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In this wickedly funny cultural critique, the author of the critically acclaimed memoir and Hulu series Shrill exposes misogyny in the #MeToo era. This is a witch hunt. We're witches, and we're hunting you. From the moment powerful men started falling to the #MeToo movement, the lamentations began: this is feminism gone too far, this is injustice, this is a witch hunt. In The Witches Are Coming, firebrand author of the New York Times bestselling memoir and now critically acclaimed Hulu TV series Shrill, Lindy West, turns that refrain on its head. You think this is a witch hunt? Fine. You've got one. In a laugh-out-loud, incisive cultural critique, West extolls the world-changing magic of truth, urging readers to reckon with dark lies in the heart of the American mythos, and unpacking the complicated, and sometimes tragic, politics of not being a white man in the twenty-first century. She tracks the misogyny and propaganda hidden (or not so hidden) in the media she and her peers devoured growing up, a buffet of distortions, delusions, prejudice, and outright bullsh*t that has allowed white male mediocrity to maintain a death grip on American culture and politics-and that delivered us to this precarious, disorienting moment in history. West writes, "We were just a hair's breadth from electing America's first female president to succeed America's first black president. We weren't done, but we were doing it. And then, true to form—like the Balrog's whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, 'If I can't have you, no one can'—white American voters shoved an incompetent, racist con man into the White House." We cannot understand how we got here‚—how the land of the free became Trump's America—without examining the chasm between who we are and who we think we are, without fact-checking the stories we tell ourselves about ourselves and each other. The truth can transform us; there is witchcraft in it. Lindy West turns on the light.
The final chapter in Malloy's fantasy trilogy finds Wolfbane, lord of the Night Witches, seeking revenge for his humiliating defeat at the hands of Abby, Spike, and the Light Witches.
The New York Times bestseller and basis for the Tony-winning hit musical, soon to be a major motion picture starring Cynthia Erivo and Ariana Grande With millions of copies in print around the world, Gregory Maguire’s Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum’s 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination. Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens. But Elphaba’s Oz is no utopia. The Wizard’s secret police are everywhere. Animals—those creatures with voices, souls, and minds—are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals—even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas. Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same name—one of the longest-running plays in Broadway history. Popular, indeed. But while the novel’s distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire’s Wicked is as unique as its green-skinned witch.
One of Britain's most well-known High Priestesses offers practical, down-to-earth advice for any witch considering starting or joining a coven.
Benefit from magical wisdom every day, with the spells and rituals offered in this beautiful gift book.This new book from the bestselling author of the Real Witches' series gives you a spell, ritual and meditation for every day of the year. The daily entries guide you through seasonal festivals and rites, showing you how to use the spiritual tradition of witchcraft to best effect throughout the year.Entries include: Details of sabbats with meditations, preparations and celebrations Festivals of Gods and Goddesses 'Non-witchy' dates such as St Valentines Meditations, spells and rituals, such as Self Cleansing and how to find your Totem Animal Home made remedies and charms Tips on divination and the zodiac Information on useful stones and crystals, precious metals, herbs and trees, plus tools such as candles, the pendulum, the chalice and the wand How to interact with animals and nature Explanations of folklore and traditions Gardening and kitchen witchery, including when to plant and harvest, plus seasonal recipesFull of magical wisdom, you can select any page at random to start your day with a little Wiccan inspiration.Whether you wish to follow it day by day or to simply dip into
From the podcast host of The Witch Wave and practicing witch Pam Grossman—who Vulture has dubbed the “Terry Gross of witches”—comes an exploration of the world’s fascination with witches, why they have intrigued us for centuries and why they’re more relevant now than ever. When you think of a witch, what do you picture? Pointy black hat, maybe a broomstick. But witches in various guises have been with us for millennia. In Waking the Witch, Pam Grossman explores the impact of the world’s most magical icon. From the idea of the femme fatale in league with the devil to the bewitching pop culture archetypes in Sabrina the Teenage Witch and Harry Potter; from the spooky ladies in fairy tales to the rise of contemporary witchcraft, witches reflect the power and potential of women. Part cultural analysis, part memoir, Waking the Witch traces the author’s own journey on the path to witchcraft, and how this has helped her find self-empowerment and purpose. It celebrates witches past, present, and future, and reveals the critical role they have played—and will continue to play—in the world as we know it. “Deftly illuminating the past while beckoning us towards the future, Waking the Witch has all the makings of a feminist classic. Wise, relatable, and real, Pam Grossman is the witch we need for our times” (Ami McKay, author of The Witches of New York).
This book combines the powerful, seductive allure of casting real spells withpragmatic, down-to-earth, do-it-yourself guidance.
This book presents twenty chapters by experts in their fields, providing a thorough and interdisciplinary overview of the theory and practice of magic in the West. Its chronological scope extends from the Ancient Near East to twenty-first-century North America; its objects of analysis range from Persian curse tablets to US neo-paganism. For comparative purposes, the volume includes chapters on developments in the Jewish and Muslim worlds, evaluated not simply for what they contributed at various points to European notions of magic, but also as models of alternative development in ancient Mediterranean legacy. Similarly, the volume highlights the transformative and challenging encounters of Europeans with non-Europeans, regarding the practice of magic in both early modern colonization and more recent decolonization.
The archetype of the "witch" is burnt deep into the European psyche, recurring again and again in folklore and fairytales. But is she merely the stuff of fantasy? Roald Dahl warned that witches don't always don black hats and ride on broom sticks. They "dress in ordinary clothes, and look very much like ordinary women. . . . That is why they are so hard to catch." In Witches, Feminism and the Fall of the West, Edward Dutton examines the history of witches and witch-hunting in light of evolutionary psychology. Throughout the centuries, witches were ostracized across Europe and often condemned and executed for sorcery and harming children. They generally adhered to a type: witches were low-status, anti-social, and childless, and their very presence was viewed as poisonous to the community. Dutton demonstrates that witches did, in their way, represent a maladaptive mentality and behavior, which undermined Europe's patriarchal system. When times got tough-that is, when Europe got poorer or colder-the witches were persecuted with a vengeance. Today, the evolutionary situation has been turned on its head. The intense selection pressures of the past have been overcome by the Industrial Revolution and its technological marvels. Modern witches survive and thrive in the postmodern West, still possessed by the motivations and dispositions of their sisters of yore. "Sorcery" (nihilism and self-hatred) is no longer taboo but has become a high-status ideology. Roald Dahl was all-too correct. Witches do exist, and they mean to do us harm.
An accessible introduction to witchcraft offers practical advice on becoming a Wiccan. West explores the myths surrounding witchcraft, its festivals, beliefs, practices and folklore and explains the responsibilities of becoming a witch. 30 line drawings.