, rejected obligation since she had been assaulted in her own fields, activists recorded a public interest request in the Supreme Court requesting that "working environments should be made safe for ladies and that it should be the obligation of the business to safeguard ladies worker at each progression."
In her role as devoted wife, the Hindu goddess Parvati is the divine embodiment of viraha, the agony of separation from one's beloved, a form of love that is also intense suffering. These contradictory emotions reflect the overlapping dissolutions of love, family, and mental health explored by Sarah Pinto in this visceral ethnography. Daughters of Parvati centers on the lives of women in different settings of psychiatric care in northern India, particularly the contrasting environments of a private mental health clinic and a wing of a government hospital. Through an anthropological consideration of modern medicine in a nonwestern setting, Pinto challenges the dominant framework for addressing crises such as long-term involuntary commitment, poor treatment in homes, scarcity of licensed practitioners, heavy use of pharmaceuticals, and the ways psychiatry may reproduce constraining social conditions. Inflected by the author's own experience of separation and single motherhood during her fieldwork, Daughters of Parvati urges us to think about the ways women bear the consequences of the vulnerabilities of love and family in their minds, bodies, and social worlds.