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The story revolves around the adventures of the protagonist, who embarks on a journey to Borneo, an island in Southeast Asia known for its rich rainforests, diverse wildlife, and indigenous tribes, including the Dyaks. Upon arriving in Borneo, the main character encounters the Dyak people, an indigenous group with their own unique culture, traditions, and way of life. The novel explores the interactions and relationships that develop between the protagonist and the Dyak community, shedding light on the customs, beliefs, and challenges faced by both. Throughout the book, readers can expect descriptions of the lush Bornean landscapes, encounters with exotic wildlife, and the protagonist's experiences as they immerse themselves in the unfamiliar culture of the Dyaks. F. S. Brereton's writing often emphasizes themes of adventure, exploration, and cultural understanding. "With the Dyaks of Borneo" is a classic example of Brereton's adventure novels, which transport readers to distant and intriguing locales and introduce them to captivating characters and cultures. It offers a blend of excitement, discovery, and the exploration of the unknown, making it an engaging read for those interested in adventure literature set in exotic locations.
This book's description of Borneo's native people the Dyaks, a collection of hill-dwelling ethnic subgrouops, is full of condescension typical of contemporary European accounts of natives from the East. The book also delivers an appraisal of James Brooke's reign as the White Rajah of Sarawak since 1841.
A 2019 EDGAR AWARDS NOMINEE (BEST FACT CRIME) • A BANFF MOUNTAIN BOOK AWARDS FINALIST Two modern adventurers sought a treasure possessed by the legendary “Wild Men of Borneo.” One found riches. The other vanished forever into an endless jungle. Had he shed civilization—or lost his mind? Global headlines suspected murder. Lured by these mysteries, New York Times bestselling author Carl Hoffman journeyed to find the truth, discovering that nothing is as it seems in the world’s last Eden, where the lines between sinner and saint blur into one. In 1984, Swiss traveler Bruno Manser joined an expedition to the Mulu caves on Borneo, the planet’s third largest island. There he slipped into the forest interior to make contact with the Penan, an indigenous tribe of peace-loving nomads living among the Dayak people, the fabled “Headhunters of Borneo.” Bruno lived for years with the Penan, gaining acceptance as a member of the tribe. However, when commercial logging began devouring the Penan’s homeland, Bruno led the tribe against these outside forces, earning him status as an enemy of the state, but also worldwide fame as an environmental hero. He escaped captivity under gunfire twice, but the strain took a psychological toll. Then, in 2000, Bruno disappeared without a trace. Had he become a madman, a hermit, or a martyr? American Michael Palmieri is, in many ways, Bruno’s opposite. Evading the Vietnam War, the Californian wandered the world, finally settling in Bali in the 1970s. From there, he staged expeditions into the Bornean jungle to acquire astonishing art and artifacts from the Dayaks. He would become one of the world’s most successful tribal-art field collectors, supplying sacred works to prestigious museums and wealthy private collectors. And yet suspicion shadowed this self-styled buccaneer who made his living extracting the treasure of the Dayak: Was he preserving or exploiting native culture? As Carl Hoffman unravels the deepening riddle of Bruno’s disappearance and seeks answers to the questions surrounding both men, it becomes clear saint and sinner are not so easily defined and Michael and Bruno are, in a sense, two parts of one whole: each spent his life in pursuit of the sacred fire of indigenous people. The Last Wild Men of Borneo is the product of Hoffman’s extensive travels to the region, guided by Penan through jungle paths traveled by Bruno and by Palmieri himself up rivers to remote villages. Hoffman also draws on exclusive interviews with Manser’s family and colleagues, and rare access to his letters and journals. Here is a peerless adventure propelled by the entwined lives of two singular, enigmatic men whose stories reveal both the grandeur and the precarious fate of the wildest place on earth.
"Children of Borneo" provides valuable insight into the social customs, manners, and lives of the children of Borneo, the largest Island in Asia. The writer, Reverend Edwin Herbert Gomes, was an Anglican missionary in Sarawak at the beginning of the twentieth century. He talks about the children of Ibans, or Sea Dayaks, a branch of the Dayak people on the island of Borneo, in detail in this work, giving an idea of what things were like in those days.
Once headhunters under the rule of White Rajahs and briefly colonised before independence within Malaysia, the Iban Dayaks of Borneo are one of the world's most extraordinary indigenous tribes, possessing ancient traditions and a unique way of life. As a young man Erik Jensen settled in Sarawak where he lived with the Iban for seven years, learning their language and the varied rites and practices of their lives. He was also witness to the great and often shattering changes they faced then and continue to face today. The plentiful harvests, abundant game and rivers teeming with fish of their remembered past have long since disappeared - destroyed by restrictions on settlement and, ironically, by forest conservation. The Iban's animist beliefs are slowly being replaced by the imported religions of Christianity and Islam and their traditional ways by modern schooling and medicine. In this compelling and beautifully-wrought memoir, Erik Jensen reveals the challenges facing the Iban as they adapt to another century, whilst fighting to preserve their identity and singular place in the world. Haunting, yet hopeful, Where Hornbills Fly opens a window onto a vanishing world and paints a remarkable portrait of this fragile tribe, which continues to survive deep in the heart of Borneo.
March 1945. A handful of young Allied operatives are parachuted into the remote jungled heart of the Japanese-occupied island of Borneo, east of Singapore, there to recruit the island’s indigenous Dayak peoples to fight the Japanese. Yet most have barely encountered Asian or indigenous people before, speak next to no Borneo languages, and know little about Dayaks, other than that they have been – and may still be – headhunters. They fear that on arrival the Dayaks will kill them or hand them over to the Japanese. For their part, some Dayaks have never before seen a white face. So begins the story of Operation Semut, an Australian secret operation launched by the organisation codenamed Services Reconnaisance Department – popularly known as Z Special Unit – in the final months of WWII. Anthropologist Christine Helliwell has called on her years of first-hand knowledge of Borneo, interviewed more than one hundred Dayak people and all the remaining Semut operatives, and consulted thousands of military and other documents to piece together this astonishing story. Focusing on the operation's activities along two of Borneo’s great rivers – the Baram and Rejang – the book provides a detailed military history of Semut II’s and Semut III’s brutal guerrilla campaign against the Japanese, and reveals the decisive but long-overlooked Dayak role in the operation. But this is no ordinary history. Helliwell captures vividly the sounds, smells and tastes of the jungles into which the operatives are plunged, an environment so terrifying that many are unsure whether jungle or Japanese is the greater enemy. And she takes us into the lives and cavernous longhouses of the Dayaks on whom their survival depends. The result is a truly unique account of the encounter between two very different cultures amidst the savagery of the Pacific War.
The author's travels through Borneo and Sumatra.
One hundred and sixty years ago a young Englishman founded a private raj on the coast of Borneo. The world he created eventually took in a territory the size of England, its expansion campaigns paid for in human heads. Here, polite Victorian conventions coexisted tenuously with one of the most violent cultures on earth, often with startling results: pockets of tenderness and extreme brutality appearing where least expected. Into this world flowed a small tribe of adventurers, fugitives, criminals, and saints-- the madly talented and simply mad. And the women followed: wives and would-be wives, spinster nursemaids and heartless schemers, the rigidly virtuous and the virtually desperate. And always, the children, innocents too often the victims of an elemental nature both lush and deadly. Kalimantaan is the story of this world, these people. But the deeper story resides in the realm of the heart. It is about love in absurd conditions, the tenacity of it as well as our ability to miss it repeatedly and with perverse genius.