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EARLY GRAVE Glooscap Island, off the coast of Maine … shrouded in fog … ringed by icy gray water. Here the Carlson family comes home to a tortuously intensifying nightmare—first in the guise of a beautiful but calculating woman, then in the shape of a vengeful wraith with glistening bones … coils of black hair … cold, staring eyes … and a horrifying command of this living world. Born in violent death not even the long past could bury … molded by a hatred that feeds on the dark, she will haunt John, Julia, and their daughter Bri, in pursuit of the ultimate retribution. For hers is an unholy call of blood for blood that nothing can stop … except the one terrifying price no main … and, especially, no woman … can ever pay.
The magic and wonder of winter’s first snowfall is perfectly captured in Ezra Jack Keat’s Caldecott Medal-winning picture book. Young readers can enjoy this celebrated classic as a full-sized board book, perfect for read-alouds of all kinds and a great gift for the holiday season. In 1962, a little boy named Peter put on his snowsuit and stepped out of his house and into the hearts of millions of readers. Universal in its appeal, this story beautifully depicts a child's wonder at a new world, and the hope of capturing and keeping that wonder forever. This big, sturdy edition will bring even more young readers to the story of Peter and his adventures in the snow. Ezra Jack Keats was also the creator of such classics as Goggles, A Letter to Amy, Pet Show!, Peter’s Chair, and A Whistle for Willie. (This book is also available in Spanish, as Un dia de nieve.) Praise for The Snowy Day: “Keats made Peter’s world so inviting that it beckons us. Perhaps the busyness of daily life in the 21st century makes us appreciate Peter even more—a kid who has the luxury of a whole day to just be outside, surrounded by snow that’s begging to be enjoyed.” —The Atlantic "Ezra Jack Keats's classic The Snowy Day, winner of the 1963 Caldecott Medal, pays homage to the wonder and pure pleasure a child experiences when the world is blanketed in snow."—Publisher's Weekly
We usually think of imagination as a fanciful, whimsical faculty that has little to do with reality and truth. This beautifully written book by the Australian poet John Allison shows how ordinary imagination can be intensified to become an organ of cognition--a path of development to real knowing. Allison shows how poetry--poetic knowing and seeing--can reveal aspects of the world invisible to science. Three lucid chapters describe the path to true imagination, where attention is the key. First we must practice it, then we must become aware of the processes involved in it. Learning to experience "poise," we must come to terms with the shadow--or all that says "No" in us. The combination of attention, equanimity, and assent opens the world in a new way. Allison then examines how poets have actually developed and practiced the kind of "deep seeing" that "image work" involves. For this he draws on William Shakespeare, William Blake, Samuel Taylor Coleridge, John Keats, Johann Wolfgang von Goethe, Novalis, John Ruskin, Gerard Manley Hopkins, Rainer Maria Rilke, and Octavio Paz. The author concludes with a sequence of his own poems that exemplify the philosophy and practice he has developed.
Neoliberalism took shape in the 1930s and 1940s as a transnational political philosophy and system of economic, political, and cultural relations. Resting on the fundamental premise that the free market should be unfettered by government intrusion, neoliberal policies have primarily redirected the state's prerogatives away from the postwar Keynesian welfare system and toward the insulation of finance and corporate America from democratic pressure. As neoliberal ideas gained political currency in the 1960s and 1970s, a&8239;reactionary cultural turn&8239;catalyzed their ascension. The cinema, music, magazine culture, and current events discourse of the 1970s provided the space of negotiation permitting these ideas to take hold and be challenged. Daniel Robert McClure's book follows the interaction between culture and economics during the transition from Keynesianism in the mid-1960s to&8239;the&8239;triumph of&8239;neoliberalism at the dawn of the 1980s. From the 1965 debate between William F. Buckley and James Baldwin, through the pages&8239;of BusinessWeek and Playboy, to the rise of exploitation cinema in the 1970s, McClure tracks the increasingly shared perception by white males that they had "lost" their long-standing rights and that a great neoliberal reckoning might restore America's repressive racial, sexual, gendered, and classed foundations in the wake of&8239;the 1960s.
Winter doesn’t know it yet, but the free tickets and backstage passes that her boyfriend, Tor, won from the radio station are going to change her life forever. She doesn’t know that the lead singer of the biggest band in the world isn’t just another pretty face but a Faerie King who wants her by his side. Forever. She has no idea that her entire life has been a lie, carefully crafted to keep her true identity a secret from everyone she meets. If Winter knew any of these things, she probably would have stayed home instead of braving the rabid crowd to go to a concert she had no interest in seeing. But when she sets foot in that giant amphitheater, she is going to set into motion a whirlwind of events that will reveal her true self, bring a centuries-old feud between two brother kings to an end, and break her boyfriend’s heart. By the time the weekend is over, Winter will never think that her life is boring again.
A tour de force retelling of The Tempest from a romantic, emotional, and inspiring voice, perfect for passionate readers of all ages. Moss has grown up on the strangest and most magical of islands. Her father has a plan to control the tempestuous weather that wracks the shores. But the island seems to have a plan of its own once Callan -- a wild boy her age -- appears on its beaches. Her complex feelings for Callan shift with every tide, while her love for the island, and her father, are thrown into doubt...And when one fateful day, a young man from the outside world washes up on the beach, speaking of the Old World, nothing will ever be the same. A dark reflection of Shakespeare's The Tempest, Storm-wake is one girl's voyage of discovery -- a mesmerizing tale of magic, faith, and love.
THE FROGGY GETS DRESSED MCQ (MULTIPLE CHOICE QUESTIONS) SERVES AS A VALUABLE RESOURCE FOR INDIVIDUALS AIMING TO DEEPEN THEIR UNDERSTANDING OF VARIOUS COMPETITIVE EXAMS, CLASS TESTS, QUIZ COMPETITIONS, AND SIMILAR ASSESSMENTS. WITH ITS EXTENSIVE COLLECTION OF MCQS, THIS BOOK EMPOWERS YOU TO ASSESS YOUR GRASP OF THE SUBJECT MATTER AND YOUR PROFICIENCY LEVEL. BY ENGAGING WITH THESE MULTIPLE-CHOICE QUESTIONS, YOU CAN IMPROVE YOUR KNOWLEDGE OF THE SUBJECT, IDENTIFY AREAS FOR IMPROVEMENT, AND LAY A SOLID FOUNDATION. DIVE INTO THE FROGGY GETS DRESSED MCQ TO EXPAND YOUR FROGGY GETS DRESSED KNOWLEDGE AND EXCEL IN QUIZ COMPETITIONS, ACADEMIC STUDIES, OR PROFESSIONAL ENDEAVORS. THE ANSWERS TO THE QUESTIONS ARE PROVIDED AT THE END OF EACH PAGE, MAKING IT EASY FOR PARTICIPANTS TO VERIFY THEIR ANSWERS AND PREPARE EFFECTIVELY.
Sweeter than strawberry, darker than blackberry, better than please. Son of the Wood God, son of a mortal woman, Myrddin has lived a carefree life for sixty years. Now, with his mother dead, the wilderness that has sustained him is an overflowing well of powers he can no longer control. Sent by his father to seek someone who can help him, the one Myrddin finds is a nameless stranger, whom he calls Kas. Kas, so named, is still what his nature demands he be. He is Death—its essence and its king...its master, and its open gate. Since the first death that came into this world, he has been alone, essential and solitary—until Myrddin. For his sake, Kas aids in building the Rite of Spring, and in the process learns love...and loneliness. Between life and death, want and need, there is just enough space for a new beginning. The question is how it continues—and whether it ends.
This book draws parallels of our human lifespan to that of the weather seasons of spring, summer, autumn, and winter. The author assumes the useful years of our being to be eighty. He divides these years equally into the four seasons, being twenty years each. The spring season is viewed to be promissory, belonging to the parents or the system that nurtures the young into the confident and independent person of the latter years. Come summer, we become adults as we reach the peak of our physical growth and energy. Autumn in the life of plants is the fall of leaves. Likewise, humanly, red flags start showing up at this time, signaling the reality of our mortality. From the summer years until somewhere in the winter years, we are wired to be productive. But it is the winter season that calls for us to be collected and to pass on what we have gathered over the mileage of our lives to those in waiting. The author notes that while we all can survive spring, summer, and autumn, we surely go to sleep in winter. We never start the cycle all over again. At best, the winter can be long. In other words, we can live to around anything past eighty. However, he argues that past eighty, we live a preventative life pattern. The message of the book is that all seasons are beautiful and it is in our interest to take advantage of each season while it lasts.
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