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Will Eisner, Neil Gaiman, Scott McCloud and…Hellboy? In his new collection, Will the Real Will Eisner Please Stand Up? Award-winning author Stephen Weiner (The Will Eisner Companion, Hellboy: the Companion) writes about Will Eisner, Neil Gaiman, Scott McCloud, and the NECON conference of 1998. Other pieces include a history of Weiner’s avocation as a comics’ librarian/historian, comics and an exceptional child, and an outtake from Hellboy: the Companion.
A celebration of the life of the acclaimed comic book storyteller through his work as well as interviews with fellow creators. Will Eisner (1917–2005) is universally considered the master of comics storytelling, best known for The Spirit, his iconic newspaper comic strip, and A Contract With God, the first significant graphic novel. This seminal work from 1978 ushered in a new era of personal stories in comics form that touched every adult topic from mortality to religion and sexuality, forever changing the way writers and artists approached comics storytelling. Noted historian Paul Levitz celebrates Eisner by showcasing his most famous work alongside unpublished and rare materials from the family archives. Also included are original interviews with creators such as Jules Feiffer, Art Spiegelman, Scott McCloud, Jeff Smith, Denis Kitchen, and Neil Gaiman—all of whom knew Eisner and were inspired by his work to create their own graphic novels for a new generation of readers. NOTE: The cover is a high-quality photographic reproduction of Eisner's original art. The design intentionally reveals tape and other stray markings that are part of the artist's process and reflect the age of the artifact that was photographed. “Eisner was not only ahead of his times; the present times are still catching up to him,” —John Updike “What Will did was and is timeless,” —Neil Gaiman “Will Eisner is, and remains, one of my precious idols,” —Frank Miller "He was the greatest,” —Harvey Kurtzman “Will Eisner is a national treasure,” —Jules Feiffer “Will Eisner is the heart and mind of American comics,” —Scott McCloud “Eisner is the single person most responsible for giving comics its brains,” —Alan Moore “Eisner was unique in feeling from the start that comic books were not necessarily this despised, bastard, crappy, lowbrow kind of art form, and that there was a potential for real art,” —Michael Chabon
Will Eisner—best known for his influential comic book series The Spirit and his groundbreaking graphic novel A Contract with God—believed in the teaching power of comics, and from 1951 to 1971 he produced PS magazine for the U.S. Army. This Preventive Maintenance Monthly (called PS because it was a postscript to the standard technical manuals) was aimed at teaching American soldiers everything about weapons safety for vehicles, aircraft, firearms, and electronics. Eisner illustrated these vital lessons in drawings, pinups, step-by-step guides, and comic strips. This collection contains the best of Eisner’s 227 issues of PS, reproduced in a portable digest format. This relatively unknown work by Eisner is finally explored—the missing link between his comic books and his later, more mature graphic novel style. Praise for PS Magazine: "For the first time, Will Eisner’s superlative work for the U.S. Army has been assembled into a single collection. The result shows the artist’s keen understanding of the educative power of graphic storytelling. From 1951 to 1971, between The Spirit and A Contract with God, Eisner produced PS Magazine for the army in order to teach the common soldier how best to use, maintain, repair, and requisition their equipment. From explaining how to load a truck correctly to why it won’t start, Eisner used a combination of humor, sound technical writing, and graphic storytelling to educate the soldiers. His magazines could be found at the front lines, in the officer’s mess, and in the quarters of senior military officials. It featured a cast of recurring characters like the loveable Joe Dope and the voluptuous Connie Rodd, who headlined featured segments like “Joe’s Dope Sheet” and the provocatively named “Connie Rodd’s Briefs.” With Eisner’s wonderful artwork and clarity of style making sometimes difficult concepts easy to understand, it’s no wonder PS Magazine was so popular with military personnel. A fascinating document for both fans of Eisner and military history buffs." - Publishers Weekly starred review “These amusing yet pragmatic sketches provide a ‘missing-link’ comics document for fans and demonstrate the same mastery of his craft that marked Eisner’s better-known works.” —Booklist “An instructional model for today’s producers of non­fiction comics, which too often lack such visual traction, this also has appeal for military buffs, vehicle junkies, and Eisner fans.” —Library Journal “The enthusiast who’s been nurturing a curiosity about Eisner’s lost years will find all he needs to know from this beautifully produced little volume.” —The Comics Journal "Eisner understood comics' potential for education decades before his peers, and PS magazine was his first laboratory. This thoughtful new collection is an essential addition to the Eisner library." -Scott McCloud, author of Understanding Comics
Provides a concise guide to the best graphic novels that are currently in print and available, written by an enthusiast and expert in this popular field.
In 1997, almost six decades after the Spirit's first appearance in 1940, legendary artist and writer Will Eisner gave permission for a new series of stories to be commissioned featuring his signature creation, written and drawn by the most famous names in the comics industry. The call went out, and the response was nothing short of remarkable, with contributions from such creators as Alan Moore and Dave Gibbons (in one of their rare collaborations after Watchmen), Neil Gaiman (The Sandman), Paul Chadwick (Concrete), and Eddie Campbell (From Hell), among others. In these pages you'll find new tales of Central City's protector facing off against familiar villains, such as the Octopus and Sand Saref; witness his undying love for Ellen Dolan, daughter of Commissioner Dolan, the only man who knows his secret identity; and glimpse what might be the Spirit's fate in an uncertain future.
A series of unexpected disappearances and deaths hit Central City. Initially, these cases seem purely unrelated; no apparent connection between the victims makes it easy for the police to just file them as runaways or natural deaths. But when someone close to Ebony White disappears, The Spirit is on the case! The iconic masked crimefighter created by legendary comic book creator Will Eisner returns in an all-new tale by Francesco Francavilla... Eisner Award winner, master of crime noir, and worthy successor to The Spirit's legacy! Reviews: "Visually stunning and with a genuinely intriguing hook... Another thrilling addition to the storied history of this iconic character." - Big Comic Page "It's everything you love about The Spirit perfectly intact from a fresh, yet loyal perspective." - All-Comic "A delight to read, and the art blows my mind." - Major Spoilers "From an artistic point of view, you aren't going to find a more gorgeous book on the stands and the story excels in its job of enticing readers." - Capeless Crusader
Based on the smash-hit audio serial, Bubble is a hilarious high-energy graphic novel with a satirical take on the “gig economy.” Built and maintained by corporate benevolence, the city of Fairhaven is a literal bubble of safety and order (and amazing coffee) in the midst of the Brush, a harsh alien wilderness ruled by monstrous Imps and rogue bands of humans. Humans like Morgan, who’s Brush-born and Bubble-raised and fully capable of fending off an Imp attack during her morning jog. She’s got a great routine going—she has a chill day job, she recreationally kills the occasional Imp, then she takes that Imp home for her roommate and BFF, Annie, to transform into drugs as a side hustle. But cracks appear in her tidy life when one of those Imps nearly murders a delivery guy in her apartment, accidentally transforming him into a Brush-powered mutant in the process. And when Morgan’s company launches Huntr, a gig economy app for Imp extermination, she finds herself press-ganged into kicking her stabby side job up to the next level as she battles a parade of monsters and monstrously Brush-turned citizens, from a living hipster beard to a book club hive mind.
Comics and sequential art are increasingly in use in college classrooms. Multimodal, multimedia and often collaborative, the graphic narrative format has entered all kinds of subject areas and its potential as a teaching tool is still being realized. This collection of new essays presents best practices for using comics in various educational settings, beginning with the basics. Contributors explain the need for teachers to embrace graphic novels. Multimodal composition is demonstrated by the use of comics. Strategies are offered for teachers who have struggled with weak visual literacy skills among students. Student-generated comics are discussed with several examples. The teaching of postmodern theories and practices through comics is covered. An appendix features assignment sheets so teachers can jump right in with proven exercises.
Editorial Advisory Board: Sarah Park Dahlen, Associate Professor, School of Information Sciences, University of Illinois Urbana-Champaign; Marianne Martens, Associate Professor, School of Information, Kent State University; Amy Pattee, Associate Professor and Co-coordinator of Dual-Degree MS LIS/MA Children’s Literature, School of Library and Information Science, Children’s Literature, Simmons University “Comprehensive and substantial ... a highly recommended resource," raved VOYA about the third edition. Now, to keep pace with changes in the field of publishing and realign itself to the newest generation of young adults, Cart returns with a sweeping update of his classic text. Relied upon by educators, LIS instructors and students, and practitioners for its insight and thoroughness, his book surveys the landscape of YA lit both past and present, sketching out its origins and showing how it has evolved to deal with subjects every bit as complex as its audience; closely examines teen demographics, literacy, audiobooks, the future of print, the role of literary criticism, and other key topics; provides updated coverage of perennially popular genre fiction, including horror, sci fi, and dystopian fiction; delves deeply into multicultural and LGBTQIA+ literature, substantially updated in this edition; features expansive interviews with best-selling authors like Eric Shanower, Jackie Woodson, and Bill Konigsberg as well as several publishers and leaders in the field; discusses the impact of the Printz Award, ALAN’s Walden Award, the National Book Award, The Los Angeles Times Book Award, and other honors; and features abundant bibliographic material to aid in readers' advisory and collection development.