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"Once upon a time there were seven washerwomen. They had far too much washing to do and the owner of the laundry, Mr Balthazar Tight, was simply dreadful! So they decide to go on strike. They are so happy with their newfound freedom that it seems nobody can control them. Until along come seven woodcutters, eager to teach them a lesson. But the woodcutters may have taken on more than they had bargained for!"--Book cover.
Seven washerwomen, sick of their work, go on an uncontrollable rampage, only to meet their match in seven very dirty woodcutters.
The king offers his daughter's hand in marriage to the young man who can produce three perfect peaches.
From one of our most important scholars and civil rights activist icon, a powerful study of the women’s liberation movement and the tangled knot of oppression facing Black women. “Angela Davis is herself a woman of undeniable courage. She should be heard.”—The New York Times Angela Davis provides a powerful history of the social and political influence of whiteness and elitism in feminism, from abolitionist days to the present, and demonstrates how the racist and classist biases of its leaders inevitably hampered any collective ambitions. While Black women were aided by some activists like Sarah and Angelina Grimke and the suffrage cause found unwavering support in Frederick Douglass, many women played on the fears of white supremacists for political gain rather than take an intersectional approach to liberation. Here, Davis not only contextualizes the legacy and pitfalls of civil and women’s rights activists, but also discusses Communist women, the murder of Emmitt Till, and Margaret Sanger’s racism. Davis shows readers how the inequalities between Black and white women influence the contemporary issues of rape, reproductive freedom, housework and child care in this bold and indispensable work.
A groundbreaking history of the American Revolution that “vividly recounts Colonial women’s struggles for independence—for their nation and, sometimes, for themselves.... [Her] lively book reclaims a vital part of our political legacy" (Los Angeles Times Book Review). The American Revolution was a home-front war that brought scarcity, bloodshed, and danger into the life of every American. In this book, Carol Berkin shows us how women played a vital role throughout the conflict. The women of the Revolution were most active at home, organizing boycotts of British goods, raising funds for the fledgling nation, and managing the family business while struggling to maintain a modicum of normalcy as husbands, brothers and fathers died. Yet Berkin also reveals that it was not just the men who fought on the front lines, as in the story of Margaret Corbin, who was crippled for life when she took her husband’s place beside a cannon at Fort Monmouth. This incisive and comprehensive history illuminates a fascinating and unknown side of the struggle for American independence.
Step into the heart of the Civil War era with Louisa May Alcott's Hospital Sketches. This poignant collection of letters offers a firsthand account of life in a Union hospital, filled with the courage, suffering, and humanity of soldiers and nurses alike. Alcott's vivid descriptions and personal reflections immerse you in a world of war, illness, and compassion. Through her eyes, you'll witness the strength of the human spirit even in the darkest of times.But here's the question that will challenge your perspective: How would you endure the trials of war, if you were caught between the suffering of others and the desire to help? What does Alcott's account teach us about resilience in the face of adversity? As you read, you'll encounter the raw emotions and unwavering determination of both nurses and soldiers. Alcott’s intimate portrayal of their struggles offers a window into a world shaped by conflict, yet filled with hope and kindness. Are you ready to explore the true cost of war through the eyes of one who lived it?Immerse yourself in these unforgettable sketches, where Alcott's powerful words bring history to life. Her personal experiences in the hospital offer a unique glimpse into the Civil War and the unspoken courage of those who served. This is more than a memoir—it's a call to honor the resilience of the human spirit. Purchase Hospital Sketches now, and step into a world where compassion triumphs over fear.Don't miss the chance to experience Louisa May Alcott’s powerful reflections on war and humanity. Buy Hospital Sketches today and witness history through the eyes of one of its most insightful chroniclers.
This simple story celebrates how the differences between one mother and father blend to make the perfect combination in their daughter. As this little family moves through the world, the girl notes some of the ways that her parents are different from each other, and how she is different from both of them. With each difference she lists, she highlights the ways that their individual characteristics join together to make her family. The fact that her mother is African American and her father is white is just one of the many interesting things that make this little girl and her family "just right."
This guide to the feisty women of medieval times profiles 200 of these fair and unfair damsels from around the world. There's English rose Hilda of Whitby, Viking leader Aud the Deep-Minded and Wu Zhao of China, who chose to concubine, connive, murder and machiavelli her way to a 50 year reign.
FINALIST FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAY A New York Times Notable Book of 2017 The flâneur is the quintessentially masculine figure of privilege and leisure who strides the capitals of the world with abandon. But it is the flâneuse who captures the imagination of the cultural critic Lauren Elkin. In her wonderfully gender-bending new book, the flâneuse is a “determined, resourceful individual keenly attuned to the creative potential of the city and the liberating possibilities of a good walk.” Virginia Woolf called it “street haunting”; Holly Golightly epitomized it in Breakfast at Tiffany’s; and Patti Smith did it in her own inimitable style in 1970s New York. Part cultural meander, part memoir, Flâneuse takes us on a distinctly cosmopolitan jaunt that begins in New York, where Elkin grew up, and transports us to Paris via Venice, Tokyo, and London, all cities in which she’s lived. We are shown the paths beaten by such flâneuses as the cross-dressing nineteenth-century novelist George Sand, the Parisian artist Sophie Calle, the wartime correspondent Martha Gellhorn, and the writer Jean Rhys. With tenacity and insight, Elkin creates a mosaic of what urban settings have meant to women, charting through literature, art, history, and film the sometimes exhilarating, sometimes fraught relationship that women have with the metropolis. Called “deliciously spiky and seditious” by The Guardian, Flâneuse will inspire you to light out for the great cities yourself.
They were called "frail sisters," "fallen angels," "filles de Joie, " "soiled doves," "queens of the night," and "whores." They worked the seamy brothels, saloons, cribs, streets, and "hog ranches" of the American frontier. They were the prostitutes of the post-Civil War West. Daughters of Joy, Sisters of Misery details the destitute lives of these nearly anonymous women. Anne Butler reveals who they were, how they lived and worked, and why they became an essential element in the development of the West's emerging institutions. Her story bears little resemblance to the popular depictions of prostitutes in film and fiction. Far removed from the glittering lives of dancehall girls, these women lived at the boarders of society and the brink of despair. Poor and uneducated, they faced a world where scarce jobs, paltry wages, and inflated prices made prostitution a likely if bitter choice of employment. At best their daily lives were characterized by fierce economic competition and at worst by fatal violence in the hands of customers, coworkers, or themselves. They were scorned and attacked by the legal, military, church, and press establishments; nevertheless, as Butler shows, these same institutions also used prostitutes as a means for maintaining their authority and as a lure for economic development. Daughters of Joy, Sisters of Misery is based on an enormous amount of research in more than twenty repositories in Wyoming, Arizona, Texas, Colorado, New Mexico, and Kansas. Using census lists, police dockets, jail registers, military correspondence, trial testimony, inquests, court martials, newspapers, post return, and cemetery records, Butler illuminates the dark corners of a dark profession and adds much to our knowledge of both western and women's history.