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When Daphne's man changes his mind about marriage, Daphne focused on a good life for herself and her new daughter, leaving what will be up to God.
The all-time masters of the classic Western cordially invite you to another trip down the aisle with America’s mail order brides—and the foolhardy men who thought they could tame them. . . . JOHNSTONE & GUNS. ’TIL DEATH DO THEY PART. Wedding bells are ringing. Let the gunslinging begin! Bo Creel and Scratch Morton are mighty proud. They managed to deliver five mail-order brides to the New Mexico mining town of Silverhill in one piece. The town is so grateful, they want to make Bo their marshal and Scratch his deputy. Bo and Scratch are happy to accept the job—and even happier to attend the weddings of the fine young women they brought here. . . . Cecelia has two young suitors—a well-off rancher and a low-born miner—but but one of them is not what he seems. Tomboyish Rose has gotten herself roped into a cow-rustling scheme—with the wild young buck who’s stolen her heart. Luella has a not-so-secret admirerer of her own, a former journalist who’s making headlines—with a gang of Mexican bandits. And the refined Jean Parker thinks she’s finally found a suitable match in this raucous boomtown. But it turns out her educated doctor has a dishonorary degree—in killing. With marriage prospects like these, Bo and Scratch will have to fight tooth and nail to keep the ladies safe and sound—and a real shotgun wedding is about to begin. Live Free. Read Hard.
A collection of essays extended from The New York Times' most-read article of 2016. Anyone we might marry could, of course, be a little bit wrong for us. We don’t expect bliss every day. The fault isn’t entirely our own; it has to do with the devilish truth that anyone we’re liable to meet is going to be rather wrong, in some fascinating way or another, because this is simply what all humans happen to be – including, sadly, ourselves. This collection of essays proposes that we don’t need perfection to be happy. So long as we enter our relationships in the right spirit, we have every chance of coping well enough with, and even delighting in, the inevitable and distinctive wrongness that lies in ourselves and our beloveds.
From the beautiful apsaras of Hindu myth to the swan maidens of European fairy tales, stories of flying women-some carried by wings, others by clouds, rainbows, floating scarves, and flying horses-reveal the perennial fascination with and ambivalence about female power and sexuality. In Women Who Fly, Serinity Young examines the motif of the flying woman as it appears in a wide variety of cultures and historical periods, in legends, myths, rituals, sacred narratives, and artistic productions. She considers supernatural women like the Valkyries of Norse legend, who transport men to immortality; winged deities like the Greek goddesses Iris and Nike; figures of terror like the Furies, witches, and succubi; airborne Christian mystics; and wayward, dangerous women like Lilith and Morgan le Fay. Looking beyond the supernatural, Young examines the modern mythology surrounding twentieth-century female aviators like Amelia Earhart and Hanna Reitsch. Throughout, Young demonstrates that female power has always been inextricably linked with female sexuality and that the desire to control it is a pervasive theme in these stories. This is vividly depicted, for example, in the twelfth-century Niebelungenlied, in which the proud warrior-queen Brünnhilde loses her great physical strength when she is tricked into surrendering her virginity. Even in the twentieth-century the same idea is reflected in the exploits of the comic book and film character Wonder Woman who, Young suggests, retains her physical strength only because her love for fellow aviator Steve Trevor goes unrequited. The first book to systematically chronicle the figure of the flying woman in myth, literature, art, and pop culture, Women Who Fly offers a fresh look at the ways in which women have both influenced and been understood by society and religious traditions throughout the ages and around the world.
This acclaimed fantasy classic of men, elves, and gods is at once breathtakingly exciting and heartbreakingly tragic. Published the same year as The Fellowship of the Ring, Poul Anderson’s novel The Broken Sword draws on similar Scandinavian and Anglo-Saxon sources. In his greed for land and power, Orm the Strong slays the family of a Saxon witch—and for his sins, the Northman must pay with his newborn son. Stolen by elves and replaced by a changeling, Skafloc is raised to manhood unaware of his true heritage and treasured for his ability to handle the iron that the elven dare not touch. Meanwhile, the being who supplanted him as Orm’s son grows up angry and embittered by the humanity he has been denied. A pawn in a witch’s vengeance, the creature Valgard will never know love, and consumed by rage, he will commit a murderous act of unspeakable vileness. It is their destiny to finally meet on the field of battle—the man-elf and his dark twin, the monster—when the long-simmering war between elves and trolls finally erupts with a devastating fury. And only the mighty sword Tyrfing, broken by Thor and presented to Skafloc in infancy, can turn the tide in a terrible clashing of faerie folk that will ultimately determine the fate of the old gods. Along with such notables as Isaac Asimov and Ray Bradbury, multiple Hugo and Nebula Award winner Poul Anderson is considered one of the masters of speculative fiction. This edition contains the author’s original text.
The "King Arthur Premium Collection: 10 Books of Legends & The History Behind The King of Camelot" presents an exceptional anthology that traverses the extensive landscape of Arthurian legend through a varied tapestry of narrative styles and perspectives. This collection stands as a monumental consolidation of myth, legend, and historical speculation, offering readers an in-depth exploration of the chivalric values, romantic adventures, and moral quandaries emblematic of the Arthurian ethos. The anthology strategically includes seminal works that have shaped the Arthurian tradition, including but not limited to the romantically poetic to the rigorously historic, thus reflecting the multifaceted nature of King Arthurs legacy across centuries. The contributing authors and editorsHoward Pyle, Richard Morris, James Knowles, T. W. Rolleston, Thomas Malory, Alfred Tennyson, and Maude L. Radfordare distinguishable not only for their individual contributions to literature but also for their collective embodiment of the cultural, historical, and literary movements that have sustained the Arthurian legend. Their backgrounds, ranging from medieval scholarship to poetry, enrich the collection with a depth that invites readers to explore the legend of King Arthur through lenses that are at once diverse and cohesive, aligning to form a comprehensive understanding of the mythos that continues to captivate the imagination. This anthology is recommended for readers seeking to immerse themselves in the multifarious narratives of King Arthur and his court. It serves not only as an educational journey through the annals of Arthurian legend but also as a monumental exploration of the human condition through the lens of myth. For scholars, enthusiasts, and new readers alike, this collection offers a unique opportunity to engage with the rich tapestry of tales and analyses that make up the Arthurian world, inviting a dialogue between the past and present, myth and history, across a spectrum of literary craftsmanship.
The Greatest Gothic Classics of All Time is an unparalleled collection that gathers the quintessential works of Gothic literature, spanning over two centuries of literary evolution. From the eerie landscapes of the Brontës' moors to the haunted corridors of Poe's imagination, this anthology showcases the broad spectrum of themes and styles inherent in Gothic literature. It includes celebrated tales of horror, romance, and psychological suspense, highlighting the diversity and depth of a genre that has captivated readers and influenced writers across the globe. Standout pieces include seminal works like Mary Shelley's groundbreaking 'Frankenstein' and the haunting narratives of Edgar Allan Poe, offering glimpses into the darkest corners of the human psyche. The contributing authors, a veritable who's who of literary giants from the 18th, 19th, and early 20th centuries, bring a rich assortment of cultural and philosophical perspectives to the collection. Figures such as Oscar Wilde and Nathaniel Hawthorne provide insights into the moral and societal anxieties of their times, reflecting Gothic literature's capacity to explore themes of identity, madness, and the supernatural within the context of rapidly changing societies. The inclusion of lesser-known authors alongside canonical figures offers a comprehensive understanding of the genre's development and its pervasive influence on Western literary tradition. This anthology is a must-read for both aficionados of Gothic literature and newcomers to the genre. Offering an unmatched opportunity to engage with the masterworks of Gothic fiction, readers will discover the eerie allure and profound insights that Gothic stories provide. The Greatest Gothic Classics of All Time invites a journey into the hauntingly beautiful and profoundly unsettling realms crafted by some of literature's greatest minds. It is an essential collection for anyone eager to explore the depths of human emotion, the complexities of societal norms, and the enduring appeal of the Gothic imagination.