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Witchblade #30!
A new era of Witchblade begins in this series-changing volume as Sara Pezzini, the Witchblade bearer for 100 issues, gives up the mystical gauntlet to a new bearer in Dani Baptiste! The Witchblade is a mysterious gauntlet which bonds with a female bearer and serves as the Balance between the forces of Light and Dark. Detective Sara Pezzini, the current bearer has discovered she is pregnant and in order to safeguard her baby has given up the artifact to young dancer Dani Baptiste. Written by Ron Marz (Ion, Samurai: Heaven & Earth) and featuring art by Adriana Melo (Star Wars), Stjepan Sejic (First Born), and Sami Basri (Anita Blake) this volume introduces readers to Dani Baptiste and serves as a prologue for First Born. Collecting Witchblade #101-109, plus cover gallery for a massive nine-issue trade paperback.
Old man Prophet's team goes looking for supplies on a city built into the torso of a giant at war with its other body parts. And an old acquaintance.
Describes and lists the values of popular collectible comics and graphic novels issued from the 1950s to today, providing tips on buying, collecting, selling, grading, and caring for comics and including a section on related toys and rings.
The search for Medieval Spawn is still ongoing, and it leads the team to the unlikeliest of people.
Superheroes and characters who fight crime by extraordinary means have populated the television airwaves from the beginning. This broad-ranging reference contains a trove of information on shows featuring such characters as Superman and Black Scorpion to programs like The A-Team and Knight Rider. Regular police and detective shows have been excluded. Alphabetical entries on 125 network, cable and syndicated series broadcast from 1949 to 2001, plus 26 pilot films, deliver information about story premises, characters, and myriad elements that add flavor and interest to the shows, as well as cast listings and broadcast data. A handy index of performers is included as well as appendices listing the crime fighting superheroes and machines that appear in the programs.
DIVCritical studies of the popular television show, BUFFY THE VAMPIRE SLAYER./div
In September 1960 a television show emerged from the mists of prehistoric time to take its place as the mother of all animated sitcoms. The Flintstones spawned dozens of imitations, just as, two decades later, The Simpsons sparked a renaissance of primetime animation. This fascinating book explores the landscape of television animation, from Bedrock to Springfield, and beyond. The contributors critically examine the key issues and questions, including: How do we explain the animation explosion of the 1960s? Why did it take nearly twenty years following the cancellation of The Flintstones for animation to find its feet again as primetime fare? In addressing these questions, as well as many others, essays examine the relation between earlier, made-for-cinema animated production (such as the Warner Looney Toons shorts) and television-based animation; the role of animation in the economies of broadcast and cable television; and the links between animation production and brand image. Contributors also examine specific programmes like The Powerpuff Girls, Daria, Ren and Stimpy and South Park from the perspective of fans, exploring fan cybercommunities, investigating how ideas of 'class' and 'taste' apply to recent TV animation, and addressing themes such as irony, alienation, and representations of the family.
It's a bird! It's a plane! It's a complete guide to over 50 years of superheroes on screen! This expanded and updated edition of the 2004 award-winning encyclopedia covers important developments in the popular genre; adds new shows such as Heroes and Zoom; includes the latest films featuring icons like Superman, Spiderman and Batman; and covers even more types of superheroes. Each entry includes a detailed history, cast and credits, episode and film descriptions, critical commentaries, and data on arch-villains, gadgets, comic-book origins and super powers, while placing each production into its historical context. Appendices list common superhero conventions and cliches; incarnations; memorable ad lines; and the best, worst, and most influential productions from 1951 to 2008.