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William Morris (1834–96) was an English poet, decorative artist, translator, romance writer, book designer, preservationist, socialist theorist, and political activist, whose admirers have been drawn to the sheer intensity of his artistic endeavors and efforts to live up to radical ideals of social justice. This Companion draws together historical and critical responses to the impressive range of Morris’s multi-faceted life and activities: his homes, travels, family, business practices, decorative artwork, poetry, fantasy romances, translations, political activism, eco-socialism, and book collecting and design. Each chapter provides valuable historical and literary background information, reviews relevant opinions on its subject from the late-nineteenth century to the present, and offers new approaches to important aspects of its topic. Morris’s eclectic methodology and the perennial relevance of his insights and practice make this an essential handbook for those interested in art history, poetry, translation, literature, book design, environmentalism, political activism, and Victorian and utopian studies.
Winner of the Wolfson History Prize, the essential biography of the father of the Arts and Crafts movement. The author, Fiona MacCarthy, is the curator of the National Portrait Gallery's 2014-15 exhibition Anarchy and Beauty: William Morris and His Legacy.'One of the finest biographies ever published in this country' A. S. Byatt Since his death in 1896, William Morris has come to be regarded as one of the giants of the Victorian era. But his genius was so many-sided and so profound that its full extent has rarely been grasped. Many people may find it hard to believe that the greatest English designer of his time, possibly of all time, could also be internationally renowned as a founder of the socialist movement, and could have been ranked as a poet together with Tennyson and Browning.With penetrating insight, Fiona MacCarthy has managed to encompass all the different facets of Morris's complex character, shedding light on his immense creative powers as artist and designer of furniture, fabrics, wallpaper, stained glass, tapestry and books, and as a poet, novelist and translator; his psychology and his emotional life; his frenetic activities as polemicist and reformer; and his remarkable circle of friends, literary, artistic and political, including Dante Gabriel Rossetti and Edward Burne-Jones. Fiona MacCarthy's skilful drawing together of these disparate elements makes for a comprehensive and compelling biography.
Writing on the Image is a collection of essays that showcases the varied canon of Morris.
Marking the 125th anniversary of William Morris’s death, this is the most wide-ranging illustrated book about Morris ever published. William Morris’s interests were wide-ranging: he was a poet, writer, political and social activist, conservationist, and businessman, as well as a brilliant and original designer and manufacturer. This book explores the balance between Morris’s various spheres of activity, places his art in the context of its time, and examines his ongoing and far-reaching legacy. A pioneer of the Arts & Crafts Movement, William Morris (1834–1896) is one of the most influential designers of all time. Morris turned the tide of Victorian England against an increasingly industrialized manufacturing process toward a rediscovered respect for the skill of the maker. Morris’s whole approach still resonates today, and his designs are popular and much admired. Published to mark the 125th anniversary of Morris’s death, this book includes contributions from a wide range of Morris experts, with chapters on painting, church decoration and stained glass, interior decoration, furniture, tiles and tableware, wallpaper, textiles, calligraphy, and publishing. Additional materials include a contextualized chronology of Morris’s life and a list of public collections around the world where examples of Morris’s work may be seen today. This study is a wide- ranging, fully illustrated exploration of a great thinker and artist, and essential reading for anyone interested in the history of design.
Sumptuously illustrated, engaging, and insightful, Mary Wilson’s book charts the glittering story of The Supremes, as it showcases their glamorous and iconic ensembles. As Motown’s leading act in the 1960s, The Supremes became synonymous with glamorous, elegant, coordinated ensembles. Supreme Glamour presents founding member Mary Wilson’s unparalleled collection, showcasing thirty-two of the group’s most eye-catching gowns, meticulously reassembled and photographed on the Grammy Museum stage. Detailed captions accompany each photograph, providing information about the design, fabric, and embellishments of each ensemble, as well as the occasion on which each was first worn. In addition to the fashion history of The Supremes, the book chronicles the evolution of the group and celebrates the cultural icons they became. Engaging and insightful narrative text by Mary Wilson and close personal friend Mark Bego is interspersed among hundreds of archival photos. Packed with anecdotes and insights, Mary Wilson tells the complete story of The Supremes, both on- and off- stage, from their founding in Detroit in 1959 as The Primettes to their 1964 breakthrough hit, “Where Did Our Love Go,” and from the departure of Diana Ross to The Supremes’ disco hits of the 1970s. Supreme Glamour builds a complete picture of the charm, sophistication, and magic of The Supremes.
The popularity and influence of William Morris cannot be underestimated – a man of many talents, he was a poet, writer, social campaigner, artist, designer and, with his Kelmscott Press, a fine book printer and publisher. A hugely important figure of the Arts and Crafts movement, he is best known for his superior wallpaper and textile designs, intricately weaving together natural motifs in highly stylized two-dimensional patterns with medieval influences. Organized into five sections – Life, Inspiration & Influences, Media & Techniques, Politics & Society and Arts & Crafts – The World’s Greatest Art: William Morris enables the reader to consider Morris from different angles and contexts, providing a broader understanding of this great artist.
William Morris was an outstanding character of many talents, being an architect, writer, social campaigner, artist and, with his Kelmscott Press, an important figure of the Arts and Crafts movement. This book offers a survey of his life and work alongside some of his finest decorative work.
Through his own work and in his own words, the book traces the fascinating progress of William Morris, pre-Raphaelite poet and architectural student into designer, writer and pioneer socialist. His youthful enthusiasm for the Middle Ages and Gothic architecture fired him with the conviction that he must dedicate his life to 'Art'. Later letters written to friends explain how in the industrialised nineteenth century Morris become preoccupied with the loss of traditional skills and pride in work and during the last ten years of his life he became increasingly involved in political agitation, and his stories, poems and lectures all reflect his commitment to the socialist cause and his ideals for art and society. Other extracts from his letters and poems reveal more intimate aspects of Morris's life and personality, reflecting the despair and isolation he felt over the breakdown of his marriage and his reliance on the friends who helped him through his personal crisis. WILLIAM MORRIS BY HIMSELF is a tribute to an exceptional man, whose work and reputation have survived for more than a century.