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Four years after her divorce, Vanessa Cantrell owns an interior decorating firm, a European sports car, and an apartment in the French Quarter of New Orleans. Even though she filled her home and her life with expensive things, she couldn’t fill the void left by her ruggedly handsome ex-husband, Race. When tragedy brings them together again, she finds he is still the same irresponsible wildcatter she’d walked out on. But he hasn’t lost his powerful, sensual magnetism. She’s still drawn to him…but Vanessa knows she must never again become a wildcatter’s woman.
Love Isn't Part of the Deal Ginger Rollins can't believe she gave in to temptation—again! It's time for her and Rand McCabe to face the consequences. Never mind that the geological engineer and sexy environmental cowboy are on opposite sides when it comes to the Texas land they both love. Now that she's pregnant, they have one option. Rand isn't used to being proposed to by a woman—especially one as gorgeous as Ginger—but he's all for getting married. Too bad the independent wildcatter sees their union as a nonnegotiable deal. Doesn't she know they share more than hot chemistry? How long can he keep his feelings—and their baby—a secret? Rand vowed to love and honor Ginger forever. And it's a promise he intends to keep….
A crew of space age prospectors search for valuable resources on an unknown—and potentially unfriendly—planet in this “action packed thriller” (SFRevu.com). As long as there is money to be made, there will be wildcatters. Throughout human history, wildcatters, the first great explorers and prospectors to lay claim to newly discovered lands, have marched to the beat of a different drummer—motivated by a deep yearning to be the first to walk on uncharted land and benefit from treasures yet to be discovered. In the future, wildcatters in space will travel to exoplanets, located in the Big Nothing, to search for new chemicals that, when transformed into pharmaceuticals, will bring untold wealth and fame to the individuals and corporations that stake their claim for exclusive exploitation rights. Such is the quest of the crew of the independent starship Golden Hind, whose mission is to travel a year and a half to “Cacafuego,” beat the larger corporations to the exoplanet’s resources, and strike it rich for themselves. But will a yellow warning flag, planted above the planet, stop them? Or will the Golden Hind’s prospector foray to the planet’s surface, possibly never to return alive? Wildcatter is a raucous tale of mystery, greed, and passion, told by master storyteller Dave Duncan, who was once himself a real wildcatter!
"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
At a crucial moment in the development of Texas art, an eccentric oil wildcatter form Massachusetts and Luling, Texas, turned to the prestigious San Antonio Art League with a proposal. He would fund a national art competition featuring the state's verdant fields of wildflowers and bring prominence to Texas art if the league would handle the details. Thus was born the Texas Wildflower Competitive Exhibitions, which in three years at the end of the Roaring Twenties awarded more than $53,000 in prize money for paintings of Texas wildflowers, ranch life, and cotton farming. This presentation of twenty-nine color plates of the competitions' best works includes paintings by such important artists as Jose Arpa, Dawson Dawson-Watson, Xavier Gonzalez, Edward G. Eisenlohr, and Oscar E. Berninghaus and Herbert Dunton (the latter duo having also served as founding members of the Taos Society of Artists). In the plates, the artists have portrayed a variety of landscapes and atmospheres to present the wildflowers loved not only by Davis but by generations of Texas art enthusiasts.
Originally published: New York: Pocket Books, 1982.
The importance of New Orleans in American culture has made the city's place in the American imagination a crucial topic for literary scholars and cultural historians. While databases of bibliographical information on New Orleans-centered fiction are available, they are of little use to scholars researching works written before the 1980s. In The New Orleans of Fiction: A Research Guide, James A. Kaser provides detailed synopses for more than 500 works of fiction significantly set in New Orleans and published between 1836 and 1980. The synopses include plot summaries, names of major characters, and an indication of physical settings. An appendix provides bibliographical information for works dating from 1981 well into the 21st century, while a biographical section provides basic information about the authors, some of whom are obscure and would be difficult to find in other sources. Written to assist researchers in locating works of fiction for analysis, the plot summaries highlight ways in which the works touch on major aspects of social history and cultural studies (i.e., class, ethnicity, gender, immigrant experience, and race). The book is also a useful reader advisory tool for librarians and readers who want to identify materials for leisure reading, particularly since genre, juvenile, and young adult fiction—as well as literary fiction—are included.
Apart from sharing the same zip code, Randi Howard, Anna Montano, Meredith Allen, Helena Whitworth and Crystal Howard have absolutely nothing in common—until a fiery explosion on a west Texas oil rig changes everything. Their husbands are men who live to search for "black gold," men who are willing to exchange backbreaking work and long days for danger and excitement—and money. But on a blistering day in early autumn four of the men pay the ultimate price—leaving behind one man who wishes he had. In one brief moment a tragedy binds Randi, Anna, Meredith, Helena and Crystal closer together than a lifetime of friendship. As they gather at the hospital, waiting to learn who among them will not have to bury her husband, they turn to one another for support. And so begins a journey of faith, of strength, of tears and of love.