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Irish and English on opposite pages - I Being chapter VI of the Songs of Connacht, now for the first time collected, edited and translated - II Being chapter VII of the Songs of Connacht, now for the first time collected, edited, and translated Vol 1 is paperback edn and vol 2 is hard back.
From the 1890s until the 1920s, a great tide of literary invention swept Ireland. As the country struggled for political independence, the writers who formed the Irish Literary Revival created a new, authentically Irish literature. Some, such as W. B. Yeats, John Synge, and Lady Gregory, celebrated the mystical tradition of Ireland's west; others, such as Sean O'Casey, explored Dublin's crowded streets and tenements. This fascinating, revealing, and beautiful book examines the relationship between these writers and the towns and countryside that fueled their imaginations. Part history, part biography, and part travel guide, A Journey into Ireland's Literary Revival takes the reader to Galway, the Aran Islands, Mayo, Sligo, Wicklow, and Dublin. Along the route, it visits the cottages and castles, crags and glens, theaters and pubs where some of the country's finest writers shaped an enduring vision of Ireland.
Rich selection of 134 poems published between 1889 and 1914: "Lake Isle of Innisfree," "When You Are Old," "Down by the Salley Gardens," many more. Note. Alphabetical lists of titles and first lines.
'But I, being poor, have only my dreams; / I have spread my dreams under your feet...' By turns joyful and despairing, some of the twentieth century's greatest verse on fleeting youth, fervent hopes and futile sacrifice.
I At the end of the ’eighties my father and mother, my brother and sisters and myself, all newly arrived from Dublin, were settled in Bedford Park in a red-brick house with several mantelpieces of wood, copied from marble mantelpieces designed by the brothers Adam, a balcony and a little garden shadowed by a great horse-chestnut tree. Years before we had lived there, when the crooked ostentatiously picturesque streets with great trees casting great shadows had been a new enthusiasm: the Pre-Raphaelite movement at last affecting life. But now exaggerated criticism had taken the place of enthusiasm, the tiled roofs, the first in modern London, were said to leak, which they did not, and the drains to be bad, though that was no longer true; and I imagine that houses were cheap. I remember feeling disappointed because the co-operative stores, with their little seventeenth century panes, had lost the romance they had when I had passed them still unfinished on my way to school; and because the public house, called The Tabard after Chaucer’s Inn, was so plainly a common public house; and because the great sign of a trumpeter designed by Rooke, the Pre-Raphaelite artist, had been freshened by some inferior hand. The big red-brick church had never pleased me, and I was accustomed, when I saw the wooden balustrade that ran along the slanting edge of the roof where nobody ever walked or could walk, to remember the opinion of some architect friend of my father’s, that it had been put there to keep the birds from falling off. Still, however, it had some village characters and helped us to feel not wholly lost in the metropolis. I no longer went to church as a regular habit, but go I sometimes did, for one Sunday morning I saw these words painted on a board in the porch: “The congregation are requested to kneel during prayers; the kneelers are afterwards to be hung upon pegs provided for the purpose.” In front of every seat hung a little cushion and these cushions were called “kneelers.” Presently the joke ran through the community, where there were many artists who considered religion at best an unimportant accessory to good architecture and who disliked that particular church.
This brand new collection, impeccably edited by James Pethica, presents a comprehensive selection of Yeats's major contributions in poetry, drama, prose fiction, autobiography, and criticism.
This educational edition, with the full play text and an introduction to the playwright, features a detailed analysis of the language, structure and characters of the play, and textual notes explaining difficult words and references. It contains: - The full playtext - An introduction to the playwright, his background and his work - A detailed analysis of language, structure and characters in the play - Features of performance - Textual notes explaining difficult words and references