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The road that first leads people from Kingsford Smith Airport in Sydney is named General Holmes Drive, but nowadays few Australians know anything about General Holmes. William Holmes could be remembered for his lifelong public service in developing Sydney’s water supply and sewerage system — but he should be remembered as one of the foremost Australian citizen soldiers of his time. Holmes commanded Australia’s first independent military expeditionary force in World War I, and in New Guinea accepted the first German surrender for Australia. At Gallipoli, Pozières, Bullecourt and Messines, Holmes earned a reputation for fearlessness in battle, believing that at critical times and even during pauses in engagement, reconnaissance should be conducted by the officers in command making the decisions. He was known to all his soldiers and his leadership inspired their affection and loyalty. Philosophical about the risks he took on the battlefield, it was cruel irony indeed that Holmes was killed on the day he took extra safety precautions. Holmes, a contemporary of John Monash, arguably achieved more in his early career than his peer and would certainly have been a contender for command of the Australian Corps in 1918 had he still been alive. This is his story.
William Gillette is best-remembered today as the living personification of Sherlock Holmes, but he was much more than that. He was one of the nineteenth century's greatest stars, among its most successful actors and playwrights. In a career spanning six decades, he was one of the best-known celebrities in the Western world, a towering figure in an age of towering figures. Among his friends were Mark Twain, Sir Arthur Conan Doyle, Theodore Roosevelt, Harriet Beecher Stowe, Thomas Nast and Maurice Barrymore. He built a castle on the Connecticut River and a miniature railroad to run around it. Among the guests who rode on that train were President Calvin Coolidge, physicist Albert Einstein and Tokyo Mayor Ozaki Yukio, who gave to America the cherry blossoms in 1912. James M. Barrie, the creator of Peter Pan, wrote two hit plays for which he specifically asked Gillette to star in. As a playwright, Gillette was known for the stark realism of his sets, costuming, dialogue and actions. He developed realistic and dramatic lighting and sound effects. As an actor, he developed the philosophy of The Illusion of the First Time, in which an actor speaks his lines and moves about each night, not as he has done a hundred times before, but as if he is making up his dialogue as he goes along, and moving about as if doing so for the first time, as real people do. Gillette's intention was to reproduce as much as possible the real world on stage, to make his audiences believe they were seeing a life episode being lived across the barrier of the footlights. This magnificent biography is the first full treatment of Gillette ever published. Exhaustively researched, thoroughly documented, and beautifully written, it not only details the life of this extraordinary man, it provides a colorful context of the times in which he lived. This is a major part of the history of the Western theater finally documented for our edification and enjoyment.
William C. Holmes provides a rare look behind the scenes into the world of early eighteenth-century Italian opera. Based on a rich store of newly recovered documents, mainly the personal papers of Luca Casimiro degli Albizzi, this social history illuminates the complexities of staging opera in the 1720s and '30s: the role of the impresario in planning an operatic season, financial and artistic difficulties, the importance of patronage, the power of individual singers and composers, considerations of set design, and the practice of altering librettos. A member of an illustrious Florentine family, Albizzi (1664-1745) served as one of the principal impresarios of the Pergola, Florence's earliest and greatest opera theater. He also carried on an active correspondence with impresarios in other cities, freely giving his advice on various economic and artistic concerns. Holmes uses the Albizzi family archives—the most abundant and varied material yet available about an eighteenth-century impresario and his theater—to deepen our knowledge of an extraordinary but little understood period in Italian opera. This book will appeal to anyone curious about operatic history.
Recovering the history of an often-ignored landmark Supreme Court case, William P. Hustwit assesses the significant role that Alexander v. Holmes (1969) played in integrating the South's public schools. Although Brown v. Board of Education has rightly received the lion's share of historical analysis, its ambiguous language for implementation led to more than a decade of delays and resistance by local and state governments. Alexander v. Holmes required "integration now," and less than a year later, thousands of children were attending integrated schools. Hustwit traces the progression of the Alexander case to show how grassroots activists in Mississippi operated hand in glove with lawyers and judges involved in the litigation. By combining a narrative of the larger legal battle surrounding the case and the story of the local activists who pressed for change, Hustwit offers an innovative, well-researched account of a definitive legal decision that reaches from the cotton fields of Holmes County to the chambers of the Supreme Court in Washington.
Many of the Smithsonian Institution's early studies, published since 1881 in such official publications as the Bureau of American Ethnology's reports and bulletins, have remained major sources of information on North American Indians. The Classics of Smith-sonian Anthropology series makes available, for the first time in decades, some of the most important of these basic works. This book restores to print four of the most influential works of William Henry Holmes, who, at the turn of the nineteenth century, pioneered methods that formed the foundations of a new, more scientifically based archaeology.
An instant New York Times bestseller, this prequel to the acclaimed Cork O’Connor series is “a pitch perfect, richly imagined story that is both an edge-of-your-seat thriller and an evocative, emotionally charged coming-of-age tale” (Kristin Hannah, #1 New York Times bestselling author) about fathers and sons, small-town conflicts, and the events that shape our lives forever. Aurora is a small town nestled in the ancient forest alongside the shores of Minnesota’s Iron Lake. In the summer of 1963, it is the whole world to twelve-year-old Cork O’Connor, its rhythms as familiar as his own heartbeat. But when Cork stumbles upon the body of a man he revered hanging from a tree in an abandoned logging camp, it is the first in a series of events that will cause him to question everything he took for granted about his hometown, his family, and himself. Cork’s father, Liam O’Connor, is Aurora’s sheriff and it is his job to confirm that the man’s death was the result of suicide, as all the evidence suggests. In the shadow of his father’s official investigation, Cork begins to look for answers on his own. Together, father and son face the ultimate test of choosing between what their heads tell them is true and what their hearts know is right. In this “brilliant achievement, and one every crime reader and writer needs to celebrate” (Louise Penny, #1 New York Times bestselling author), beloved novelist William Kent Krueger shows that some mysteries can be solved even as others surpass our understanding.
“An elegant, meticulously researched, and eminently readable history of the books that define us as Americans. For history buffs and book-lovers alike, McHugh offers us a precious gift.”—Jake Halpern, Pulitzer Prize winner and New York Times bestselling author “With her usual eye for detail and knack for smart storytelling, Jess McHugh takes a savvy and sensitive look at the 'secret origins' of the books that made and defined us. . . . You won't want to miss a one moment of it.”—Brian Jay Jones, author of Becoming Dr. Seuss and the New York Times bestselling Jim Henson The true, fascinating, and remarkable history of thirteen books that defined a nation Surprising and delightfully engrossing, Americanon explores the true history of thirteen of the nation’s most popular books. Overlooked for centuries, our simple dictionaries, spellers, almanacs, and how-to manuals are the unexamined touchstones for American cultures and customs. These books sold tens of millions of copies and set out specific archetypes for the ideal American, from the self-made entrepreneur to the humble farmer. Benjamin Franklin’s Autobiography, How to Win Friends and Influence People, Webster's Dictionary, Emily Post’s Etiquette: Americanon looks at how these ubiquitous books have updated and reemphasized potent American ideals—about meritocracy, patriotism, or individualism—at crucial moments in history. Old favorites like the Old Farmer’s Almanac and Betty Crocker’s Picture Cook Book are seen in this new way—not just as popular books but as foundational texts that shaped our understanding of the American story. Taken together, these books help us understand how their authors, most of them part of a powerful minority, attempted to construct meaning for the majority. Their beliefs and quirks—as well as personal interests, prejudices, and often strange personalities—informed the values and habits of millions of Americans, woven into our cultural DNA over generations of reading and dog-earing. Yet their influence remains uninvestigated--until now. What better way to understand a people than to look at the books they consumed most, the ones they returned to repeatedly, with questions about everything from spelling to social mobility to sex. This fresh and engaging book is American history as you’ve never encountered it before.
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