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William Godwin-husband of Mary Wollstonecraft, father of Mary Shelley, friend of Coleridge, Lamb, Hazlitt, and mentor of Wordsworth, Southey, and Shelley-has been recently recognized as an original moral and revolutionary thinker and a novelist of great skill, a man whose influence was far wider than is usually assumed. In a new biography of this flamboyant and fascinating character, Marshall places Godwin in his social, political, and historical context, traces the development of his ideas, and critically analyzes his works. Marshall steers his course.with unfailing sensitivity and skill. It is hard to see how the task could have been better done.-Michael Foot, The Observer An ambitious study that offers a thorough exploration of Godwin's life and complex times.-Linda Simon, Library Journal
The first volume of William Godwin's letters reflected the origins and impact of his great philosophical work, An Enquiry concerning Political Justice, and showed him at the height of his influence and reputation. This second volume (1798-1805) reveals a less familiar person in different surroundings: a man still well-connected, attracting new friends and disciples, but increasingly embattled as a public intellectual, as a political radical, and as a professional author. The volume includes scores of texts newly transcribed from the original manuscripts and given scholarly annotation for the first time. Godwin was not only a speculative philosopher but also a risk-taking entrepreneur. The letters show him responding to changes in public mood, seeking compromise in his philosophical commitments, and remaking himself as the author of novels, plays, biographies, and children's books. They trace the fragmentation of his intellectual circle of the 1790s and the building of new alliances. They include an eye-witness account of the condition of Ireland on the eve of the 1800 Act of Union. They follow his quest, in the wake of the death of his first wife Mary Wollstonecraft, to find a new life-companion and mother for his two young children. Godwin's letters reflect the cultural history of his times, and throw light on many other literary, political, and artistic figures. They record irreplaceable losses, both public and private, and trace new beginnings in his intellectual and literary development, in his commercial ventures, and in his social and domestic life.
A collection in eight volumes of the novels and memoirs of William Godwin, one of the foremost philosophers and radical thinkers of his age. There is a general introduction covering Godwin's life and literary works and each volume is prefaced by a scholarly introduction.
William Godwin’s Mandeville was described as his best novel by Percy Shelley, who sent a copy to Lord Byron, and it was immediately recognized by its other admirers as a work of unique power. Written one year after the battle of Waterloo and set in an earlier revolutionary period between the execution of Charles I and the Restoration, Mandeville is a novel of psychological warfare. The narrative begins with Mandeville’s rescue from the traumatic aftermath of the Ulster Rebellion of 1641 and proceeds through his early education by a fanatical Presbyterian minister to his persecution at Winchester school, his constant (and not unjustified) paranoia, and his confinement in an asylum. Mandeville’s final, desperate attempt to prevent his sister’s marriage to his enemy ends with his disfiguration, which also defaces endings based on settlement or reconciliation. The novel’s events have many resonances with Godwin’s own period. The historical appendices offer contemporary reviews, including Shelley’s letter to Godwin praising Mandeville, material explaining the novel’s complex historical background, and contemporary writings on war, madness, and trauma.
The Godwinian Novel is a pioneering analysis of the school of fiction inaugurated by William Godwin, and developed in the works of his principal followers, Charles Brockden Brown and Mary Wollstonecraft Shelley. In the first study of these authors as a historically specific group, Pamela Clemit argues for a greater unity between Godwin's fictional techniques and his radical political philosophy than has been perceived. Her analysis of the works of Brown and Mary Shelley, moreover, reveals how these writers modified, reshaped, and redefined Godwin's distinctive themes and techniques in response to shifting ideological pressures in the post-revolutionary period. Examining prose fiction in a period traditionally seen as dominated by poetry, Clemit stresses the necessity for a revised view of British Romanticism. Uncovering the links between Godwin's fictional analysis of subjective experience and his progressive political philosophy, The Godwinian Novel paves the way for a reappraisal of the apparently quietistic and introspective concerns of other writers of the period.