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This study presents the religious dynamics of the Wolaitta Kale Heywet Church in southern Ethiopia from 1937 to 1975. On the basis of detailed research from within southern Ethiopia, E. Paul Balisky demonstrates that the indigenous extension of the Wolaitta Christian movement into southern Ethiopia, through the instrumentality of her evangelists, helped Wolaitta regain her own religious center and subsequent identity after centuries of various forms of colonialism and imperialism. Wolaitta Evangelists broadens one's understanding of how an imported model of Christianity provided religious answers to the ideals of a particular Ethiopian society and continues to motivate her members to evangelize. The evangelists who went to people of similar culture and worldview were successful in effecting social change. To ethnic groups who had moved beyond their former primal religions, and to those of disparate culture, the evangelists were those who scattered the seed and impacted the religious, social, economic, and political life of southern Ethiopia. Wolaitta Evangelists tells the story of how missionary activity played a role in Wolaitta once again becoming a people.
Overcomers bears witness in a time of discrimination and persecution to how God delivers His people. Both from leaders under severe pressure and from ordinary believers caught in the vortex of Marxist re-education and cultural upheaval, these testimonies primarily from the Kale Heywet Church community recount experiences during the Ethiopian Revolution (1974–1991).
This reference collection presents academic reviews of more than twelve-hundred contemporary Africa-related publications relevant for informed Christian reflection in and about Africa. The collection is based on the review journal BookNotes for Africa, a specialist resource dedicated to bringing to notice such publications, and furnishing them with a one-paragraph description and evaluation. Now assembled here for the first time is the entire collection of reviews through the first thirty issues of the journal’s history. The core intention, both of the journal and of this compilation, is to encourage and to facilitate informed Christian reflection and engagement in Africa, through a thoughtful encounter with the published intellectual life of the continent. Reviews have been provided by a team of more than one hundred contributors drawn from throughout Africa and overseas. The books and other media selected for review represent a broad cross-section of interests and issues, of personalities and interpretations, including the secular as well as the religious. The collection will be of special interest to academic scholars, theological educators, libraries, ministry leaders, and specialist researchers in Africa and throughout the world, but will also engage any reader looking for a convenient resource relating to modern Africa and Christian presence there.
Tesfaye Gabbiso, prominent Ethiopian soloist, began composing song texts and tunes as a young lad in the early 1970s during a period of social and political upheaval in Ethiopia. This national ferment strengthened a creative surge among a generation of youth as the Ethiopian revolution (1974-91) was taking hold. An explosion of indigenous spiritual songs was one result. The indigenous song style was in contrast to the imported and translated European hymnody that had earlier been sung in Ethiopia's evangelical churches. Because of his testimony, both in life and song, Tesfaye was imprisoned for seven years during the revolution, during which time he continued to compose and sing. Thus, his songs reflect suffering, endurance, and hope in the "Babylons, Meantime, and Zions" of life experience. The human voice in song, rooted in the flow of the missio Dei, is perhaps the greatest testimony that may be lived out, whether in a prison cell or in the larger complex world. A special feature of this book is the inclusion of 104 of Tesfaye's songs (Cassettes 1-7) in English translation. This study is valuable as a cross-cultural textbook, offers rich lyrics, and embodies a challenge to Christian commitment in the arts.
Theses on any subject submitted by the academic libraries in the UK and Ireland.