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“With its singular characters, eerie subject matter, and socko style” (The New York Times), this gripping thriller from the internationally bestselling author John Connolly follows Private Investigator Charlie Parker as he is hired to track down the identity of a dead woman—who apparently died in childbirth—and her missing child. In the beautiful Maine woods, a partly preserved body is discovered. Investigators realize that the young woman gave birth shortly before her death. But there is no sign of a baby. Private detective Charlie Parker is hired by a lawyer to shadow the police investigation and find the infant but Parker is not the only one searching. Someone else is following the trail left by the woman, someone with an interest in much more than a missing child…someone prepared to leave bodies in his wake. And in a house by the woods, a toy telephone begins to ring and a young boy is about to receive a call from a dead woman. With breathless pacing and shivery twists and turns, “this is Connolly’s masterpiece” (Publishers Weekly, starred review).
She’s out there. Waiting for you. A haunting read about witchcraft and superstition from Lisa Hall... ‘Creepy, atmospheric, unnerving and brilliant’ Will Dean ‘A proper nailbiter’ Mel McGrath ‘Spooky’ Louise Beech ‘I couldn’t read it fast enough’ Helen Phifer 'A chilling triumph' Fiona Cummins
Ecologist Anne LaBastille created the life that many people dream about. When she and her husband divorced, she needed a place to live. Through luck and perseverance, she found the ideal spot: a 20-acre parcel of land in the Adirondack mountains, where she built the cozy, primitive log cabin that became her permanent home. Miles from the nearest town, LaBastille had to depend on her wits, ingenuity, and the help of generous neighbors for her survival. In precise, poetic language, she chronicles her adventures on Black Bear Lake, capturing the power of the landscape, the rhythms of the changing seasons, and the beauty of nature’s many creatures. Most of all, she captures the struggle to balance her need for companionship and love with her desire for independence and solitude. Woodswoman is not simply a book about living in the wilderness, it is a book about living that contains a lesson for us all.
Woman in the Woods is the winner of the 2005 Spokane Prize for Short Fiction.
Sadatina, an Adamu girl on the brink of becoming a woman has lived a peaceful life with her family in Adamusola, the land beyond the Old Men Mountains. But tragic events change her life forever, revealing a hidden past that leads her into the midst of a war between her people and those that would see them destroyed, the Mosele. Armed with a spiritual weapon and her feline 'sisters, ' Sadatina becomes a Shosa, a warrior trained to fight the terrible nyokas, demon-like creatures that aid the Mosele in their war against her people. Woman of the Woods by Milton Davis is an action filled, emotionally charged adventure that expands the scope of the world of Uhuru and introduces another unforgettable character to the fabled continent's heroic legends.
In this exciting and historical comics collection, some of storytelling's finest talents reimagine folklore from North American tribes with a modern twist.
Real solutions to the unexpected threats that endanger long-term recovery written for a woman's unique experience. Women new to recovery find much support; sponsorship and fellowship are new, and everything about the recovery life seems fresh and exciting. With time, recovering women face challenges from complacency to burnout, menopause to weight gain. Author Cameron has been there, and shares her "experience, strength, and hope" to teach readers how to handle the unexpected trials of double-digit recovery. Topics include sex, family, work-life balance, the empty nest, caregiving, aging, health and fitness, complacency, program burnout . . . and much more. Diane Cameron is a blogger, journalist, and columnist in long-term recovery. Her newspaper columns appear in the Albany Times-Union, USA Today, the Christian Science Monitor, Chicago Tribune, Pittsburgh Post-Gazette, and the Washington Post.
Discover a terrifying world in the woods in this collection of five hauntingly beautiful graphic stories that includes the online webcomic sensation “His Face All Red,” in print for the first time. Journey through the woods in this sinister, compellingly spooky collection that features four brand-new stories and one phenomenally popular tale in print for the first time. These are fairy tales gone seriously wrong, where you can travel to “Our Neighbor’s House”—though coming back might be a problem. Or find yourself a young bride in a house that holds a terrible secret in “A Lady’s Hands Are Cold.” You might try to figure out what is haunting “My Friend Janna,” or discover that your brother’s fiancée may not be what she seems in “The Nesting Place.” And of course you must revisit the horror of “His Face All Red,” the breakout webcomic hit that has been gorgeously translated to the printed page. Already revered for her work online, award-winning comic creator Emily Carroll’s stunning visual style and impeccable pacing is on grand display in this entrancing anthology, her print debut.
A grieving widow discovers a most unexpected form of healing—hunting for mushrooms. “Moving . . . Long tells the story of finding hope after despair lightly and artfully, with self-effacement and so much gentle good nature.”—The New York Times Long Litt Woon met Eiolf a month after arriving in Norway from Malaysia as an exchange student. They fell in love, married, and settled into domestic bliss. Then Eiolf’s unexpected death at fifty-four left Woon struggling to imagine a life without the man who had been her partner and anchor for thirty-two years. Adrift in grief, she signed up for a beginner’s course on mushrooming—a course the two of them had planned to take together—and found, to her surprise, that the pursuit of mushrooms rekindled her zest for life. The Way Through the Woods tells the story of parallel journeys: an inner one, through the landscape of mourning, and an outer one, into the fascinating realm of mushrooms—resilient, adaptable, and essential to nature’s cycle of death and rebirth. From idyllic Norwegian forests and urban flower beds to the sandy beaches of Corsica and New York’s Central Park, Woon uncovers an abundance of surprises often hidden in plain sight: salmon-pink Bloody Milk Caps, which ooze red liquid when cut; delectable morels, prized for their earthy yet delicate flavor; and bioluminescent mushrooms that light up the forest at night. Along the way, she discovers the warm fellowship of other mushroom obsessives, and finds that giving her full attention to the natural world transforms her, opening a way for her to survive Eiolf’s death, to see herself anew, and to reengage with life. Praise for The Way Through the Woods “In her search for new meaning in life after the death of her husband, Long Litt Woon undertook the study of mushrooms. What she found in the woods, and expresses with such tender joy in this heartfelt memoir, was nothing less than salvation.”—Eugenia Bone, author of Mycophilia and Microbia
Kirkus Reviews Best Book of the Year This “witty, engaging analysis” of female monsters in pop culture offers “provocative and incisive” commentary on society’s fear of female rage and power (Soraya Chemaly, author of Rage Becomes Her) Women have always been seen as monsters. Men from Aristotle to Freud have insisted that women are freakish creatures, capable of immense destruction. Maybe they are. And maybe that’s a good thing. Sady Doyle, hailed as “smart, funny and fearless” by the Boston Globe, takes readers on a tour of the female dark side, from the biblical Lilith to Dracula’s Lucy Westenra, from the T-Rex in Jurassic Park to the teen witches of The Craft. She illuminates the women who have shaped our nightmares: Serial killer Ed Gein’s “domineering” mother Augusta; exorcism casualty Anneliese Michel, who starved herself to death to quell her demons; author Mary Shelley, who dreamed her dead child back to life. These monsters embody patriarchal fear of women, and illustrate the violence with which men enforce traditionally feminine roles. They also speak to the primal threat of a woman who takes back her power. In a dark and dangerous world, Dead Blondes and Bad Mothers asks women to look to monsters for the ferocity we all need to survive. “Some people take a scalpel to the heart of media culture; Sady Doyle brings a bone saw, a melon baller, and a machete.” —Andi Zeisler, author of We Were Feminists Once