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William McGonagall was born in Edinburgh in 1830. His father was a poor hand-loom weaver, and his work took his family to Glasgow, then to Dundee. William attended school for eighteen months before the age of seven, and received no further formal education. Later, as a mill worker, he used to read books in the evening, taking great interest in Shakespeare's plays. In 1877, McGonagall suddenly discovered himself 'to be a poet'. Since then, thousands of people the world over have enjoyed the verse of Scotland's alternative national poet. This volume brings together the three famous collections – Poetic Gems, More Poetic Gems and Last Poetic Gems, and also includes an introduction by Chris Hunt, the webmaster of the McGonagall website www.mcgonagall-online.org.uk, indexes of poem titles and first lines, and features the first publication of McGonagall's only play, Jack o' the Cudgel, written in 1886 but not performed publicly until 2002.
For over a hundred years, William McGonagall (1830-1902) has been CLIPPER almost universally recognised as the worst poet in English. Utterly convinced of his genius, he remained untroubled by any worrisome self-doubt, despite the mockery of his audiences. This collection brings together some of his best-known works (The Tay Bridge Disaster, The Battle of Tel-el-Kebir), some lesser-known gems (Beecham's Pills, The Faithful Dog Fido), and some autobiographical writings that tell of his ill-fated trip to Balmoral, of his much-fêted performance as Macbeth (in which he was so popular he decided not to die), and why publicans threw peas at him.
Scots, young and old, at home and abroad, celebrate the memory of 'the worst poet of all time', William McGonagall, and this new presentation of his work will appeal to those who already hold him dear, and bring a new audience to his work.
"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--
William Topaz McGonagall (1825-1902) was a Scottish weaver, actor and poet. He has been widely acclaimed as the worst poet in British history. The chief criticisms of his poetry are that he is deaf to poetic metaphor and unable to scan correctly. In the hands of lesser artists, this might simply generate dull, uninspiring verse. However, McGonagall's fame stems from the humourous effects these shortcomings generate. The inappropriate rhythms, weak vocabulary, and illadvised imagery combine to make his work amongst the most spontaneously amusing comic poetry in the English language. Of the 200 or so poems that he wrote, the most famous is probably The Tay Bridge Disaster, which recounts the events of the evening of 28 December 1879, when, during a severe gale, the Tay Rail Bridge near Dundee collapsed as a train was passing over it. He also campaigned vigorously against excessive drinking, appearing in pubs and bars to give edifying poems and speeches. These were very popular, the people of Dundee possibly recognising that McGonagall was "so giftedly bad he backed unwittingly into genius."
Writing very bad poetry requires talent. It helps to have a wooden ear for words, a penchant for sinking into a mire of sentimentality, and an enviable confidence that allows one to write despite absolutely appalling incompetence. The 131 poems collected in this first-of-its-kind anthology are so glaringly awful that they embody a kind of genius. From Fred Emerson Brooks' "The Stuttering Lover" to Matthew Green's "The Spleen" to Georgia Bailey Parrington's misguided "An Elegy to a Dissected Puppy", they mangle meter, run rampant over rhyme, and bludgeon us into insensibility with their grandiosity, anticlimax, and malapropism. Guaranteed to move even the most stoic reader to tears (of laughter), Very Bad Poetry is sure to become a favorite of the poetically inclined (and disinclined).
A poetry collection for young adults brings together some of the most compelling and vibrant voices today reflecting the experiences of teen immigrants and refugees. With authenticity, integrity, and insight, this collection of poems addresses the many issues confronting first- and second- generation young adult immigrants and refugees, such as cultural and language differences, homesickness, social exclusion, human rights, racism, stereotyping, and questions of identity. Poems by Elizabeth Acevedo, Erika L. Sánchez, Samira Ahmed, Chen Chen, Ocean Vuong, Fatimah Asghar, Carlos Andrés Gómez, Bao Phi, Kaveh Akbar, Hala Alyan, and Ada Limón, among others, encourage readers to honor their roots as well as explore new paths, offering empathy and hope for those who are struggling to overcome discrimination. Many of the struggles immigrant and refugee teens face head-on are also experienced by young people everywhere as they contend with isolation, self-doubt, confusion, and emotional dislocation. Ink Knows No Borders is the first book of its kind and features 65 poems and a foreword by poet Javier Zamora, who crossed the border, unaccompanied, at the age of nine, and an afterword by Emtithal Mahmoud, World Poetry Slam Champion and Honorary Goodwill Ambassador for UNHCR, the UN Refugee Agency. Brief biographies of the poets are included, as well. It's a hopeful, beautiful, and meaningful book for any reader.
Scotland's alternative national poet is collected in this omnibus edition, which brings together the three famous collections Poetic Gems, More Poetic Gems and Last Poetic Gems.