Download Free William Sumner Appleton Book in PDF and EPUB Free Download. You can read online William Sumner Appleton and write the review.

William Sumner (1605-1688), son of Roger and Joane Sumner, immigrated from England to Dorchester, Massachusetts in 1636. Descendants lived in New England, New York, Ohio, Arkansas, California and elsewhere.
By the first years of the twentieth century the memory of old-time New England was in danger. What had once been a land of small towns populated by tradition-minded Yankees was now becoming almost unrecognizable with a floodtide of immigrants and the constant change of a modernizing society. At the same time, cities such as Boston, Portsmouth, and Salem were bursting at the seams with factories, high-rises, and uncontrollable growth. During a period when the Colonial Revival and progressive movements held sway, Yankees asserted their influence through campaigns to redefine the meaning of their Anglo-American forebears. As part of the reaction, the modern preservation movement was founded by William Sumner Appleton, Jr., a privileged, old-blooded Bostonian. Resisting not simply this avalanche of change but the amateurish romanticism of fellow antiquaries, Appleton founded the Society for the Preservation of New England Antiquities in 1910. While examining SPNEA in the context of progressivism, Preserving Historic New England focuses on its redefinition of preservation to fit the methodology of science, the economy of capitalism, and the aestheticism of architecture. In so doing, preservation not only became a profession defined by those male worlds, but remade Yankee memory to accord with the modern corporate order.
American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections. This groundbreaking work recounts the fascinating story of the invention of the modern American art museum, starting with its roots in the 1870s in the craft museum type, which was based on London’s South Kensington (now the Victoria and Albert) Museum. At the turn of the twentieth century, American planners grew enthusiastic about a new type of museum and presentation that was developed in Northern Europe, particularly in Germany, Switzerland, and Scandinavia. Called Kulturgeschichte (cultural history) museums, they were evocative displays of regional history. American trustees, museum directors, and curators found that the Kulturgeschichte approach offered a variety of transformational options in planning museums, classifying and displaying objects, and broadening collecting categories, including American art and the decorative arts. Leading institutions, including the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art in New York, adopted and developed crucial aspects of the Kulturgeschichte model. By the 1930s, such museum plans and exhibition techniques had become standard practice at museums across the country.
In this volume, some of the best figures in the field have come together to write on preservation movements across the country, from New York to Atlanta to Santa Fe and others. Giving Preservation a History also touches on the European roots of the historic preservation movement; on how preservation movements have taken a leading role in shaping American urban space and urban development; how historic preservation battles have reflected broader social forces; and what the changing nature of historic preservation means for the effort to preserve the nation's past.