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‘GREAT STORIES OF THE UPS AND THE DOWNS, THE PLEASURES AND THE PERILS, OF LIVING ON THE EDGE OF THE JUNGLE.’ —MARK TULLY, AUTHOR OF NON-STOP INDIA ‘We’ve lived here at Pambukudivanam for 20 years now and many are the trees we planted that you can’t put your arms around. Orioles, treepies, woodpeckers, kingfishers, spotted owlets and parakeets also call it home, and the resident rat snake regularly sheds his 7-foot-long skin below the expansive banyan tree shading our house.’ —Rom Whitaker My Husband and Other Animals, Janaki Lenin’s first book, was lauded by readers and critics alike. With this compilation, she returns with more stories of the quirky and wonderful life she shares with her husband, Rom Whitaker, and an array of wild creatures—from leopards to king cobras. Janaki’s enthusiasm and passion for the wild finds a voice in the pages of her book, while her curiosity about the world she inhabits infuses these light-hearted, yet thought-provoking stories with unique insight. As much a chronicle of Janaki and Rom’s unusual life as it is a wild and eventful journey, My Husband and Other Animals 2: Wildlife Adventures Continue is a witty, delightful read.
Wildlife Adventure! is no ordinary guidebook! Venture around the world with Coyote Peterson to learn about animals and their habitats in this interactive field guide packed with animal facts, write-in activities, stickers, and more! In this official non-fiction adventure guide, Coyote Peterson will teach fans how to discover the animals in their very own backyard before whisking them away to learn more about the desert, rainforest, savanna, and even more epic locations. Members of the Coyote Pack will be able to go on endless adventures through 10 photographic scenes that can be decorated with this guide's HUNDREDS of stickers! Jam-packed with animal facts, gear check-lists, write-in activities, Coyote Pack badges, and much more, this guide is the perfect holiday gift for boys and girls of all ages. Be brave and stay wild!
While visiting Aunt Charlotte, Andy draws pictures of animals that come to life for his entertainment.
Don't Let's Go to the Dogs Tonight meets Mean Girls in this funny, insightful fish-out-of-water memoir about a young girl coming of age half in a "baboon camp" in Botswana, half in a ritzy Philadelphia suburb. Keena Roberts split her adolescence between the wilds of an island camp in Botswana and the even more treacherous halls of an elite Philadelphia private school. In Africa, she slept in a tent, cooked over a campfire, and lived each day alongside the baboon colony her parents were studying. She could wield a spear as easily as a pencil, and it wasn't unusual to be chased by lions or elephants on any given day. But for the months of the year when her family lived in the United States, this brave kid from the bush was cowed by the far more treacherous landscape of the preppy, private school social hierarchy. Most girls Keena's age didn't spend their days changing truck tires, baking their own bread, or running from elephants as they tried to do their schoolwork. They also didn't carve bird whistles from palm nuts or nearly knock themselves unconscious trying to make homemade palm wine. But Keena's parents were famous primatologists who shuttled her and her sister between Philadelphia and Botswana every six months. Dreamer, reader, and adventurer, she was always far more comfortable avoiding lions and hippopotamuses than she was dealing with spoiled middle-school field hockey players. In Keena's funny, tender memoir, Wild Life, Africa bleeds into America and vice versa, each culture amplifying the other. By turns heartbreaking and hilarious, Wild Life is ultimately the story of a daring but sensitive young girl desperately trying to figure out if there's any place where she truly fits in.
This book is a compendium of short stories and excerpts of personal journal entries from the life of Jack Whitman, a wildlife biologist who spent fifty years in some of the wildest places that remain on this earth. It is about his love of those places and the wild inhabitants with which he shared those lands. It is about a deep devotion towards understanding the ecology of predators and their prey, and with that knowledge, greater respect and better management of those natural resources. It is about his gratitude for living modestly and pushing life to the limits. It will make you laugh. It will make you cry.
At the beginning of his memoir Life Lived Wild, Adventures at the Edge of the Map, Rick Ridgeway tells us that if you add up all his many expeditions, he’s spent over five years of his life sleeping in tents: “And most of that in small tents pitched in the world’s most remote regions.” It’s not a boast so much as an explanation. Whether at elevation or raising a family back at sea level, those years taught him, he writes, “to distinguish matters of consequence from matters of inconsequence.” He leaves it to his readers, though, to do the final sort of which is which."--Amazon.
Combining Chapman's popular hunting adventures with wonderfully detailed wildlife art by the award-winning Hautman Brothers, this volume draws readers in to the unmatched beauty of God's creation while revealing spiritual truths that add depth and meaning to life. Full color.
Published by the Boy Scouts of America for all BSA registered adult volunteers and professionals, Scouting magazine offers editorial content that is a mixture of information, instruction, and inspiration, designed to strengthen readers' abilities to better perform their leadership roles in Scouting and also to assist them as parents in strengthening families.
If, as many argue, movies and television have become Western culture's premier storytelling media, so too have they become, for most members of society, the primary source of encounters with the natural world—particularly wild animals. The television fare offered nightly by national and cable networks such as PBS and the Discovery Channel provides millions of viewers with their only experience of the wilderness and its inhabitants. The very films that so many viewers take as accurate portrayals of wildlife, however, have evolved primarily as a form of entertainment, following the established codes and conventions of narrative exposition. The result has been not the representation of nature, but its wholesale reconstruction and reconfiguration according to film and television conventions, audience expectations, and the demands of competition in the media marketplace. Wildlife Films traces the genealogy of the nature film, from its origins as the "animal locomotion" studies that mark the very beginnings of motion pictures themselves, to the founding of the Animal Planet cable channel that boasts "all animals, all the time." The narrative and thematic elements that unite wildlife films as a genre have their roots not in the documentary film tradition, but in the older traditions of oral and written animal fables as reflections of human society. Derek Bousé contends that classic wildlife films often portray animal protagonists living in families modeled on an ideal of the human nuclear family and working in communities that resemble an ideal of bucolic human society. In these stories—presented as documentaries—animals are motivated by human emotions and conduct relationships according to human customs. This imposition of culturally satisfying narrative patterns upon the lives of animals has not only led to the misrepresentation of the natural world; it has promoted the notion that our values, our moral vision, our models of society and family structure derive from nature, rather than being cultural formations.