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She Can't Stop Thinking Of Him Serious bad boy. That's what Liz Adams thinks when she catches sight of dark, gorgeous Steve Wilde sitting at a table in her coffee house. Still, the man is the best P.I. in town, and the only person who might be able to help Liz track down her irresponsible, free-spirited cousin. . .if she can spend more than two minutes in his company without surrendering to the wild fantasies dancing in her head. . . He Can't Stop Wanting Her Oh, baby. That's what Steve Wilde thinks every time he comes into Liz's café and catches sight of her sexy figure behind the counter. Now that Liz has opened the door to him, Steve intends to storm right through it, along with her defenses, and show the aloof beauty exactly what she's been missing. . . Now, There's No Stopping Either Of Them Now, in a cat-and-mouse game where the thrill of the forbidden is never quite enough, a business arrangement is about to yield to pleasure. . .and the temptations that can only be found when hearts run wild. . .
The Wilde brothers are addicted to the rush of adventure. But one of them is about to learn no matter how often you look for danger, you don’t want danger finding you. For extreme skier Tripp Wilde, pushing the limits is what he lives for. Unfortunately, the inherent risk takes a toll on his body. After an injury sidelines him, he ends up in the care of his little sister’s best friend, physical therapist Hannah Ryder—who has grown up in all the right ways since they last met. Hannah doesn’t mix business with pleasure, even though she harbored a maddening crush on the irresistible Tripp years before. So, while Tripp tries every slick maneuver he knows to bed her, Hannah uses her own moves to keep the hotshot skier cooled off while trying to control her own growing desire for him. After the pair witness what they think may be a murder on the slopes, along with the men responsible, no one believes their story. But when a series of unlikely accidents suggests they are being targeted, the two will have to trust in each other like never before if they are going to survive. “An exciting new voice in romantic suspense.” —Mary Burton, New York Times bestselling author “Well developed, realistic characters. Entertaining family dynamics. Jannine Gallant gives you a satisfying read.” —Kat Martin, New York Times bestselling author “Check all the windows and doors before you go to bed because the relentless, obsessive stalker in Every Move She Makes will have you looking over your shoulder long after the lights go out.” —Nancy Bush, New York Times bestselling author
Max is sent to bed without supper and imagines sailing away to the land of Wild Things,where he is made king.
It's hard to find work as a doctor when using your real name will get you killed. So hard that when a reclusive billionaire offers Dr. Peter Brown, aka Pietro Brnwa, a job accompanying a sexy but self-destructive paleontologist on the world's worst field assignment, Brown has no real choice but to say yes. Even if it means that an army of murderers, mobsters, and international drug dealers -- not to mention the occasional lake monster -- are about to have a serious Pietro Brnwa problem. Facing new and old monsters alike, Dr. Brnwa's story continues in this darkly funny and lightning-paced follow up to Josh Bazell's bestselling debut.
"Everyday objects can have an extra dimension or quality that has no relation to functionality, form, a concept or a trend. So what is it that gives a particular glass an 'aura'? Why should one thing have more shine, passion and 'mystical allure' than another? A Wild Thing attempts to identify and describe these often intangible qualities. There seems to be an inner light that shines from certain things. Unlike the blinding spotlight of media and marketing, this light is gentle and clear and reflects the methodology and intention of the maker. Ancient craftsmen designed from a place of unity with matter and the cosmos, putting themselves at the service of the making process and thereby creating a moment of transference from maker to thing. A Wild Thing focuses on how this unity between a person, a thing and the universe can be attained through a particular manner of both designing and experiencing objects. This approach is in stark contrast to that of the star designer, who frequently conceives useless products that are nothing more than status symbols designed to generate wasteful consumption. In a series of essays, Hilde Bouchez reflects on design history and the latest movements within the design world. She also presents a phenomenological methodology that opens up a new, more poetic approach to everyday objects for both maker and consumer. The texts are linked by the author's search for a sustainability and meaning that transcends the organic component of materials"--Back cover.
Borrowing its title from Oscar Wilde's essay "The Decay of Lying," this study engages questions of fraudulent authorship in the literary afterlife of Oscar Wilde. The unique cultural moment of Wilde's early-twentieth-century afterlife, Gregory Mackie argues, afforded a space for marginal and transgressive forms of literary production that, ironically enough, Wilde himself would have endorsed. Beautiful Untrue Things recovers the careers of several forgers who successfully inhabited the persona of the Victorian era's most infamous homosexual and arguably its most successful dramatist. More broadly, this study tells a larger story about Oscar Wilde's continued cultural impact at a moment when he had fallen out of favour with the literary establishment. It probes the activities of a series of eccentric and often outrageous figures who inhabited Oscar Wilde's much-mythologized authorial persona - in forging him, they effectively wrote as Wilde - in order to argue that literary forgery can be reimagined as a form of performance. But to forge Wilde and generate "beautiful untrue things" in his name is not only an exercise in role-playing - it is also crucially a form of imaginative world-making, resembling what we describe today as fan fiction.
This selection of Oscar Wilde’s writings provides a fresh perspective on his character and thinking. Compiled from his lecture tours, newspaper articles, essays and epigrams, these pieces show that beneath the trademark wit, Wilde was a deeply humane and visionary writer, as challenging today as he was in the late 1800s. This edition includes essays on interior design, prison reform, Shakespeare, the dramatic dialogue Decay of Lying and the seminal Soul of Man.
In Wild Things Jack Halberstam offers an alternative history of sexuality by tracing the ways in which wildness has been associated with queerness and queer bodies throughout the twentieth century. Halberstam theorizes the wild as an unbounded and unpredictable space that offers sources of opposition to modernity's orderly impulses. Wildness illuminates the normative taxonomies of sexuality against which radical queer practice and politics operate. Throughout, Halberstam engages with a wide variety of texts, practices, and cultural imaginaries—from zombies, falconry, and M. NourbeSe Philip's Zong! to Maurice Sendak's Where the Wild Things Are and the career of Irish anticolonial revolutionary Roger Casement—to demonstrate how wildness provides the means to know and to be in ways that transgress Euro-American notions of the modern liberal subject. With Wild Things, Halberstam opens new possibilities for queer theory and for wild thinking more broadly.
Joyce criticism is a long way from having controlled the treasure trove of manuscript materials in the 63 volume James Joyce Archive. PROBES represents a new effort of incorporating manuscript research into critical concerns demonstrating in a practical manner how genetic work contributes to a fuller and more nuanced appreciation of Joyce's work. The organization of the essays is designed to highlight our two major but interlocking concerns: the nature and theoretical underpinnings of genetic criticism of Joyce and especially of Finnegans Wake, and some of the many ways that theory can be applied to the creative situation reflected in the notes and manuscripts. The questions raised in this volume are both current and important. Like Finnegans Wake itself, the manuscript record, because it is so complete, by stimulating the reader's curiosity and ingenuity, lends itself to a variety of approaches while rewarding specialized knowledge. Here too, as we decipher and transcribe, we are well advised to follow Joyce's advice and wipe [our] glosses with what [we] know. This volume will provide much that is new and of interest for all scholars of Joyce as well as scholars interested in the issues raised by genetic criticism.
Joyce criticism is a long way from having controlled the treasure trove of manuscript materials in the 63 volume James Joyce Archive. PROBES represents a new effort of incorporating manuscript research into critical concerns demonstrating in a practical manner how genetic work contributes to a fuller and more nuanced appreciation of Joyce's work. The organization of the essays is designed to highlight our two major but interlocking concerns: the nature and theoretical underpinnings of genetic criticism of Joyce and especially of Finnegans Wake, and some of the many ways that theory can be applied to the creative situation reflected in the notes and manuscripts. The questions raised in this volume are both current and important. Like Finnegans Wake itself, the manuscript record, because it is so complete, by stimulating the reader's curiosity and ingenuity, lends itself to a variety of approaches while rewarding specialized knowledge. Here too, as we decipher and transcribe, we are well advised to follow Joyce's advice and wipe [our] glosses with what [we] know. This volume will provide much that is new and of interest for all scholars of Joyce as well as scholars interested in the issues raised by genetic criticism