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Cathy Dunn knew that if shed id not give her penny to the witch, the old lady would turn her into a lizard. Ora goat. Or a spider so small Cathy's mother would step on her. But one day Cathy decided that she would not give up her penny, and that was the day she came down with a fever.Cathy is just one of the many children who came to New York City with their parents seekin g a better life. There is Keplik the Match Man, who builds masterpieces from used matchsticks; Noreen Callahan, who is ashamed to work in her father's smelly fish store; and even a Hanukkah Santa Claus!
Eight tales revolve around families of different nationalities who live on New York's Lower East Side
"A splendidly thoughtful selection...Trelease welcomes everyone in with wide embrace."—Washington Post Book World. 48 read-aloud selections ideal for parents and teachers to share with children ages five through nine.
Multicultural fiction is an essential part of the American literary landscape. This reference helps scholars, teachers, and librarians choose significant texts from both the past and present, and provides guidance in approaching multicultural issues as they are discussed in fiction for young adults. Included are entries for 51 writers, some of whom have nearly been forgotten, others who are just emerging. Each entry provides biographical, critical, and bibliographical information, while a general bibliography of works on multicultural literature concludes the book. Authors included range from the nearly forgotten, such as Laura Adams Armer, to the newly discovered, such as Graham Salisbury, winner of the 1994 Scott O'Dell Award for Historical Fiction. The breadth of authors covered ensures an historical context for the issues raised by multiculturalism, and the sections on the critical reception of each author address such important issues as the authority and authenticity of the writer to comment on a different culture. Contributors are of many different ethnicities and include important scholars of children's literature, lending authenticity and authority to the volume itself.
In New York in the 1940s, a boy tries to befriend a girl traumatized by Nazi brutality in France.
ENTERTAINMENT WEEKLY'S BEST YA OF THE DECADE NEW YORK TIMES bestseller Brand new edition of Victoria Schwab's long out-of-print, stunning debut. All-new deluxe edition of an out-of-print gem, containing in-universe short story "The Ash-Born Boy" and a never-before-seen introduction from V.E. Schwab. The Near Witch is only an old story told to frighten children. If the wind calls at night, you must not listen. The wind is lonely, and always looking for company. There are no strangers in the town of Near. These are the truths that Lexi has heard all her life. But when an actual stranger, a boy who seems to fade like smoke, appears outside her home on the moor at night, she knows that at least one of these sayings is no longer true. The next night, the children of Near start disappearing from their beds, and the mysterious boy falls under suspicion. As the hunt for the children intensifies, so does Lexi's need to know about the witch that just might be more than a bedtime story, about the wind that seems to speak through the walls at night, and about the history of this nameless boy. Part fairy tale, part love story, Victoria Schwab's debut novel is entirely original yet achingly familiar: a song you heard long ago, a whisper carried by the wind, and a dream you won't soon forget.
This story of two girls trying to banish a witch is “full of wonderful fun, excitement, and humor” (Library Journal). Old Witch likes nothing better than to fly around on her broomstick, crying “Heh-heh!” and casting abracadabras. But now she has been sent away . . . by two young girls. Amy and Clarissa have decided that Old Witch is just too mean and wicked. So, drawing a rickety old house upon a barren glass hill, they exile Old Witch there with a warning: She better be good, or else no Halloween! But to give Old Witch some company, they draw her a Little Witch Girl and a Weeny Witch Baby . . . Old Witch tries to be good, but anyone would get up to no good in a place as lonely as the glass hill. And Amy and Clarissa are about to find that out, when Old Witch magics them into her world of make-believe-made-real, in “a very special book that is certain to give boundless pleasure—at any time of the year” (The Horn Book). “A classic for Halloween.” —Library Journal