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Arnold Jacobs: Song and Wind is written by Mr. Jacobs' assistant, Brian Frederiksen, and edited by John Taylor. Material comes from masterclasses, private interviews, previously published writings and contributions from his students and colleagues.
Can a world of many races exist without racism? Fantasy author J. A. Cullum doesn't believe so! In her new release, Lyskarion: The Song of the Wind, the author's story unfolds against a backdrop of racial and religious tensions, which are a curious reflection of our modern society. Hundreds of years before the story takes place, the Great Wizards created the Karionin, eight living crystals which substantially increase the bearer's power. When a conflict breaks out among the great wizards, this increased power results in mass destruction and death. Now people fear the wizard's potential for destruction, and few children train to become wizards. Plagued by racial and religious hatred, Tamar is home to nine races - humans live side by side with races who have the ability to shift their shape from human to animal form, including dolphins (Ingvalar), tigers (Linlar), and lizards (Isklar). The dolphins and humans get along; yet prejudices exist. The tigers and lizards have been attacking human settlements, and a devastating war seems inevitable. Cormor, the last of the great wizards, knows that the only chance for peace is for a legion of powerful wizards to reign once again. The fate of Tamar falls upon three youths - each with great potential, each with a reason for resistance. These young wizards-in-training must learn to overcome their differences and restore peace once again or humanity will be destroyed.
Pictures and words pay homage to the Oneida Indians' view of the cycle of spring.
In her groundbreaking book, Sharon Milliman shares her near-death experience and subsequent journey of spiritual growth. In sharing what lies beyond life after death, Sharon passionately speaks about the ultimate and ever-present love of God. But her transformative experiences do not end there. With one foot planted in the spiritual realm, Sharon shares many amazing experiences involving Jesus, angels, and spiritual guides. Learning volumes, Sharon connects their teachings to her own family, relationships, pain, and triumphs. Sharon invites you to soar with her to heaven and back again. In this shared journey, she invites you to see miracles through the ordinary and extraordinary. She also invites you to open your heart and quietly listen for Gods song in the wind.
Piano accompaniment for Suzuki Cello School, Volume 1. Titles: * Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki) * French Folk Song (Folk Song) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Allegro (Shinichi Suzuki) * Perpetual Motion in D Major (Shinichi Suzuki) * Perpetual Motion in G Major (Shinichi Suzuki) * Long, Long Ago (T.H. Bayly) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Rigadoon (H. Purcell) * Etude (Shinichi Suzuki) * The Happy Farmer from Album for the Young, Op. 68, No. 10 (R. Schumann) * Minuet in C, No. 11 in G Major from Notebook for Anna Magdalena Bach, BWV 841 (J.S. Bach) * Minuet No. 2 from Minuet in G Major, BWV 116 (J.S. Bach)
Titles: * Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki) * French Folk Song (Folk Song) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Allegro (Shinichi Suzuki) * Perpetual Motion in D Major (Shinichi Suzuki) * Perpetual Motion in G Major (Shinichi Suzuki) * Long, Long Ago (T.H. Bayly) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Rigadoon (H. Purcell) * Etude (Shinichi Suzuki) * The Happy Farmer from Album for the Young, Op. 68, No. 10 (R. Schumann) * Minuet in C, No. 11 in G Major from Notebook for Anna Magdalena Bach, BWV 841 (J.S. Bach) * Minuet No. 2 from Minuet in G Major, BWV 116 (J.S. Bach)
Set against the tragic events of the Cherokees' removal from their traditional lands in North Carolina to Indian Territory between 1835-1838, Mountain Windsong is a love story that brings to life the suffering and endurance of the Cherokee people. It is the moving tale of Waguli (Whippoorwill") and Oconeechee, a young Cherokee man and woman separated by the Trail of Tears. Just as they are about to be married, Waguli is captured be federal soldiers and, along with thousands of other Cherokees, taken west, on foot and then by steamboat, to what is now eastern Oklahoma. Though many die along the way, Waguli survives, drowning his shame and sorrow in alcohol. Oconeechee, among the few Cherokees who remain behind, hidden in the mountains, embarks on a courageous search for Waguli. Robert J. Conley makes use of song, legend, and historical documents to weave the rich texture of the story, which is told through several, sometimes contradictory, voices. The traditional narrative of the Trail of Tears is told to a young contemporary Cherokee boy by his grandfather, presented in bits and pieces as they go about their everyday chores in rural North Carolina. The telling is neiter bitter nor hostile; it is sympathetic by unsentimental. An ironic third point of view, detached and often adversarial, is provided by the historical documents interspersed through the novel, from the text of the removal treaty to Ralph Waldo Emerson's letter to the president of the United States in protest of the removal. In this layering of contradictory elements, Conley implies questions about the relationships between history and legend, storytelling and myth-making. Inspired by the lyrics of Don Grooms's song "Whippoorwill," which open many chapters in the text, Conley has written a novel both meticulously accurate and deeply moving.
New York Times bestselling author Rainbow Rowell's epic fantasy, the Simon Snow trilogy, concludes with Any Way the Wind Blows. In Carry On, Simon Snow and his friends realized that everything they thought they understood about the world might be wrong. And in Wayward Son, they wondered whether everything they understood about themselves might be wrong. Now, Simon and Baz and Penelope and Agatha must decide how to move forward. For Simon, that means choosing whether he still wants to be part of the World of Mages — and if he doesn't, what does that mean for his relationship with Baz? Meanwhile Baz is bouncing between two family crises and not finding any time to talk to anyone about his newfound vampire knowledge. Penelope would love to help, but she's smuggled an American Normal into London, and now she isn't sure what to do with him. And Agatha? Well, Agatha Wellbelove has had enough. Any Way the Wind Blows takes the gang back to England, back to Watford, and back to their families for their longest and most emotionally wrenching adventure yet. This book is a finale. It tells secrets and answers questions and lays ghosts to rest. The Simon Snow Trilogy was conceived as a book about Chosen One stories; Any Way the Wind Blows is an ending about endings—about catharsis and closure, and how we choose to move on from the traumas and triumphs that try to define us.
Marika Magos is a woman whose heart has been turned to stone by the ravages of war-torn Europe and whose passions burn with a bitter desire for revenge. Even the sweet promise of a love affair with a handsome Swiss immigrant turns to ashes when she learns that his name and papers are false, used only to protect his German identity in the final days of World War II. In a journey that takes Marika from the diamond-rich canyons of South Africa and the glittering high-fashion world of London, to the glamorous playgrounds of Switzerland and a drama-filled courtroom in Paris, SONG OF THE WIND tells a powerful tale of romance, adventure and intrigue.
For centuries the snow goose has signified the passing seasons to the Indians?its white feathers a symbol of the breadth of life and a reminder of the roles the birds played as messengers between heaven and earth. The importance of the geese in these roles is attested by their prominence in Indian lore and myth. ø As a boy growing up in North Dakota, Paul A. Johnsgard measured his winters not by conventional time units, but in the days it took for the snow geese to return from their wintering grounds to Lake Traverse. In this book he recounts the story of one year in the life of a pair of snow geese-the incubation and breeding of the young in the Arctic, their hazardous migration to winter quarters near the Gulf of Mexico, and the spring migration back to the Arctic.