Download Free Women And Confucianism In Choson Korea Book in PDF and EPUB Free Download. You can read online Women And Confucianism In Choson Korea and write the review.

This volume offers a fresh, multifaceted exploration of women and Confucianism in mid- to late-Chosoán Korea (mid-sixteenth to early twentieth century). Using primary sources and perspectives from social history, intellectual history, literature, and political thought, contributors challenge unitary views of Confucianism as a system of thought, of women as a group, and of the relationship between the two. Much earlier scholarship has focused on how women were oppressed under the strict patriarchal systems that emerged as Confucianism became the dominant social ideology during the Chosoán dynasty (1392–1910). Contributors to this volume bring to light the varied ways that diverse women actually lived during this era, from elite yangban women to women who were enslaved. Women are shown to have used various strategies to seek status, economic rights, and more comfortable spaces, with some women even emerging as Confucian intellectuals and exemplars.
This important new study explores the impact of Neo-Confucianism on Korean society and politics between the fourteenth and seventeenth centuries.
This book rewrites the history of East Asia by rethinking the contentious relationship between "Confucianisms" and "women."
A new, multifaceted look at Korean women during a period of strong Confucian ideology.
Confucianism and Women argues that Confucian philosophy—often criticized as misogynistic and patriarchal—is not inherently sexist. Although historically bound up with oppressive practices, Confucianism contains much that can promote an ethic of gender parity. Attacks on Confucianism for gender oppression have marked China's modern period, beginning with the May Fourth Movement of 1919 and reaching prominence during the Cultural Revolution of the 1960s and 1970s. The West has also readily characterized Confucianism as a foundation of Chinese women's oppression. Author Li-Hsiang Lisa Rosenlee challenges readers to consider the culture within which Confucianism has functioned and to explore what Confucian thought might mean for women and feminism. She begins the work by clarifying the intellectual tradition of Confucianism and discussing the importance of the Confucian cultural categories yin-yang and nei-wai (inner-outer) for gender ethics. In addition, the Chinese tradition of biographies of virtuous women and books of instruction by and for women is shown to provide a Confucian construction of gender. Practices such as widow chastity, footbinding, and concubinage are discussed in light of Confucian ethics and Chinese history. Ultimately, Rosenlee lays a foundation for a future construction of Confucian feminism as an alternative ethical ground for women's liberation.
This volume sets out to explore the world of domestic devotions and is premised on the assumption that the home was a central space of religious practice and experience throughout the early modern world. The contributions to this book, which deal with themes dating from the fifteenth to the eighteenth century, tell of the intimate relationship between humans and the sacred within the walls of the home. The volume demonstrates that the home cannot be studied in isolation: the sixteen essays, that encompass religious history, the histories of art and architecture, material culture, literary history, and social and cultural history, instead point individually and collectively to the porosity of the home and its connectedness with other institutions and broader communities. Contributors: Dotan Arad, Kathleen Ashley, Martin Christ, Hildegard Diemberger, Marco Faini, Suzanna Ivanič, Debra Kaplan, Marion H. Katz, Soyeon Kim, Hester Lees-Jeffries, Borja Franco Llopis, Alessia Meneghin, Francisco J. Moreno Díaz del Campo, Cristina Osswald, Kathleen M. Ryor, Igor Sosa Mayor, Hanneke van Asperen, Torsten Wollina, and Jungyoon Yang.
This book explores the philosophical and religious dimensions of Korean Neo-Confuciansim as expounded by one of the foremost Korean Neo-Confucian thinkers, Yi Yulgok (1536-1584). Yulgok's creative interpretations reformulate some fundamental issues of Confucian philosophy. This book explores the significance of the fundamental assumption which underlies the entire system of Yulgok's Confucian thought. That philosophical assumption is characterized by the author as 'non-dualistic' and 'anthropocosmic'. It is a unique aspect of Korean Neo-Confucianism which leads to a new way of understanding the Confucian world view and spirituality. This 'non-dualistic' vision sheds a new and critical light on the dialectical framework of thinking at work in Western formulations of understanding the ultimate reality, nature, the universe, and human being. The 'anthropocosmic' vision in this respect will challenge fundamental assumptions of Western theological formulation and suggest a new understanding of human nature and the universe. A 'non-dualistic' and 'anthropocosmic' interpretation of Yulgok's thought is a fruitful way of approaching the Korean way of thinking and of coming to grips with one Neo-Confucian mode of attaining human self-understanding.
This study examines how the concept of "Korean woman" underwent a radical transformation in Korea's public discourse during the years of Japanese colonialism. Theodore Jun Yoo shows that as women moved out of traditional spheres to occupy new positions outside the home, they encountered the pervasive control of the colonial state, which sought to impose modernity on them. While some Korean women conformed to the dictates of colonial hegemony, others took deliberate pains to distinguish between what was "modern" (e.g., Western outfits) and thus legitimate, and what was "Japanese," and thus illegitimate. Yoo argues that what made the experience of these women unique was the dual confrontation with modernity itself and with Japan as a colonial power.
Review: The story is about a girl who is chosen to receive a literary education in the Korean palace. She among the other 9 girls excell at poetry and live truely blessed lives compared to the average life of someone of their birth and sex. The main heartbreak of all the girls, but more so for Unyoung is that she will never be allowed to marry or have a romantic relationship. One day a poet prodigy comes to the palace to meet with the prince, who is the girl's patron. He writes such sublim poetry that Unyong falls in love with him, and writes to him, at which point he falls in love with her. The book is about their love affair, and the hardships they must endure due to confucious society that disallows them their natural disposition. -- from http://www.amazon.com (Dec. 17, 2014)