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Study on women in Indian society from pre-historic to the present day.
A groundbreaking collective biography narrating the history of emancipation through the life stories of women of African descent in the Americas.
In Emancipation's Daughters, Riché Richardson examines iconic black women leaders who have contested racial stereotypes and constructed new national narratives of black womanhood in the United States. Drawing on literary texts and cultural representations, Richardson shows how five emblematic black women—Mary McLeod Bethune, Rosa Parks, Condoleezza Rice, Michelle Obama, and Beyoncé—have challenged white-centered definitions of American identity. By using the rhetoric of motherhood and focusing on families and children, these leaders have defied racist images of black women, such as the mammy or the welfare queen, and rewritten scripts of femininity designed to exclude black women from civic participation. Richardson shows that these women's status as national icons was central to reconstructing black womanhood in ways that moved beyond dominant stereotypes. However, these formulations are often premised on heteronormativity and exclude black queer and trans women. Throughout Emancipation's Daughters, Richardson reveals new possibilities for inclusive models of blackness, national femininity, and democracy.
"The twenty-four women discussed in these chapters constitute a collective biography that narrates the history of emancipation as experienced by women of African descent in the western hemisphere. As If She Were Free articulates this individual and collective struggle - in which African descended women spoke and acted in ways that declared that they had a right to determine the course of their lives. African descended women sought out freedom from the moment they arrived on the shores of the Americas in the sixteenth century. For the next four centuries, enslaved women measured freedom in degrees, claimed it in stages, and experienced it multidimensional ways. For some women, freedom meant legal protection from slavery, while, for others, something akin to freedom was experienced in the context of a family, a community, or a political association. More than simply deliverance from slavery; emancipation was liberation from civil or other restraints; and it included efforts to gain economic, personal, political, and social rights. On all of these fronts, women emancipated themselves. In telling their stories, As If She Were Free articulates a new feminist history of freedom"--
Most histories of the Civil War era portray the struggle over slavery as a conflict that exclusively pitted North against South, free labor against slave labor, and black against white. In Freedom's Frontier, Stacey L. Smith examines the battle over slavery as it unfolded on the multiracial Pacific Coast. Despite its antislavery constitution, California was home to a dizzying array of bound and semibound labor systems: African American slavery, American Indian indenture, Latino and Chinese contract labor, and a brutal sex traffic in bound Indian and Chinese women. Using untapped legislative and court records, Smith reconstructs the lives of California's unfree workers and documents the political and legal struggles over their destiny as the nation moved through the Civil War, emancipation, and Reconstruction. Smith reveals that the state's anti-Chinese movement, forged in its struggle over unfree labor, reached eastward to transform federal Reconstruction policy and national race relations for decades to come. Throughout, she illuminates the startling ways in which the contest over slavery's fate included a western struggle that encompassed diverse labor systems and workers not easily classified as free or slave, black or white.
First published in 1893, this book offers an early and influential feminist critique of society and the gender roles that constrain women. With lucid arguments and incisive analysis, the book remains relevant today as a contribution to ongoing debates about gender inequality and the struggle for women's rights. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Lauded for its contribution to the theory and conceptualization of the field of women's history and for its sensitivity to the differences of class, ethnicity, race, and culture among women, "The Majority Finds Its Past" became a classic volume in women's history after its original publication in 1979. This edition includes a foreword by Linda K. Kerber, introducing a new generation of readers to Gerda Lerner's body of work and highlighting the importance of the essays in this collection to the development of the field that Lerner helped establish.
"This essay was written at the height of the civil rights movement in 1965 and was part of a broad political analysis of that period. 'The emancipation of women' was adopted by Radical Women as a position paper in 1973. The larger work has been published by Red Letter Press under the title 'Crisis and leadership'."--P.3.
Chiefly on history of Tamil Nadu.