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Reprint of the original, first published in 1882.
Reprint of the original, first published in 1882.
One of Shakespeare's later plays, best described as a tragi-comedy, the play falls into two distinct parts. In the first Leontes is thrown into a jealous rage by his suspicions of his wife Hermione and his best-friend, and imprisons her and orders that her new born daughter be left to perish. The second half is a pastoral comedy with the "lost" daughter Perdita having been rescued by shepherds and now in love with a young prince. The play ends with former lovers and friends reunited after the apparently miraculous resurrection of Hermione. John Pitcher's lively introduction and commentary explores the extraordinary merging of theatrical forms in the play and its success in performance. As the recent Sam Mendes production at the Old Vic shows, this is a play that can work a kind of magic in the theatre.
The British winter: rain, heavy; trains, cancelled; Christmas, expensive. How many times have you thought that there might be an alternative to grey skies and cold weather- one that will not break the bank? Wintering abroad used to be the preserve of the very wealthy, yet since the advent of cheaper, easier travel, anyone who has the time to spare can escape the winter... and even save some money in the process, No one knows more about ascaping the British winter than acclaimed travel write Anne Mustoe, who has happily spent every Christmas overseas since 1987. Internationally renowned for her entertaining and heroic journeys cycling around the world, the irrepressible Ms Mustoe has put together an invaluable, no-nonesense reference book that is essential reading for anyone who is thinking of fleeing the British Isles during the winter months. Practical and thorough, Escaping The Winter is packed with all the advice you need to successfully make your escape, whether you crave rural isolation in a mountain hideaway or want to mix with the locals in a busy small town, including: - Choosing the right destination for you budget and requirements - Managing your finances and letting your property - Packing for an extended holiday - Making new friends and staying in touch with those back home - Staying safe and healthy - Getting around. If you thought of another British winter fills you with dread, then this is the bood for you.
This book explores the North in Russian romantic literature as a symbol of national particularity. It largely ignores the vogue of Ossian, being primarily concerned with the significance of the North for Russia's national self-image. The author demonstrates how, starting with Lomonosov, the North initially functions as a symbol of Russia's 'new' European identity. Gradually it acquires a different ideological charge, giving voice to growing resentment over the inroads of western culture. By the turn of the century, the North no longer denotes Russia's supposed Europeanness, but its 'unique national' spirit, believed to have been polluted by the slavish imitation of the West. By this time, the theme of winter was discovered as an appropriate vehicle for the expression of nationalist sentiments, culminating in the popular myth of the winter of 1812 as an ally of the Russian people. This study also investigates the theme of 'northern homesickness' as opposed to the lure of the South and concludes by examining the national stereotypes of Russia's northern neighbours, the Swedes and the Finns.
'The only remarkable thing people can tell of their doings these days is that they have stayed at home', declared George Eliot in 1869. In Victorian and Edwardian Britain travel became the rage. The middle classes and the aristocracy seemed in a constant flux of arrival and departure, their luggage festooned with foreign labels. The revolution in transport made this possible. The Mediterranean Passion describes how the British travelled to the South and where they went. Drawing on what these travellers wrote, and what was written for them, it enriches our understanding of the Victorians and Edwardians by exploring the medical, religious, sexual and aesthetic dimensions of their journeys and illuminates an important but neglected aspect of British social and cultural history. '... combines scholarship with charm ... It could easily be taken to the Mediterranean on a holiday and read with pleasure on a sunny beach or in the shade of a church.' Asa Briggs, Financial Times 'I was impressed not merely by the range of his erudition - historical, cultural, literary, topographical, medical et al. - and by the depth of his enquiries into his subject but by the subtlety and refinement of his prose. He deals with very elusive, complex and culturally contradictory matters, upon which few, if any, could arrive at persuasive generalisations; yet he does so throughout the book, while his conclusion is a marvel of judgment, excelling even what his preceded.' David Selbourne (author of The Principle of Duty) The Mediterranean Passion was the joint winner of the 1987 Wolfson Literary Award for History.