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Perfect for fans of Maggie Stiefvater’s Shiver or Andrea Cremer’s Nightshade, Willowgrove is Kathleen Peacock’s riveting conclusion to the Hemlock trilogy. This final entry in Peacock’s dark, romantic, paranormal suspense series pits friendship against survival, and trust against love. Ever since Mac’s best friend, Amy, was murdered, Hemlock has been a dangerous place. But now that Mac, her boyfriend, Kyle, and Amy’s ex, Jason, instigated a mass breakout from Thornhill, a werewolf “rehabilitation” camp, the danger has only grown. Fear of the infection spreading is now at an all-time high and anyone with a scar is suspected of being a wolf. What makes Mac even more afraid, though, are the dark experiments that the warden of Thornhill was performing on wolves in a secret asylum called Willowgrove. Uncovering the truth about what happened may be the only way for Mac to save everyone she loves and end her nightmares for good.
Her secret cloaks her in isolation. His secret traps him in a life that is not his own. They will have to learn to trust one another in order to find freedom in this Regency romance. England, 1819—Cecily Faire carries the shame of her past wherever she treads, knowing one slip of the tongue could expose her disgrace. But soon after becoming a lady’s companion at Willowgrove Hall, Cecily finds herself face-to-face with a man well-acquainted with the past she’s desperately hidden for years. Nathaniel Stanton has a secret of his own—one that has haunted him for years and tied him to his father’s position as steward of Willowgrove Hall. To protect his family, Nathaniel dares not breathe a word of the truth. But as long as the shadow looms over him, he’ll never be free to find his own way in the world. He’ll never be free to fall in love. When the secrets swirling within Willowgrove Hall come to light, Cecily and Nathaniel must confront a painful choice: Will they continue running from the past . . . or will they stand together and fight for a future without the suffocating weight of secrets long kept? Praise for Sarah Ladd: “Fans of Regency romance will be instantly drawn in and happily lost within the pages.” —Kristy Cambron, bestselling author, regarding The Thief of Lanwyn Manor “Not only does Ladd prove again how effortlessly her pen can wield an authentic Regency portrait, she shines a spotlight on the limitations of women in an era where they were deprived of agency and instead were commodities in transactions of business and land. The thinking woman’s romance, The Thief of Lanwyn Manor is an unputdownable escape.” —Rachel McMillan “This blend of Jane Eyre, Jane Austen, and Jamaica Inn has it all. Intrigue. Danger. Poignant moments. And best of all a sweet, sweet love story.” —Michelle Griep, award-winning author, regarding The Governess of Penwythe Hall The third book in the Whispers on the Moor series but can be read in any order: Book one: The Heiress of Winterwood Book two: The Headmistress of Rosemere A sweet Regency romance Full-length novel at approximately 90,000 words Includes discussion questions for book clubs XXX
Fans of Maggie Stiefvater and the hit television show True Blood will flock to this first book in the supernatural mystery series set in a town where werewolves live in plain sight. Mackenzie Dobson's life has been turned upside down since she vowed to hunt her best friend Amy's killer: a white werewolf. Lupine syndrome—also known as the werewolf virus—is on the rise across the country, and bloodlust is not easy to control. But it soon becomes clear that dangerous secrets are lurking in the shadows of Hemlock, Mac's hometown—and she is thrown into a maelstrom of violence and betrayal that puts her in grave danger. Kathleen Peacock's thrilling debut novel provides readers with a mystery that Kimberly Derting, author of The Body Finder, calls "clever and frightening," while Sophie Jordan, New York Times bestselling author of Firelight, raves: "Forget every werewolf book you've ever read. This one breaks the mold."
The editors of Southern Living Magazine presents House Plans.
In this epic tale of friendship, family, and romance in World War II England, a young noblewoman must choose between her inheritance and the man she loves. To many, Lady Sophia Somerville appears to live a privileged life. Still, it’s a life full of obstacles to be overcome . . . As a student at The Ashwick Park School, Sophia meets classmate Edwina Phillips. The two become the best of friends, but it is all put to the test by an unbelievable betrayal . . . Sophia’s debutante season is much anticipated. Yet when she falls in love with physician and RAF Group Captain Spencer Stanton, theirs is a relationship her parents cannot bless . . . Sophia’s parents appear to be the epitome of grace, charm and dignity, but that’s far from the truth. Her father is charismatic but unscrupulous, while her beautiful mother is prone to fits of rage. And as terrible as they may seem, Sophia still yearns for their approval—even as her values begin to turn away from theirs. Soon, long held family secrets emerge and threaten to destroy the Somervilles. Sophia is faced with an untenable decision: whether to hold fast to her beliefs and cut ties with her family or continue to be the dependent little girl her parents insist she is. Ultimately, Sophia must face the challenge of comprehending, forgiving, and loving her profoundly imperfect family.
Willow Grove Park illustrates the fascinating history of one of America's most famous amusement parks. Willow Grove Park was built in 1896 as a way of encouraging people to ride the trolley on weekends. This ingenious concept proved a remarkable success, and the park set the standard for providing first-class entertainment and amusement. Here John Philip Sousa, Victor Herbert, and Arthur Pryorgave daily musical concerts, while various rides thrilled those seeking more rigorous fun. Through a wide range of images, Willow Grove Park captures the rich history of this well-known icon.
Eight year old, Jenny Connolly, skips school to visit her friends in an enchanted wood. When she arrives, it's a scene of total devastation. The creatures of the wood cower in terror. There is a cruel magic at hand here. She goes by the name of Marigold Dimple, a feisty, ten year old witch from Elderwood. Marigold is a witch with a vengeance, determined to have her own way and create havoc wherever she goes. When Jenny and Marigold's paths collide, nothing will ever be the same again... Blurb One Liner: As terror, magic and mayhem abound, for the creatures of Willow Grove Wood, will things ever be the same again?
Nez and Ben Isaacs remain faithful and true when it comes to raising their three daughters as Aunt Lucy had raised Ben. Lucy is never forgotten as a pioneer relative. Progress and time bring more love and adventures to the mansion. There's heartbreak with the loss of Ben. Eventually, lovely Rose walks the similar footsteps in life, as Ralph fails to return from Japan. Nez turns the home into an orphanage. With the help others, life becomes more of a success. Pretty Wanda escapes a near-fatal accident, but she gains Cal in the end. Ben's and Lucy's spirits linger, it seems, as history repeats itself. A mysterious treasure is finally found after years of undiscovery. Maria Jean finds happiness with her handsome Edmond, whom Ben was so fond of. Both she and Wanda are eventually blessed with motherhood. Little Archie warms the hearts of each adult around him. And Mama Nez grows stronger as she becomes older, with the grace of God. As a coal miner's widow, she dedicates her life to the folks around her.
Laurie Sheck interweaves the contemporary with the mythic, creating a realm in which such things as radios, skyscrapers, expressways, and mannequins are at once familiar and strange; immediate, yet tinged with the light of distance and myth. It is a realm where faces on a television newscast disappear "into the undertow / of hunger for the next thing and the next," and mannequins "stand in their angelic armor." Placed at intervals throughout these pages is a series of poems entitled "From The Book of Persephone," poems that explore the underworld through a fractured contemporary lens, depicting it as a psychological landscape of isolation and desire. As Mona Van Duyn said of Laurie Sheck's previous book, Io at Night, "When her sensibility and the reverberating myth are in perfect conjunction, the extraordinary happens: the mythical figure enters the poet's imagination so consumingly that it is impossible to tell whose life, whose feelings fill the form on the page."