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I was born 1966 as Randall Fabel. When I was young I moved from Minnesota to Louisiana. I have lived in Florida, Texas, and Arkansas. Now Louisiana is my home. I ve been everything from a truck driver to a painter, now I m a construction foreman. They have been calling me fabulous Fabel for many years. I don t really know why, I guess it s just because of my creative mind. I have been married twice and have two step kids as well as two of my own. I also a proud step-grandfather I ve always thought that I was born to do something else. Music always has been part of my life. With every word I write there s a melody in my head. I can sing along to any one of these song. Although when I was younger I never would write down these melodies in my head. Now that I m older I have two teenage kids of my own that I love very much. I tell them to follow their dreams. I have been sitting on my dream all along, which is to be an acknowledged song writer. My kids give me all the inspiration that I need to succeed in life. I am up and down in this crazy life, and I think it s about time to become who I was meant to be. Maybe something good will happen here, who knows the sky s the limit so they say. So peace love and happiness.
This volume is a study of the structure of certain of James's works, as well as a search for the structural principles that inform James's fiction and lie behind the technical dicta of his essays and prefaces. It also develops the thesis that most of James's structures are determined by logical and spatial, rather than chronological, concepts of relationships. Originally published in 1967. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Fly with the dove through the journey of life. A collection of poetry that dives deep into the inner thoughts of human experience and existence.
“What about people who don’t have a family to look out for them, to love them?” Abe asked. “Does their spirit shrivel up and die too?” “Not always, and it never has to come to that,” Sarah responded. “Discovering the love God has for each one of us and accepting the forgiveness that He freely gives can mend a dried-up and dying spirit.” Five years after the turn of the twentieth century, Sarah and her seven children are thriving on their rural Indiana farm. A young girl, physically beaten, emotionally battered, and near starvation, finds refuge in the family’s barn. Sarah takes the child in, bringing along with her a shadow of danger that threatens the family’s sense of security. Sarah goes on high alert to protect her family and leans on God’s love, wisdom, and the light of His grace to guide them through the darkness of fear. Read The Shelter of the Dove’s Wings, book 2 in the continuing saga of the lives of Sarah and her children. The family’s diverse and endearing personalities continue to define them as characters who leap from the pages, make you laugh, and steal your heart. Add a dash of unresolved conflict from book 1, On the Wings of a Dove, and the flavor of an old friend seeking romance, then season with the spices of life ground from small-town living, and you have a recipe for a story that challenges your objectivity while nourishing your faith.
"The "infrathin" was Marcel Duchamp's name for the thinnest shade of difference: that between, say, the report of a gunshot and the appearance of the bullet hole on its target, or between two objects in a series made from the same mold. In this book, the esteemed literary critic Marjorie Perloff shows how such differences occur at the level of words and argues that it is this infrathin space, this micropoetics of language, that separates poetry from prose. Perloff treats the relationship between Duchamp and Gertrude Stein; ranges over Concrete, Objectivist, and Black Mountain poetry; and gives stunning readings of poets from Eliot, Yeats, and Pound to Samuel Beckett, John Ashbery, and Rae Armantrout. Poetry, Perloff shows us, exists in the play of the infrathin, and it is the poet's role to create unexpected relationships-verbal, visual, and sonic-from the finest nuances of language"--