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The work Mozart Bibliographies is published to commemorate Wolfgang Amadeus Mozart's 250th birthday. 1,612 independent and hidden bibliographies as well as reference works on Mozart's life, his works and his family are recorded here with commentaries. It also covers non-independent bibliographies, catalogues of his works, exhibition catalogues, discographies and filmographies. With a few exceptions, all the entries are based on title autopsy. The bibliographies are divided into titles on Mozart's family, Constanze Mozart, Karl Mozart, Leopold Mozart, Maria Anna (Nannerl) Mozart, Wolfgang Amadeus Mozart and Wolfgang Amadeus d. J. (Franz Xaver Wolfgang) Mozart. The extensive material is indexed by names, titles and subject headings, providing varied insights and access.
“Barth was sometimes asked if his theology demanded a different master in music than Mozart. Barth’s response noted in this volume was emphatically, and characteristically to some, negative—Nein. Regardless of what one makes of Mozart, or of Barth’s view of him … the reader gains a greater understanding of Barth’s theology through attention to his reflections on Mozart. For ‘the evangelical Christian,’ Barth’s fascination with the ‘Catholic’ and ‘Freemason’ Mozart was by no means an anomaly that strikes a dissonant chord in Barth’s theological symphony. Rather, it resonates with the melodic line. Like a magic flute, Barth’s tribute to Mozart serves as a key to unlocking the door to the mysteries of Barth’s view of God’s ways with the world.” (from the foreword by Paul Louis Metzger).
"Frank Jehle has accomplished the feat of writing a short, precise introduction to Karl Barth the theologian in relation to the world of politics. In Jehle we have a clear and helpful interpreter who shows, rightly, Barth swimming ever against the stream." Eberhard Busch "In this thorough study Jehle analyzes Barth's political views from the beginning of his career until the day before his death. This comprehensive approach clearly demonstrates how Barth, despite his unpredictability in the political realm, was remarkably consistent and faithful to his conviction that the justice and grace of God must inform all our political utterances and actions. Ultimately, what emerges from this fine study is a portrait of a courageous political thinker who never hesitated to challenge prevailing views and who strove to join the spiritual and the political." John Hesselink Western Theological Seminary "Ever against the Stream is an engaging narrative that chronicles Barth's involvement in the political realm, whether advocating for the workers in his congregation, speaking against National Socialism in Germany and in Switzerland, or taking a more subdued public posture toward communism. Drawing from his many speeches and letters, the book presents a nuanced and sympathetic appraisal of Barth's positions throughout his life and within the context of his theological framework. His failure at first to perceive dangers inherent in communism is balanced by his forward-looking perception of dangers within National Socialism and within the quietism of his fellow Swiss citizens during that time. He was often silenced. Barth made enemies among those in the church who wanted to turn the state into an absolute. But he called for Christians to be engaged in the world nonetheless, and he lived out such an existence. Frank Jehle's narrative is riveting, his observations carefully stated, and he responds to those who wrote Barth off as a troublemaker or out of touch. Jehle also goes to great pains to show how Barth's positions were caricatured and then rejected or taken out of context, possibly because his observations were so accurate. The little side trips into Barth's personal interactions with other key figures of his day are fascinating, enlightening, and fitting." Thomas Trapp Concordia University
An analysis of the composer’s unconventional teaching style and philosophy, his relationship with his students, and his effect on twentieth century music. Many students of renowned composer, conductor, and teacher Ferruccio Busoni had illustrious careers of their own, yet the extent to which their mentor’s influence helped shape their success was largely unexplored until now. Through rich archival research including correspondence, essays, and scores, Erinn E. Knyt presents an evocative account of Busoni’s idiosyncratic pedagogy—focused on aesthetic ideals rather than methodologies or techniques—and how this teaching style and philosophy can be seen and heard in the Nordic-inspired musical works of Sibelius, the unusual soundscapes of Varèse, the polystylistic meldings of music and technology in Louis Gruenberg’s radio operas and film scores, the electronic music of Otto Luening, and the experimentalism of Philip Jarnach. Equal parts critical biography and interpretive analysis, Knyt’s work compels a reconsideration of Busoni’s legacy and puts forth the notion of a “Busoni School” as one that shaped the trajectory of twentieth-century music. “Erinn Knyt’s Ferruccio Busoni and His Legacy is a most welcome addition to the literature on Busoni as a fine example of research based on primary sources.” —Bach
In recognition of Karl Barth’s stature as a theologian and public figure in the life of Europe and the West, Swiss publisher Theologischer Verlag Zurich (TVZ) published Conversations, a collection of correspondence, articles, interviews, and other short-form writings by Barth. Collected in three volumes, Conversationsreveals the depth and breadth of Barth’s theological thought as well as his humor and humanity. Now, for the first time in English, the third and final volume is offered here. Volume 3 covers the period from 1964 to 1968, the year of Barth’s death. As such, it represents the culmination of the great theologian’s thoughts on a broad range of subjects, from the challenges of living as the church in an increasingly secular world to the distinctive joys and challenges of the pastoral vocation.
Colin Gunton was a world renowned scholar, systematic theologian and Reformed Church minister. Revelation and Reason is an in-depth analysis, derived from the annual lecture/seminar course he gave to MA students at King's College London. Approximately one-third of the work is a direct transcript, and analysis of the three two-hour lectures Colin Gunton gave at a break-neck speed: 1. 'From Reason and Revelation to Revelation And Reason'; 2. 'The Modern Problem in an Historical Context'; 3. 'Aspects of Karl Barth on Faith And Reason'. These lectures were a history, analysis and critique of Revelation and Reason in Systematic Theology and Philosophy, culminating with Karl Barth. The remainder is a transcript of the unrehearsed, unscripted, extemporary responses Colin Gunton gave to MA student's papers on set topics in the Revelation and Reason course, seamlessly integrated, where relevant, with detail from the main three lectures. Colin was a creative lecturer and widely read theologian and philosopher. These extemporary responses show the breadth of his learning, and his genius spontaneously to bring to mind relevant ideas from a wealth of theologians and philosophers, whilst incisively and piercingly exposing the flaws as well as the strengths under consideration. From this wealth of reading, Colin gave space to the free rein of his mind particularly when fielding questions or trying to analyze a particular strand of a theologian's thought. Revelation and Reason is a complementary volume to Colin Gunton's posthumously published The Barth Lectures (Continuum 2007) and to the first volume of his unfinished Systematic Theology, also forthcoming from T&T Clark.