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A light-hearted collection of poems featuring G. K. Chesterton’s classic wit and cheer, ‘Wine, Water, and Song’ celebrates drink in all its forms, lampooning ideas of prohibition that were on the rise in 20th century London. Chesterton makes a merry satire of local politics and English traditions, with poems including ‘Wine and Water’, where he imagines a wine cellar aboard Noah’s Ark, and ‘The Logical Vegetarian’, where he sings the virtues of a liquid diet. For fans of Chesterton and poetry that provokes, this book is a perfect collection of clever rhymes and outspoken English humour. Gilbert Keith Chesterton (1874 – 1936) was an English writer, journalist, philosopher, and literary critic. An unparalleled essayist, he produced over four thousand essays during his lifetime, alongside eighty novels and two hundred short stories. Tackling topics of politics, history, philosophy, and theology with tenacious wit and humour, G. K. Chesterton was often considered a master of the paradox. Himself both a modernist and devout Catholic, he is remembered best for his priest-detective short stories ‘Father Brown’, and his metaphysical thriller ‘The Man Who Was Thursday’. In his lifetime, Chesterton befriended and debated some of the greatest thinkers of the age, such as George Bernard Shore, H. G. Wells, and Bertrand Russell, while his works went on to inspire figures including T. S. Eliot, Michael Collins, and Mahatma Gandhi.
Although he gained widespread acclaim as an intellectual and as a writer of fiction, G.K. Chesterton dabbled in virtually every literary genre over the course of his career. This collection of his verse ranges from serious philosophical musings to whimsical observations. A must-read for fans of traditional poetry.
Leonard Cohen is at the start of his career and in love with Marianne Ihlen, who is also a muse to her ex-husband, Axel.
OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.
Reproduction of the original: Wine, Water and Song by G.K. Chesterton
The Persian Sufi poet Hafiz (1326–1390) is a towering figure in Islamic literature—and in spiritual attainment as well. Known for his profound mystical wisdom combined with a sublime sensuousness, Hafiz was the supreme master of a poetic form known as the ghazal (pronounced "guzzle"), an ode or song consisting of rhymed couplets celebrating divine love. In this selection of his poems, wine and the intoxication it brings are the image that expresses this love in all its joyful abandon, painful longing, bewilderment, and surrender. Through ninety-five free-verse renditions, we gain entry into the mystical world of Hafiz's Winehouse, with its happy minstrels, its bewitching Winebringer, and its companions in drunken longing whose hearts cry out, "More wine!" Thomas Rain Crowe brings a new dimension to our growing appreciation of Hafiz and his wise drunkard's advice to the seekers of God: In this world of illusion, take nothing other than this cup of wine; In this playhouse, don't play any games but love.
Sometimes the most compelling landscapes are the ones where worlds collide: where a desert meets the sea, a civilization, no-man’s land. Here in Bonfire Opera, grief and Eros grapple in the same domain. A bullet-hole through the heart, a house full of ripe persimmons, a ghost in a garden. Coyotes cry out on the hill, and lovers find themselves kissing, “bee-stung, drunk” in the middle of road. Here, the dust is holy, as is the dark, unknown. These are poems that praise the impossible, wild world, finding beauty in its wake. Excerpt from “Bonfire Opera” In those days, there was a woman in our circle who was known, not only for her beauty, but also for taking off all her clothes and singing opera. And sure enough, as the night wore on and the stars emerged to stare at their reflections on the sea, and everyone had drunk a little wine, she began to disrobe, loose her great bosom and the tender belly, pale in the moonlight, the Viking hips, and to let her torn raiment fall to the sand as we looked up from the flames.
One of the greatest writers of his time, G. K. Chesterton’s short stories, novels, poetry and essays demonstrate his unparalleled versatility in literature. This comprehensive eBook offers readers the collected works of G. K. Chesterton, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 3) Father Brown Stories The Innocence of Father Brown (1911) The Wisdom of Father Brown (1914) Uncollected Father Brown Stories The Novels The Napoleon of Notting Hill (1904) The Man Who Was Thursday (1908) The Ball and the Cross (1909) Manalive (1912) The Flying Inn (1914) Short Story Collections The Club of Queer Trades (1905) The Man Who Knew Too Much and Other Stories (1922) Tales of the Long Bow (1925) Uncollected Short Stories The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order The Play Magic (1913) The Poetry Collections Greybeards at Play (1900) The Wild Knight and Other Poems (1900) The Ballad of the White Horse (1911) Poems (1915) Wine, Water and Song (1915) The Ballad of St. Barbara and Other Poems (1922) The Poems List of Poems in Chronological Order List of Poems in Alphabetical Order The Non-Fiction The Defendant (1901) Twelve Types (1902) Varied Types (1903) Robert Browning (1903) Dickens (1903) Thackeray (1903) Tolstoy (1903) Tennyson (1903) G. F. Watts (1904) Biography for Beginners (1905) Heretics (1905) Charles Dickens (1906) Orthodoxy (1908) All Things Considered (1908) George Bernard Shaw (1909) Tremendous Trifles (1909) What’s Wrong with the World (1910) A Chesterton Calendar (1911) Appreciations and Criticisms of the Works of Charles Dickens (1911) Alarms and Discursions (1910) A Miscellany of Men (1912) The Victorian Age in Literature (1913) London (1914) The Appetite of Tyranny (1915) The Crimes of England (1915) Divorce versus Democracy (1916) Lord Kitchener (1917) Utopia of Usurers and Other Essays (1917) A Short History of England (1917) Irish Impressions (1919) The Uses of Diversity (1920) The Superstition of Divorce (1920) The New Jerusalem (1920) What I Saw in America (1922) Eugenics and Other Evils (1922) St. Francis of Assisi (1923) Fancies versus Fads (1923) The Everlasting Man (1925) William Cobbett (1925) Uncollected Essays The Criticism Mr. G. K. Chesterton’s Point of View (1912) by John Kelman About Chesterton and Belloc (1914) by H. G. Wells G. K. Chesterton: A Critical Study (1915) by Julius West Mr. G. K. Chesterton and Mr. Hilaire Belloc (1919) by Robert Lynd G. K. Chesterton by (1920) by St. John G. Ervine Gilbert Keith Chesterton (1922) by Patrick Braybrooke