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Good Press presents to you this unique and meticulously formatted collection of the greatest western novels by Arthur Murray Chisholm for your reading pleasure. Contents: The Boss of Wind River Desert Conquest or, Precious Waters The Land of Strong Men Six Rounds Fur Pirates The Come-On Easy Money Below the Jam A Thousand a Plate
Step into the world of the Shoshone people with "The White Indian Boy: The Story of Uncle Nick Among the Shoshones" by Elijah Nicholas Wilson. Join us as we journey through the rugged wilderness of the American West and discover the remarkable true story of one man's extraordinary life among Native American tribes. But what if this tale is more than just a recounting of historical events? Delve into the heart of Uncle Nick's experiences and uncover the universal themes of friendship, resilience, and the enduring bonds of kinship. As Uncle Nick navigates the complexities of life on the frontier, you'll witness the profound impact of cultural exchange and mutual understanding between different peoples. From his early encounters with the Shoshones to his later adventures as a trusted member of their community, "The White Indian Boy" offers a glimpse into a world where acceptance and respect transcend cultural boundaries. Are you ready to embark on a journey of discovery and enlightenment? Prepare to be inspired by the courage and compassion of Uncle Nick as he bridges the divide between two worlds and finds his place among the Shoshone people. Immerse yourself in the rich tapestry of Native American culture as you explore the customs, traditions, and spiritual beliefs of the Shoshone tribe. Let Uncle Nick's story serve as a testament to the power of empathy and the transformative potential of cross-cultural exchange. Here's your chance to experience the beauty and complexity of Native American life through the eyes of Uncle Nick. Don't miss out on the opportunity to be transported to a time and place where the bonds of friendship know no bounds. Will you heed the call of the wild? Secure your copy now and prepare to be captivated by the remarkable tale of "The White Indian Boy." It's more than just a book; it's a window into a world of adventure, friendship, and the enduring spirit of humanity. "
A leading figure in the debate over the literary canon, Jane Tompkins was one of the first to point to the ongoing relevance of popular women's fiction in the 19th century, long overlooked or scorned by literary critics. Now, in West of Everything, Tompkins shows how popular novels and films of the American west have shaped the emotional lives of people in our time. Into this world full of violence and manly courage, the world of John Wayne and Louis L'Amour, Tompkins takes her readers, letting them feel what the hero feels, endure what he endures. Writing with sympathy, insight, and respect, she probes the main elements of the Western--its preoccupation with death, its barren landscapes, galloping horses, hard-bitten men and marginalized women--revealing the view of reality and code of behavior these features contain. She considers the Western hero's attraction to pain, his fear of women and language, his desire to dominate the environment--and to merge with it. In fact, Tompkins argues, for better or worse Westerns have taught us all--men especially--how to behave. It was as a reaction against popular women's novels and women's invasion of the public sphere that Westerns originated, Tompkins maintains. With Westerns, men were reclaiming cultural territory, countering the inwardness, spirituality, and domesticity of the sentimental writers, with a rough and tumble, secular, man-centered world. Tompkins brings these insights to bear in considering film classics such as Red River and Lonely Are the Brave, and novels such as Louis L'Amour's Last of the Breed and Owen Wister's The Virginian. In one of the most moving chapters (chosen for Best American Essays of 1991), Ttompkins shows how the life of Buffalo Bill Cody, killer of Native Americans and charismatic star of the Wild West show, evokes the contradictory feelings which the Western typically elicits--horror and fascination with violence, but also love and respect for the romantic ideal of the cowboy. Whether interpreting a photograph of John Wayne of meditating on the slaughter of cattle, Jane Tompkins writes with humor, compassion, and a provocative intellect. Her book will appeak to many Americans who read or watch Westerns, and to all those interested in a serious approach to popular culture.
"From the moment Jesse Baker collides with Erin O'Grady on a Boston train platform, he faces a dilemma. For once, Jesse doesn't want to lie about who and what he is. Yet if she learns he's a con artist, not a cowboy-and the urchin with him is certainly not his brother-she'll never give him a chance. Erin suspects there's more to the enigmatic cowboy than meets the eye. But the sheltered socialite is certain his deep compassion is real. On the long Christmastime train ride to Wyoming, hearts and courage are tested and true motives revealed. And the journey that began in a charade may end with redemption-and a very real love" -- Cover verso.
"Everyone knows a rancher in possession of a large spread needs a wife." Lacy Williams is a USA Today bestselling author of the acclaimed Wyoming Legacy and Cowboy Fairytales series. About Cowboy Pride: First impressions count. Liza Bennett has two missions in life: keep the family's shop afloat, and ensure her shy sister finds love. Sparks fly when she meets rancher Rob Darcy at a town dance, but when she overhears him insult her, she vows to put the man out of her mind. Rob Darcy is instantly attracted to the vivacious Liza but a lack of social graces and the promise he's keeping ruin his chances of winning her. Once jilted, Janie Bennett is appropriately gun-shy of falling in love again. But she doesn't seem to be able to help herself when she meets charming Nathan Bingley. Bingley desperately wants a wife and family of his own. Can he trust that Janie returns his feelings? When Janie is injured in a spring storm, she and Liza are sequestered on Nathan's ranch. Hearts and emotions get tangled, but will first impressions prove true, or false? Cowboy Pride is a Wild West version of Pride and Prejudice with dual love stories.
After his father's demise, Joe Kent returns home to take charge of the family's lumber company. Being inexperienced and facing a strong adversary in the form of a wily railroad owner, Kent will have to overturn his misfortunes into opportunities. Will he succeed?
Stranded! Bear Creek sheriff's deputy Matt White is used to being the rescuer, not the rescued. But now the hurt lawman's marooned on Catherine Poole's remote homestead. The little girl he'd known briefly as a child is all grown up—and tugging at his heart. Isolated from the world around her, Catherine's spent her whole life caring for her ailing grandfather. The last thing she needs is a cowboy stranded in her home. Let alone the memories he dredges up of a past she's tried to put behind her. But can this deputy be her chance to finally move forward and find true happiness?
Buckle up and get ready to go on a memorable adventure with our best-ever Western classics. Contents: Man in the Saddle (Ernest Haycox) Canyon Passage (Ernest Haycox) Trail Smoke (Ernest Haycox) Winnetou (Karl May) The Bandit of Hell's Bend (Edgar Rice Burroughs) The Deputy Sheriff of Comanche County (Edgar Rice Burroughs) The War Chief (Edgar Rice Burroughs) Apache Devil (Edgar Rice Burroughs) Riders of the Purple Sage (Zane Grey) The Rainbow Trail (Zane Grey) The Spirit of the Border (Zane Grey) The Untamed (Max Brand) The Night Horseman (Max Brand) The Seventh Man (Max Brand) The Virginian: A Horseman of the Plains (Owen Wister) The Last of the Mohicans (James Fenimore Cooper) The Prairie (James Fenimore Cooper) Chip, of the Flying U (B. M. Bower) The Flying U Ranch (B. M. Bower) The Flying U's Last Stand (B. M. Bower) Cabin Fever (B. M. Bower) Rimrock Trail (J. Allan Dunn) The 'Breckinridge Elkins' Series (Robert E. Howard) The Outcasts of Poker Flat (Bret Harte) The Luck of Roaring Camp (Bret Harte) Heart of the West (O. Henry) White Fang (Jack London) The Wolf Hunters (James Oliver Curwood) The Two-Gun Man (Charles Alden Seltzer) The Boss of the Lazy Y (Charles Alden Seltzer) The Law of the Land (Emerson Hough) The Short Cut (Jackson Gregory) Whispering Smith (Frank H. Spearman) The Outlet (Andy Adams) Reed Anthony, Cowman: An Autobiography (Andy Adams) A Texas Cow Boy (Charles Siringo) The Hidden Children (Robert W. Chambers) The Way of an Indian (Frederic Remington) The Bridge of the Gods (Frederic Homer Balch) The Desert Trail (Dane Coolidge) Hidden Water (Dane Coolidge) That Girl Montana (Marah Ellis Ryan) The Long Dim Trail (Forrestine C. Hooker) A Voice in the Wilderness (Grace Livingston Hill) The Rules of the Game (Stewart Edward White) John Brent (Theodore Winthrop) The Lions of the Lord (Harry Leon Wilson) A Tale of the Western Plains (G. A. Henty)...
This incisive, provocative, and wide-ranging book casts a critical eye on the representation of Native Americans in the Western film since the genre's beginnings. Armando José Prats shows the ways in which film reflects cultural transformations in the course of America's historical encounter with "the Indian." He also explores the relation between the myth of conquest and American history. Among the films he discusses at length are Northwest Passage, Stagecoach, The Searchers, Hombre, Hondo, Ulzana's Raid, The Last of the Mohicans, and Dances With Wolves.Throughout, Prats emphasizes the irony that the Western seems to be able to represent Native Americans only by rendering them absent. In addition, he points out that Native Americans who appear in Westerns are almost always male; Native women rarely figure into the plot, and are often portrayed by white women rendered "Indian" by narrative necessity. Invisible Natives offers an intriguing view of the possibilities and consequences--as well as the historical sources and cultural origins--of the Western's strategies for evading the actual portrayal of Native Americans.
The new novel from the bestselling author of Home to Wind River. Real love is worth every risk . . . Ex-Air Force pilot Andy Whitcomb loves nothing more than the wide blue skies, but when a helicopter crash fighting forest fires in California leaves her injured and shaken, she’s ready to return home to the peace of Wind River Ranch. The good news is, there’s a chance for her to fly helos for the county sheriff’s department. The bad news? The person in charge is none other than Dev Mitchell, an ex-Army Black Hawk pilot—and the rugged, sharp-eyed man Andy has never forgotten after five days together running from the Taliban after a nerve-wracking near-miss in Afghanistan. Dev can’t believe his eyes when Andy walks into the interview. She’s as strong and sexy as he remembers, and every bit qualified for the job, which she clearly wants. Unfortunately, if he’s going to be her boss, their relationship has to remain strictly professional—a regret Dev fights to keep hidden as they begin to work together. But when a chance encounter with violent drug traffickers forces them into survival mode, both of them will fight to hold on to the connection they can’t ignore—and the chance of a future together.