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This thorough writing enables the curious seeker to pin down a truly progressive path in perhaps one of the oldest forms of spiritual and magical awareness. To initiates and those in the know, 'the old religion' gives a name to this path. More commonly, the old religion is called Wicca. In this book, you'll find the means to realise your position as a natural born magician. This book encourages the reader to become aware of the symbolic meanings associated with witches tools like the pentacle. Once the reader understands what the pentacle represents, they can enter into the world of creating energetic influences, or magic. This book gives a solid, straightforward grounding into what the Old Gods mean, working with the elemental forces, casting magical circles, practising Sabbat ceremonies and much more. The author, Nigel Cox, is a practising witch who brings his knowledge of witchcraft and the old religion into an easy to read and straightforward way, encouraging those interested in this pagan path to move confidently into it, and if the reader chooses, initiate as a witch and develop a meaningful relationship with the old gods, witchcraft and the old religion.
Discover the real sources of many of the traditions, beliefs, and techniques of modern Witchcraft! And what author Raven Grimassi reveals in Hereditary Witchcraft is the documented ancient roots of the Old Religion. One-by-one, Grimassi goes through the tenets of Witchcraft and shows their ancient sources. The association of the pentagram with Witchcraft goes back at least 2,500 years. The idea of the four elements goes back to a philosopher named Empedocles of Sicily in around 475 B.C.E. The practice of many covens today of having a Priestess, Priest, and Maiden can be traced back over 2,000 years to ancient Pompeii. This book is filled with history, myth, and folklore. But it is also filled with rituals and techniques that you can do. On these pages you will learn how to prepare and banish a magic circle. You'll learn rituals you can do by yourself, including those for the Solstices, Diana's Day, and Cornucopia. With this information you can become a follower of the Old Ways! Of course, one of the most famous aspects of Witchcraft is magick. Grimassi doesn't disappoint here, either. You'll learn runic magick and divination; you'll learn about doing magick with the Moon and stars; you'll learn secret symbols and the powers of herbs. If you are a Witch--or you're thinking about becoming a Witch--this is one of the most important books you could possibly have. You'll find the documentation to support the antiquity of your beliefs and the way Witchcraft is practiced today. This book is both a guide for everyday life and a resource to discover Wiccan origins. If you don't have a copy of this book, get one today. You'll use it for the rest of your life.
With more than 75,000 copies sold, this book has become the classic, introductory to one of the oldest and fastest growing religions in the world. The new edition explains the way of the Witch and much more.
This book sheds new light on the ancient origins of religion to give Wiccans, Witches, and the Neo-Pagans a sense of where they belong in history.
This comprehensive anthology examines contemporary neo-paganism ranging from goddess theology to historical-critical essays. Many of the contributors are academically trained neo-pagans, and the resulting volume is a benchmark study of a significant movement that promises to reshape the religious landscape of the next century.
Italian Witchcraft (previously titled Ways of the Strega) by respected author Raven Grimassi is more than just a book about Witchcraft. It is a complete Book of Shadows. In it you will find the history of this ancient tradition, its legends and myths, as well as the rituals and rites that you can do today. You can be a Strega! The book includes a full set of rituals that you can do. You'll find rituals for all of the Italian Witchcraft holidays including Shadow Fest, Lupercus, Tana's Day and more. You'll also find rituals for the Full Moon, births, funerals. There is a practical side to this book, too. It is filled with instructions so that you can cast spells and work with the powers of incense, oils, herbs, and candles. You'll learn to work with the magick of the Moon and Stars. You'll be able to do protection rituals and learn how to cure someone who has received the "Malocchio" (Evil Eye). Many of the mysteries revealed here have never been published before. You'll learn secret gestures of power and secret symbols. And you can use them all! Also revealed are the secrets of the tools of the Italian Witch. You'll learn how to prepare the "Spirit Blade" and the ritual wand. You'll learn how to make the Spirit Bowl and use to consecrate other tools and talismans. If you're looking to discover real Witchcraft, or if you're already a Witch but are thinking about other traditions, this is the book for you.
"This complete self-study course in modern Wicca is a treasured classic - an essential and trusted guide that belongs in every witch's library."---Back cover
In Old World Witchcraft, noted author Raven Grimassi covers totally new territory--in his work and in the world of popular witchcraft books published in the last few decades. This book is actually about “an enchanted worldview,” one that has not necessarily been inherited from the beliefs and practices of any particular region and one which is available to us today. The “Old World” in the title is actually about a magical view of the Plant Kingdom and the spirits attached to it. While Grimassi’s previous books discuss the cultural expressions and commonality of witchcraft beliefs and practices in general, this book penetrates much deeper. Old World Witchdraft reveals rarely discussed topics such as the concept of Shadow as the organic memory of the earth. Readers will learn rooted techniques that possess power because these ways have always been connected to it. They will learn methods of interfacing with the ancestral current and with the organic memory of the earth. Through these they can connect with the timeless arts and learn methods of empowerment directly from the ancient source. Totally new information about familiar tools is presented. For example, the mortar and pestle is a tool for spell casting, a device that creates interfacing with plant spirits and with shadow, and a focal point for veneration of the Plant Kingdom. Grimassi also presents the art of using plant ashes for magical sigil work. This book is for people who have had their fill of books that say the same things over and over, who want to take the next step, and who are eager for the more rooted ways that have remained largely hidden.
This celebrated study of witchcraft in Europe traces the worship of the pre-Christian and prehistoric Horned God from paleolithic times to the medieval period. Murray, the first to turn a scholarly eye on the mysteries of witchcraft, enables us to see its existence in the Middle Ages not as an isolated and terrifying phenomenon, but as the survival of a religion nearly as old as humankind itself, whose devotees held passionately to a view of life threatened by an alien creed. The findings she sets forth, once thought of as provocative and implausible, are now regarded as irrefutable by folklorists and scholars in related fields. Exploring the rites and ceremonies associated with witchcraft, Murray establishes the concept of the "dying god"--the priest-king who was ritually killed to ensure the country and its people a continuity of fertility and strength. In this light, she considers such figures as Thomas a Becket, Joan of Arc, and Gilles de Rais as spiritual leaders whose deaths were ritually imposed. Truly a classic work of anthropology, and written in a clear, accessible style that anyone can enjoy, The God of the Witches forces us to reevaluate our thoughts about an ancient and vital religion.
The word Witchcraft has been misunderstood for centuries. In the past 500 years, millions of people have faced persecution, torture, and even death after being accused of practicing Witchcraft. For many people the word "Witch" still conjures up images of secret spells and diabolical midnight rituals. So what exactly is Witchcraft (also called Wica or Wicca), and how did it evolve into one of today's fastest-growing religions? Witchcraft From the Inside presents the history of Witchcraft-from its roots in ancient fertility religions, to the madness of the Malleus Maleficarum and the European Witch trials, to the growth of modern Wicca in Britain and the United States. Essays contributed by leading Wiccan authorities explore the present state of Wicca and provide a glimpse into the future of this peaceful nature religion. Author Ray Buckland studied Witchcraft under Gerald Gardner, the man largely credited for the revival of Witchcraft and the establishment of Wicca as a modern religion. Mr. Buckland was instrumental in bringing Gardnerian Witchcraft from England to the United States and is considered to be one of the leading American authorities on Witchcraft. In the following excerpt, Mr. Buckland explains the mundane truths behind the seemingly horrific ingredients of the legendary "witches' brews". We know, from Shakespeare and other sources, that the Witches threw into their pots the most gruesome ingredients, right? There were things like the tongue of a snake, bloody fingers, catgut, donkey's eyes, frog's foot, goat's beard, a Jew's ear, mouse tail, snake head, swine snout, wolf's foot, and so on. Pretty disgusting by the sound of it-if you take them at face value! In fact these were all the most innocuous of ingredients: normal plants and herbs. Today all plants have a Latin name, so that they may be distinct and positively identified. Yet years ago they were known only by common, local names. A plant or herb might be known by one name in one part of the country and a quite different name in another part of the country. And these names were colorful ones, frequently given to the plant because of its looks, color, or other attributes. In the above list, adder's tongue was a name given to the dogtooth violet (Erythronium americanum); bloody fingers was the foxglove (Digitalis purpurea); catgut was the hoary pea (Tephrosia virginiana); donkey's eyes were the seeds of the cowage plant (Mucuna pruriens); frog's foot was the bulbous buttercup (Ranunculus bulbosus); goat's beard was the vegetable oyster (Tragopogon porrofolius); Jew's ear was a fungus that grew on elder trees and elm trees (Peziza auricula); mouse tail was common stonecrop (Sedum acre); snake head was balmony (Chelone glabra); swine snout was the dandelion (Taraxacum dens leonis); and wolf's foot was bugle weed (Lycopus virginicus). So the seemingly fearsome concoctions that the Witches mixed up in their cauldrons were nothing more than simple herbs going into a cookpot!