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Women around the world routinely suffer from beatings, rape, torture and murder. These are not the practices of a few demented individuals, but are often institutionalized, culturally-sanctioned behaviors. Millions of women live in a constant state of isolation, terror and fear; for most, escape is nearly impossible due to economic, social, or cultural restrictions. Forsaken Females describes the many types of global brutalization that occur against women: including feticide, infanticide, female genital mutilation, sexual slavery, honor killing, acid attacks, trafficking, dowry death, rape, and intimate partner violence. The violence is varied in both method and practice and is often supported by patriarchal ideologies or policies that maintain the social conditions and cultural framework that accept womenOs brutalization. Forsaken Females also addresses the physical, emotional and economic impact of the violence. The discussion is structured around the experiences of women who describe their personal victimization. Each chapter concludes with examples of promising policies and practices developed to address and reduce violence perpetrated against women.
In the critically acclaimed best-seller,Women's Bible Commentary, an outstanding group of women scholars introduced and summarized each book of the Bible and commented on those sections of each book that have particular relevence to women, focusing on female charecters, symbols, life situations such as marriage and family, the legal status of women, and religious principles that affect relationships of women and men. Now, this expanded edition provides similar insights on the Apocrypha, presenting a significant view of the lives and religious experiences of women as well as attitudes toward women in the Second Temple period. This expanded edition sets a new standard for women's and biblical studies.
In March 2004, when award-winning photographer Lana Slezic went on assignment to Afghanistan from her native Canada, she never dreamed she would stay for two years. At the time she believed that since the ousting of the repressive Taliban in 2001, Afghan women and girls were living under considarably less oppressive conditions. She soon discovered that life for Afghan women was not as she expected, and felt compelled to stay and document their story. With the help of a young female Aghan as her friend and translator, Slezić photographed women all over the country. Over endless cups of tea in sitting rooms in cities and villages, she learned that Afghan women are still living in a harrowingly oppressive society where forced marriage, domestic violence, honour killings, and an unpalatable lack of freedom still exist. Even today many are not allowed to leave their homes or go to school, and the burka remains a common sight on the dusty streets of the war-torn country. This body of work represents a very emotional journey that has allowed Slezic to learn about the lives of Afghan women and girls in an intimate setting. Unfortunately, most of them understand subservience and fear all too well. Forsaken offers a moving, confrontational and intimate picture of the life of Afghan women who have dared to show their vulnerability in this book. Their fighting spirit and small steps towards equality give them and the viewer hope for better times.The book has garnered honors as one of the best photo books of that year, including PDNs Annual Best Photo Books.
The Forsaken Muse, a Woman's Journey from Sorrow to Hope takes you inside a woman's world as she struggles from despair, sadness, travail and self-examination to finding hope, growth and her own destiny. This is a book of poetry with PASSION, and a collection of beautiful PHOTOGRAPHS, DRAWINGS and other ARTt forms. ALL poems are beautifully illustrated by original photography which could stand on their own as beautiful art and were meticulously hand-picked. This book is for women, and therefore also relevant to men. ******************************************* "The book goes through a journey from despair to awakening, healing and triumph at the end. The poems in VOLUME I called 'Songs of Lamentation, My Life is Out of Rhyme' can be quite painful to read for some, but show the realities of life so we can appreciate when we have been through them. VOLUME II, 'I Endure, I Suffer, I Give Birth' takes us further to the woman's journey where she starts to awaken to her natural ability to fight for survival, to do something to change her situation, where she suffers and yet she is involved in birthing something beautiful within her life. VOLUME III, 'Changing...Loving myself, Loving others... Finding me, finding my destiny' shows us the beauty of her transformation, where she now has confidence to move forward, reconciles herself with herself, understands who she really is, and eventually, start to think beyond herself to help others. VOLUME IV is titled 'The Forsaken Woman Finds Herself'. - this provides a conclusion as to her journey and her self-realization. THIS BOOK OF POETRY, WHICH IS A WOMAN'S STORY, WILL NOT DISAPPOINT!
First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
A young woman's gripping account of faith, courage, and survival during and after World War II. Follow Marion Ghent as she endures the death of her father, Japanese attacks during World War II, hiding among the feared Moros on Mindanao Island, becoming a Japanese POW, escaping, and then hiding out in the mountains and rain forests just trying to survive the war. Learn the miraculous story of how she reconnects with her father's American family, then comes to the USA to live among the family and complete her education. See how her constant Faith, Courage, and Strength saw her through every trial, and how she clung to the knowledge that she was "NEVER FORSAKEN!"
At the heart of poetic tradition is a figure of abandonment, a woman forsaken and out of control. She appears in writings ancient and modern, in the East and the West, in high art and popular culture produced by women and by men. What accounts for her perennial fascination? What is her function—in poems and for writers? Lawrence Lipking suggests many possibilities. In this figure he finds a partial record of women's experience, an instrument for the expression of religious love and yearning, a voice for psychological fears, and, finally, a model for the poet. Abandoned women inspire new ways of reading poems and poetic tradition.