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This work seeks to reveal the full importance of Cather's translation of classical myths into her own time and place. It was the winner of the 1990 Mildred Bennett Prize for Distinguished Cather Scholarship.
"In a land where there is constant migration, can there be a "homeland"? In the United States, migration is initially experienced as immigration, but the process never achieves closure. Migration continues as transience - restless, unsettled movement across social and economic classes, states, and national borders. In this nuanced study grounded in literature, history, and popular culture, Joseph Urgo demonstrates that American culture and our sense of national identity are permeated by unrelenting, incessant, and psychic mobility across spatial, historical, and imaginative planes of existence." "There is no better example of a writer reflecting on this migratory consciousness than Willa Cather. At home in numerous locations - Nebraska, New York, New Hampshire, Pennsylvania, Maine, and Canada - Cather infused her novels with the cultural vitality that is a consequence of transience. By locating transience at the center of his conception of our national culture, Urgo redefines the mythos of American national identity and global empire. He concludes with an analysis of a potential "New World Order" in which migration replaces homeland as the foundation of world power."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
American women, in contrast to their European counterparts, have long engaged with and critiqued the myths of antiquity. American Women and Classical Myths is a collection of essays exploring the paradoxical attitudes that women in the U.S. have exhibited over a span of more than two centuries. Contributors address two broad topics. They examine the attempts of several influential American women, including Margaret Fuller, Edith Hamilton and Hilda Doolittle, to interpret myth for an audience that distrusted it. In addition, they show how American women have reinterpreted myths about women such as Antigone, Penelope, or the Amazons to create identities appropriate to women in the New World.
My Antonia is a novel by an American writer Willa Cather. It is the final book of the "prairie trilogy" of novels, preceded by O Pioneers! and The Song of the Lark. The novel tells the stories of an orphaned boy from Virginia, Jim Burden, and Antonia Shimerda, the daughter of Bohemian immigrants. They are both became pioneers and settled in Nebraska in the end of the 19th century. The first year in the very new place leaves strong impressions in both children, affecting them lifelong. The narrator and the main character of the novel My Antonia, Jim grows up in Black Hawk, Nebraska from age 10 Eventually, he becomes a successful lawyer and moves to New York City.
Willa Cather and the Nineteenth Century explores, with textual specificity and historical alertness, the question of how the cultures of the nineteenth century—the cultures that shaped Willa Cather’s childhood, animated her education, supplied her artistic models, generated her inordinate ambitions, and gave embodiment to many of her deeply held values—are addressed in her fiction. In two related sets of essays, seven contributors track within Cather’s life or writing the particular cultural formations, emotions, and conflicts of value she absorbed from the atmosphere of her distinct historical moment; their ten colleagues offer a compelling set of case studies that articulate the manifold ways that Cather learned from, built upon, or resisted models provided by particular nineteenth-century writers, works, or artistic genres. Taken together with its Cather Studies predecessor, Willa Cather and Modern Cultures, this volume reveals Cather as explorer and interpreter, sufferer and master of the transition from a Victorian to a Modernist America.
Cather Studies 4 contains eighteen essays and elaborates a theme, ?Willa Cather?s Canadian and Old World Connections.? Such connections are central to Cather?s art and artistry. She transported much from the Old World to the New, shaping her antecedents to tell, in new ways, the stories of Nebraska, of the American Southwest, and especially of Quebec, in Shadows on the Rock. ø David Stouck details Cather?s numerous Canadian connections, Richard Millington treats her ?anthropological? re-creation of the cultural moment of seventeenth-century Quebec, and Franöois Palleau-Papin finds ?The Hidden French in Cather?s English.? A volume of lively and informed criticism, Cather Studies 4 vividly demonstrates Cather?s artistry and her work?s deep connections to the present cultural and critical moment.
Volume 3 of Cather Studies demonstrates the range of topics and approaches in contemporary discussions of Willa Cather?s work for the informed reader or the specialized student. In fourteen essays, critics and scholars examine Cather?s Catholic Progressivism, her literary relations with William Faulkner, and her place in the multicultural canon of American literature.
Claude has an intuitive faith in something splendid and feels at odds with his contemporaries. The war offers him the opportunity to forget his farm and his marriage of compromise; he enlists and discovers that he has lacked. But while war demands altruism, its essence is destructive
Collection of ten stories including such works as "A Wagner Matinee, " "Paul's Case, " "The Bohemian Girl, " and "Neighbor Rosicky."
In this first full-length study of male homosexuality in Cather's short stories and novels, John P. Anders examines patterns of male friendship ranging on a continuum from the social to the sexual. He reveals how Cather's work assumes an unexpected depth and complexity by drawing on both the familiar tradition of friendship literature inspired by classical and Christian texts and a homosexual legacy that is part of, yet distinct from, established literary traditions. Anders argues that Cather's artistic achievement is distinguished by her sexual aesthetics, an elusive literary style inextricably associated with homosexuality. His analysis demonstrates how a homosexual ethos and eros helped Cather develop a sensitivity to human variation and a style to accommodate it and thus became the objective correlative of her art, dramatizing the diversity of human nature as it deepens the mystery of her work.