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Zen practitioner and non-profit community developer Bernie Glassman offers powerful teaching stories that illustrate ways of making peace one moment at a time. Each chapter focuses on an event or person and demonstrates how a particular peacemaker vow is put into practice. Through these stories and Glassman's personal testimony we come to understand the essence of peacemaking.
This interdisciplinary collection of essays examines the translation of pain into art, the impossibility of finding one's own voice in situations of pain, and the presumed therapeutic power of the artistic representation of pain.
New expanded edition of a classic anthropology title that examines ethnicity as a dynamic and shifting aspect of social relations.
A brilliant, clear-eyed consideration of the visual representation of violence in our culture--its ubiquity, meanings, and effects. Considered one of the greatest critics of her generation, Susan Sontag followed up her monumental On Photography with an extended study of human violence, reflecting on a question first posed by Virginia Woolf in Three Guineas: How in your opinion are we to prevent war? "For a long time some people believed that if the horror could be made vivid enough, most people would finally take in the outrageousness, the insanity of war." One of the distinguishing features of modern life is that it supplies countless opportunities for regarding (at a distance, through the medium of photography) horrors taking place throughout the world. But are viewers inured—or incited—to violence by the depiction of cruelty? Is the viewer’s perception of reality eroded by the daily barrage of such images? What does it mean to care about the sufferings of others far away? First published more than twenty years after her now classic book On Photography, which changed how we understand the very condition of being modern, Regarding the Pain of Others challenges our thinking not only about the uses and means of images, but about how war itself is waged (and understood) in our time, the limits of sympathy, and the obligations of conscience.
The astonishing, Job-like story of how an existence filled with loss, suffering, questioning, and anger became a life filled with shocking and incomprehensible peace and joy. Vaneetha Risner contracted polio as an infant, was misdiagnosed, and lived with widespread paralysis. She lived in and out of the hospital for ten years and, after each stay, would return to a life filled with bullying. When she became a Christian, though, she thought things would get easier, and they did: carefree college days, a dream job in Boston, and an MBA from Stanford where she met and married a classmate. But life unraveled. Again. She had four miscarriages. Her son died because of a doctor's mistake. And Vaneetha was diagnosed with post-polio syndrome, meaning she would likely become a quadriplegic. And then her husband betrayed her and moved out, leaving her to raise two adolescent daughters alone. This was not the abundant life she thought God had promised her. But, as Vaneetha discovered, everything she experienced was designed to draw her closer to Christ as she discovered "that intimacy with God in suffering can be breathtakingly beautiful."
An innovative reassessment of Holocaust testimony, revealing the dramatic ways in which the languages and places of postwar life inform survivor memory This groundbreaking work rethinks conventional wisdom about Holocaust testimony, focusing on the power of language and place to shape personal narrative. Oral histories of Lithuanian Jews serve as the textual base for this exploration. Comparing the remembrances of Holocaust victims who remained in Lithuania with those who resettled in Israel and North America after World War II, Pollin-Galay reveals meaningful differences based on where survivors chose to live out their postwar lives and whether their language of testimony was Yiddish, English, or Hebrew. The differences between their testimonies relate to notions of love, justice, community--and how the Holocaust did violence to these aspects of the self. More than an original presentation of yet-unheard stories, this book challenges the assumption of a universal vocabulary for describing and healing human pain.
New York Times bestseller How do you hold on to hope when you don’t get the ending you asked for? When Katie Davis Majors moved to Uganda, accidentally founded a booming organization, and later became the mother of thirteen girls through the miracle of adoption, she determined to weave her life together with the people she desired to serve. But joy often gave way to sorrow as she invested her heart fully in walking alongside people in the grip of poverty, addiction, desperation, and disease. After unexpected tragedy shook her family, for the first time Katie began to wonder, Is God really good? Does He really love us? When she turned to Him with her questions, God spoke truth to her heart and drew her even deeper into relationship with Him. Daring to Hope is an invitation to cling to the God of the impossible—the God who whispers His love to us in the quiet, in the mundane, when our prayers are not answered the way we want or the miracle doesn’t come. It’s about a mother discovering the extraordinary strength it takes to be ordinary. It’s about choosing faith no matter the circumstance and about encountering God’s goodness in the least expected places. Though your heartaches and dreams may take a different shape, you will find your own questions echoed in these pages. You’ll be reminded of the gifts of joy in the midst of sorrow. And you’ll hear God’s whisper: Hold on to hope. I will meet you here.
Inspired by Susan Sontag’s examination of the impact of “photography of conscience” in Regarding the Pain of Others, Kimberly A. Nance’s Responding to the Pain of Others: Ethics of Witness in Global Testimonial Narratives takes as its point of departure Sontag’s speculation that in combatting human rights abuse, “a narrative seems likely to be more effective than an image.” Building on her own earlier research on Aristotelian rhetorical theory and testimony, along with other interdisciplinary approaches, Nance analyzes the socio-literary narratives of Elvia Alvarado, Medea Benjamin, Peter Dickinson, Benjamin Alire Sáenz, Clea Koff, Delia Jarrett-Macauley, Valentino Achak Deng, Dave Eggers, Uwem Akpan, and Alicia Partnoy. Each of them, she finds, confronts a human rights discourse in which words—and witnesses—have become disconnected from actions. Recognizing that the genre’s own conventions have become an obstacle to its projects, these testimonialists draw on humor, irony, satire, parody, and innovative literary techniques, alongside strategies rooted in real-life organizing, in an effort to reactivate the discourse of human rights. They seek to persuade readers to exchange a solidarity of sentiment, a state Michael Vander Weele calls “an aesthetics in which the engine revs but the clutch is never engaged,” for actual social action.
In our Western, post-Christendom society, much of Christianity's cultural power, privilege, and influence has eroded. But all is not lost, says bestselling author Gerald Sittser. Although the church is concerned and sobered by this cultural shift, it is also curious and teachable. Sittser shows how the early church offers wisdom for responding creatively to the West's increasing secularization. The early Christian movement was surprisingly influential and successful in the Roman world, and so different from its two main rivals--traditional religion and Judaism--that Rome identified it as a "third way." Early Christians immersed themselves in the empire without significant accommodation to or isolation from the culture. They confessed Jesus as Lord and formed disciples accordingly, which helped the church grow in numbers and influence. Sittser explores how Christians today can learn from this third way and respond faithfully, creatively, and winsomely to a world that sees Christianity as largely obsolete. Each chapter introduces historical figures, ancient texts, practices, and institutions to explain and explore the third way of the Jesus movement, which, surprising everyone, changed the world.
John Newton is best known as the slave trader turned hymn writer who penned the most popular English hymn in history: “Amazing Grace.” However, many Christians are less familiar with the decades he spent in relative obscurity, laboring as a “spiritual doctor” while pastoring small parishes in England. In the latest addition to Crossway’s growing Theologians on the Christian Life series, Tony Reinke introduces modern readers to Newton’s pastoral wisdom by leading them through the many sermons, hymns, and—most importantly—letters that he wrote over the course of his life. Considered by many to be one of the greatest letter writers of all time, Newton has valuable insights to offer modern Christians, especially when it comes to fusing together sound doctrine, lived experience, and godly practice. Part of the Theologians on the Christian Life series.