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Follow Will & Patrick in this final installment of the romantic-comedy serial, Wake Up Married, by best-selling author Leta Blake and newcomer Alice Griffiths! Sure, Will and Patrick are in love now, but they weren’t when they got married in Vegas. For Patrick, that’s no problem, but Will can’t shake his doubts that a relationship started through coercion can ever become the real deal. Since the Molinaro crime family has reversed their position on divorce, Will and Patrick have a chance to rectify their drunken mistake. But is divorce the solution? Find out in this final instalment of the much-beloved Wake up Married serial. Episode 6 of 6 in the Wake Up Married serial.
#1 NEW YORK TIMES BESTSELLER • Once he was a well-liked, well-paid young partner in a thriving Mississippi law firm. Then Patrick Lanigan stole ninety million dollars from his own firm—and ran for his life. For four years, he evaded men who were rich and powerful, and who would stop at nothing to find him. Then, inevitably, on the edge of the Brazilian jungle, they finally tracked him down. Now Patrick is coming home. And in the Mississippi city where it all began, an extraordinary trial is about to begin. As prosecutors circle like sharks, as Patrick’s lawyer prepares his defense, as Patrick’s lover prays for his deliverance and his former partners wait for their revenge, another story is about to emerge. Because Patrick Lanigan, the most reviled white-collar criminal of his time, knows something that no one else in the world knows. He knows the truth. Don’t miss John Grisham’s new book, THE EXCHANGE: AFTER THE FIRM!
From the show's modest beginnings to its massive Emmy sweep, You Are My Happy Ending tells the story of how Schitt’s Creek became the surprise hit that changed the way we think about LGBTQ relationships. Cultural analyst Emily Garside shows how this series fused classic romcom and sitcom tropes to create a world with a queer love story at its core, starting with Daniel Levy, the co-creator who plays David. She examines the show’s Canadian identity and its diverse incorporation of references from literature (Brideshead Revisited) to cinema (Hitchcock’s The Birds), as well as numerous romantic comedy texts. Schitt’s Creek is an homage to all these elements of the past literary and cinematic canon while also creating an important contemporary narrative of its own. Most importantly, Garside delves into the references to queer icons and culture—from Cabaret to drag. How did this supposedly light comedy embrace an activist perspective? And how does it use (and subvert) its romantic-comedy genre in order to make that activism even more powerful? Combining a fan's affection with a scholar's insight, Garside explains how this “little show that could” is the product of a long history of queer activism, breaking down barriers and marking a turning point in future representation of LGBTQ stories.
Continue the fun in Episodes 4 - 6 of the soapy serial by best-selling author Leta Blake and newcomer Alice Griffiths! Episode Four: Will & Patrick Fight Their Feelings Will and Patrick have embraced adding hot sexy-times to their fake marriage, but as their emotions deepen, they confront whether or not they want to be more than friends-with-benefits. The heat is high (and occasionally kinky) as Will and Patrick struggle to accept their mutual affection. Episode Five: Will & Patrick Meet the Mob Patrick has finally accepted that he's in love with Will, but his newfound determination to do something about that runs up against his father-in-law's mobster plans. Will must face the truth about his family before he can fully come to terms with his feelings for Patrick. And Patrick has to decide if this whackadoodle world is something he truly wants to be part of forever. Episode Six: Will & Patrick's Happy Ending Sure, Will and Patrick are in love now, but they weren’t when they got married in Vegas. For Patrick, that’s no problem, but Will can’t shake his doubts that a relationship started through coercion can ever become the real deal. Since the Molinaro crime family has reversed their position on divorce, Will and Patrick have a chance to rectify their drunken mistake. But is divorce the right choice for them? Word count: 119,400
Sliding Doors meets P.S. I Love You in this richly told novel from the author of The Sweetness of Forgetting about the struggle to overcome the past when our memories refuse to be forgotten. After her husband’s sudden death over ten years ago, Kate Waithman never expected to be lucky enough to find another love of her life. But now she’s planning her second walk down the aisle to a perfectly nice man. So why isn’t she more excited? At first, Kate blames her lack of sleep on stress. But when she starts seeing Patrick, her late husband, in her dreams, she begins to wonder if she’s really ready to move on. Is Patrick trying to tell her something? Attempting to navigate between dreams and reality, Kate must uncover her husband’s hidden message. Her quest leads her to a sign language class and into the New York City foster system, where she finds rewards greater than she could have imagined.
Follow Will & Patrick in this fifth installment of the soapy serial, Wake Up Married, by best-selling author Leta Blake and newcomer Alice Griffiths! Patrick has finally accepted that he's in love with Will, but his newfound determination to do something about that runs up against his father-in-law's mobster plans. Though just what those plans are have as yet to be determined. As far as Will and Patrick can tell, they consist of blowing through town, wreaking small havoc, and turning the Patterson family's lives on end. Will must face the truth about his family before he can fully come to terms with his feelings for Patrick. And Patrick has to decide if this whackadoodle world is something he truly wants to be part of forever. Episode 5 of 6 in the Wake Up Married serial.
In the riveting conclusion to the acclaimed dystopian series, a boy and girl caught in the chaos of war face devastating choices that will decide the fate of a world. As a world-ending war surges around them, Todd and Viola face monstrous decisions. The indigenous Spackle, thinking and acting as one, have mobilized to avenge their murdered people. Ruthless human leaders prepare to defend their factions at all costs, even as a convoy of new settlers approaches. And as the ceaseless Noise lays all thoughts bare, the projected will of the few threatens to overwhelm the desperate desire of the many. The consequences of each action, each word, are unspeakably vast: To follow a tyrant or a terrorist? To save the life of the one you love most, or thousands of strangers? To believe in redemption, or assume it is lost? Becoming adults amid the turmoil, Todd and Viola question all they have known, racing through horror and outrage toward a shocking finale.
The popular stand-up comedian offers an offbeat, frequently raunchy memoir of his life, in which he shares his affinity for hookers, the time he stalked Black Sabbath and Alan Alda, his experiences with Opie and Anthony, his arrest on the infamous Voyeur Bus, and other controversial events. Reprint.
Twenty-five-year-old Seminole Toby Tiger lives in despair in the Florida Everglades. He loves the land and everything that exists in the natural world: the deer and egrets, turtles and herons, cypress trees and sawgrass, ponds and marshes, and, most of all, Allapattah, the crocodile. He watches helplessly as the white man imposes his will on the Seminoles, forcing them either to conform or to eke out a living wrestling alligators and carving trinkets for tourists. According to Toby, the whites “destroy all that they touch." Toby refuses to bend to the white man's will and fights back the only way he knows how. He becomes Allapattah, a creature that earns his respect and protection.
Cinemas of Ireland is a collection of fourteen essays which provide numerous approaches to the new Irish cinemascape from both an Irish and a European perspective. Highlighting the works of European scholars in Irish studies, it features a variety of noteworthy critical papers that explore the evolution of contemporary Irish cinema in an era of globalisation. The collection also stresses the rich interdisciplinary nature of Irish film studies, ranging from theoretical studies, gender studies, to political and historical studies. The list of films analysed includes among others Adam and Paul (2004), The Wind that Shakes the Barley (2006), Garage (2007), The Brave One (2007). This collective volume is aimed at all established and emerging scholars who work on Irish cinema and at all the readers who are interested in discovering contemporary Irish cinema in its evolution and in the issues it tackles.