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When Oscar Amalfitano begins an affair with one of his students, he has no idea where it will lead. More than his turbulent revolutionary past, or the death of his beautiful wife, the scandalous exposure of this relationship will change him for ever. Forced to flee Barcelona with his seventeen-year-old daughter, Amalfitano finds himself in Santa Teresa, a sprawling, mythical town on the Mexico-US border, populated by mysterious characters and haunted by dark tales of murdered women. Returning to the the world and characters of 2666, Bolaño's masterpiece, Woes of the True Policeman explores the the power of art, memory and desire - and marks a kaleidoscopic, lyrical and darkly humorous last act in one of the great oeuvres of world literature. TRANSLATED BY NATASHA WIMMER ‘Hallucinatory, manic, fearful, comic... Bolaño must be read by anyone who loves the novel’ Herald ‘We savour all he has written as every offering is a portal into the elaborate terrain of his genius’ Patti Smith
A NATIONAL BOOK CRITICS CIRCLE AWARD WINNER THE POSTHUMOUS MASTERWORK FROM "ONE OF THE GREATEST AND MOST INFLUENTIAL MODERN WRITERS" (JAMES WOOD, THE NEW YORK TIMES BOOK REVIEW) Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of SantaTeresa—a fictional Juárez—on the U.S.-Mexico border, where hundreds of young factory workers, in the novel as in life, have disappeared.
Two young poets, Jan and Remo, find themselves adrift in Mexico City. Obsessed with poetry, and, above all, with science fiction, they are eager to forge a life in the literary world. But as close as these friends are, the city tugs them in opposite directions. Jan withdraws from the world, shutting himself in their shared rooftop apartment where he feverishly composes fan letters to the stars of science fiction. Meanwhile, Remo runs head-first into the future, spending his days and nights with a circle of wild young writers, seeking pleasure in the city’s labyrinthine streets, rundown cafes, and murky bathhouses. TRANSLATED BY NATASHA WIMMER ‘Fascinating... Achingly beautiful... It reads like a dispatch from beyond the grave’ New Yorker ‘The Spirit of Science Fiction functions as a kind of key to the jewelled box of Bolaño’s fictions... A cocktail of sorrow and ecstasy’ Paris Review
These five astonishing stories, along with two compelling essays, show Bolano as a magician, pulling bloodthirsty rabbits out of his hat. The stories in The Insufferable Gaucho — unpredictable and daring, highly controlled yet somehow haywire — might concern a stalwart rat police detective investigating terrible rodent crimes, or an elusive plagiarist, or an elderly Argentine lawyer giving up city life for an improbable return to the familye state on the Pampas, now gone to wrack and ruin. These five astonishing stories, along with two compelling essays, show Bolano as a magician, pulling bloodthirsty rabbits out of his hat.
A collection that gathers everything Bolano was working on before his untimely death. A North American journalist in Paris is woken at 4 a.m. by a mysterious caller with urgent information. For V. S. Naipaul the prevalence of sodomy in Argentina is a symptom of the nation’s political ills. Daniela de Montecristo (familiar to readers of Nazi Literature in the Americas and 2666) recounts the loss of her virginity. Arturo Belano returns to Mexico City and meets the last disciples of Ulises Lima, who play in a band called The Asshole of Morelos. Belano’s son Gerónimo disappears in Berlin during the Days of Chaos in 2005. Memories of a return to the native land. Argentine writers as gangsters. Zombie schlock as allegory... The various pieces in the posthumous Secret of Evil extend the intricate, single web that is the work of Roberto Bolano.
One more journey to the literary universe of Roberto Bolaño, an essential voice of contemporary Latin American literature Roberto Bolaño’s boundless imagination and seemingly inexhaustible gift for shaping the chaos of his reality into enduring fiction is unmistakable in these three exhilarating novellas. In ‘Cowboy Graves’, Arturo Belano – Bolaño’s alter ego – returns to Chile after the coup to fight with his comrades for socialism. ‘French Comedy of Horrors’ takes the reader to French Guiana on the night after an eclipse where a seventeen-year-old answers a pay phone and finds himself recruited into the Clandestine Surrealist Group, a secret society of artists based in the sewers of Paris. And in ‘Fatherland’, a young poet reckons with the fascist overthrow of his country, as the woman he is obsessed with disappears in the ensuing violence and a Third Reich fighter plane mysteriously writes her poetry in the sky overhead. Cowboy Graves is an unexpected treasure from the vault of a master of contemporary fiction. These three fiercely original tales bear the signatures of Bolaño’s extraordinary body of work, echoing the strange characters and uncanny scenes of his great triumphs, while deepening our understanding of his profound gifts.
Begun in the 1980s and worked on until the author's death in 2003, Woes of the True Policeman is Roberto Bolaño's last, unfinished novel. The novel follows Óscar Amalfitano—an exiled Chilean university professor and widower—through the maze of his revolutionary past, his relationship with his teenage daughter, Rosa, his passion for a former student, and his retreat from scandal in Barcelona. Forced to leave Barcelona for Santa Teresa, a Mexican city close to the U.S. border where women are being killed in unprecedented numbers, Amalfitano soon begins an affair with Castillo, a young forger of Larry Rivers paintings. Meanwhile, Rosa, Amalfitano's daughter, engages in her own epistolary romance with a basketball player from Barcelona, while still trying to cope with her mother's early death and her father's secrets. After finding Castillo in bed with her father, Rosa is forced to confront her own crisis. What follows is an intimate police investigation of Amalfitano that involves a series of dark twists, culminating in a finale full of euphoria and heartbreak. Featuring characters and stories from his other books, Woes of the True Policeman invites the reader more than ever into the world of Roberto Bolaño. It is an exciting, kaleidoscopic novel, lyrical and intense, yet darkly humorous. Exploring the roots of memory and the limits of art, Woes of the True Policeman marks the culmination of one of the great careers of world literature.
Collection of most of Bolaño's newspaper columns, articles (many about other literary authors), prefaces, and texts of talks or speeches given by Bolaño during the last five years of his life. "Taken together, they make a surprisingly rounded whole . . . a kind of fragmented 'autobiography.'"--Introduction, p.1.
War-games champion Udo Berger is finally on holiday. Travelling to the Costa Brava with his long-ignored girlfriend, Ingeborg, there they meet another vacationing German couple, Charly and Hanna, and a band of shady locals. They have fun, see the sights, relax. Then, late one night, Charly disappears without a trace. Desperate to solve the mystery, Udo refuses to leave, even after Ingeborg returns home. Increasingly frightened, the situation slips beyond his grasp and Udo suddenly realizes that the consequences of this ‘game’ are much more serious than he ever imagined. TRANSLATED BY NATASHA WIMMER ‘Capering, weird, rascally and short... The Third Reich is giddily funny, but it is also prickly and bizarre enough to count among Bolaño’s first-rate efforts’ The Economist ‘A mesmerizing tale: sleek, linear, easily digested, beautifully translated... Classic Bolaño’ Washington Post
Listed as a "2009 Indie Next List Poetry Top Ten" book by the American Booksellers Association: Roberto Bolano as he saw himself, in his own first calling as a poet. Roberto Bolano (1953-2003) has caught on like a house on fire, and The Romantic Dogs, a bilingual collection of forty-four poems, offers American readers their first chance to encounter this literary phenomenon as a poet: his own first and strongest literary persona. These poems, wide-ranging in forms and length, have appeared in magazines such as Harper's, Threepenny Review, The Believer, Boston Review, Soft Targets, Tin House, The Nation, Circumference, A Public Space, and Conduit. Bolano's poetic voice is like no other's: "At that time, I'd reached the age of twenty/and I was crazy. /I'd lost a country/but won a dream./Long as I had that dream/nothing else mattered...."