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A collection of Rogers' writings and observations includes selections from his weekly articles and previously unpublished excerpts from his notes and correspondence
In this definitive biography, Cynthia Brideson and Sara Brideson offer a comprehensive look at both the life and legacy of Florenz Ziegfeld Jr. Drawing on a wide range of sources, they provide a lively and well-rounded account of Ziegfeld as a father, a husband, a son, a friend, a lover, and an alternately ruthless and benevolent employer. Lavishly illustrated, this is an intimate and in-depth portrait of a figure who profoundly changed American entertainment.
This third volume of The Papers of Will Rogers documents the evolution of Rogers's vaudeville career as well as the newlywed life of Will and Betty Blake Rogers and the birth of their children. During these years, the Rogerses moved to New York City, and after many years of performing with Buck McKee and horse Teddy, Rogers began a solo act in vaudeville as a talking, roping cowboy. He appeared on the same playbill with such performers as Fred Stone, Eddie Cantor, and Houdini, and his stage career expanded to include an appearance in the Broadway musical comedy "The Wall Street Girl." Volume Three ends with Rogers's successful transition from vaudeville to Broadway, on the brink of his breakthrough as a star of the Ziegfeld Follies.
Of the many books written about Will Rogers, none can have the immediacy, firsthand knowledge, and personal perspective of this account by his wife, Betty Blake Rogers. Her story is of Will Rogers, from wayward youth to international celebrity. Will was born in 1879 in the Cherokee nation of Indian Territory, near what is now Oologah, and died in 1935 with Wiley Post in an airplane crash in Alaska. The period witnessed the passing of the frontier and the arrival of the air age, and Will Rogers became a unique part and interpreter of it all. "The book offers a ’unique insight’ into the Oklahoma cowboy who became a worldwide celebrity. Betty Rogers understood Will as no one else could, and her book amplifies the importance of a homegrown philosopher who captured the spirit of the American experience. Cowboy, showman, homespun pundit-Will left his mark in many ways, each of which is carefully developed in the book’s twenty-two chapters. Most notable, however, is Mrs. Rogers’s treatment of her husband’s character. Behind the facade lay a complex man who, despite his lack of formal education, had a grasp of modern psychology and world politics. Equally at home with cowboys and presidents, Will accepted both as human beings engaged in the larger arena of life, whether in the wide open spaces of Oklahoma or the confines of Washington....For those who would know Will Rogers in a familiar way, there is no better book than this reprint." Arizona and the West. "The best of all the books on the best of all the homespun philosophers as seen through the eyes of his wife." Midwest Book Review. "Folksy, detailed and loving, it offers a timeless glimpse at a real American hero of his time-and ours." American Way.
In the early years of his performing career, Will Rogers was a vaudeville performer of limited prominence. Around the age of thirty-five, however, this Oklahoma cowboy philosopher shed his role as local stage entertainer and moved toward fame as a Broadway star and nationally beloved humorist. This documentary history, volume four in the definitive five-volume Papers of Will Rogers, reveals Rogers’s personal and professional transformation during what may have been the most productive period of his diverse career. Between 1915 and 1928—the years covered by this volume—Rogers developed his unique monologues of topical humor, sampled the relatively new medium of radio, and pursued a career in silent films. He also tried his voice in sound recordings, witnessed his work as a writer reach millions of readers of daily newspapers, became one of the most sought-after speakers on the dinner circuit, and embarked on a three-year tour of the nation’s lecture halls. In addition to Rogers’s personal correspondence with family members and friends, editors Steven K. Gragert and M. Jane Johansson present more than one hundred letters and telegrams to and from people Rogers touched both inside and outside public life, including prominent figures in politics, show business, literature, industry, government, publishing, and the arts. Much of this material, gleaned from private collections, interviews, manuscripts, and sound recordings, has never before been published.
This critically acclaimed and award-winning collection of the best writings of one of America's most beloved and influential humorists includes Rogers's most popular speeches and newspaper columns. 16 pages of photographs.
Will Rogers was America. Part Cherokee Indian and former cowboy, he captivated audiences around the world with sparkling gems of wisdom cloaked in gentle and uproarious country wit and astonishing rope tricks. His colorful life recently inspired a commercially successful and critically acclaimed Broadway musical -- winner of 6 Tony Awards. His words are as entertaining, inspiring and revelant today as they ever were. A simple, plain-spoken man, he was the voice of a nation during the '20s and '30s. Movie star, vaudeville headliner, radio commentator, his views and observations were syndicated daily and weekly in over 600 newspapers across the country. Here is the essential Will Rogers -- the story of his remarkable career, from Oklahoma "cowpuncher" to international star . . . and the warm, knowing and hilarious philosophies of the man embodied the heart and soul of the nation.
Any girl who twists her hat will be fired! – Florenz Ziegfeld And no Ziegfeld girl ever did as she made her way down the gala stairways of the Ziegfeld Follies in some of the most astonishing spectacles the American theatergoing public ever witnessed. When Florenz Ziegfeld started in theater, it was flea circus, operetta and sideshow all rolled into one. When he left it, the glamorous world of "show-biz" had been created. Though many know him as the man who "glorified the American girl," his first real star attraction was the bodybuilder Eugen Sandow, who flexed his muscles and thrilled the society matrons who came backstage to squeeze his biceps. His lesson learned with Sandow, Ziegfeld went on to present Anna Held, the naughty French sensation, who became the first Mrs. Ziegfeld. He was one of the first impresarios to mix headliners of different ethnic backgrounds, and literally the earliest proponent of mixed-race casting. The stars he showcased and, in some cases, created have become legends: Billie Burke (who also became his wife), elfin Marilyn Miller, cowboy Will Rogers, Bert Williams, W. C. Fields, Eddie Cantor and, last but not least, neighborhood diva Fanny Brice. A man of voracious sexual appetites when it came to beautiful women, Ziegfeld knew what he wanted and what others would want as well. From that passion, the Ziegfeld Girl was born. Elaborately bejeweled, they wore little more than a smile as they glided through eye-popping tableaux that were the highlight of the Follies, presented almost every year from 1907 to 1931. Ziegfeld's reputation and power, however, went beyond the stage of the Follies as he produced a number of other musicals, among them the ground-breaking Show Boat. In Ziegfeld: The Man Who Created Show Business, Ethan Mordden recreates the lost world of the Follies, a place of long-vanished beauty masterminded by one of the most inventive, ruthless, street-smart and exacting men ever to fill a theatre on the Great White Way : Florenz Ziegfeld.
It's New York, 1952. Welcome to Broadway, the glamour and power capital of the universe. J.J. Hunsecker rules it all with his daily gossip column in the New York Globe, syndicated to sixty million readers across America. J.J. has the goods on everyone, from the president to the latest starlet. And everyone feeds J.J. scandal, from J. Edgar Hoover and Senator Joe McCarthy down to a battalion of hungry press agents who attach their news to a client that J.J. might plug. When a young press agent, S