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From introduction: "The chapter in our National History which tells our dealings with the Indian tribes, from Plymouth to San Francisco, will be one of the darkest and most disgraceful in our annals. Fraud and oppression, hypocrisy and violence, open, high handed robbery and sly cheating, the swindling agent and the brutal soldier turned into a brigand, buying promotion by pandering to the hate and fears of the settlers, avarice and indifference to human life, and lust for territory, all play their parts in the drama. Except the Negro, no race will lift up, at the judgement seat, such accusing hands against this nation as the Indian."
On a cold, rainy dawn in late November 1872, Lieutenant Frazier Boutelle and a Modoc Indian nicknamed Scarface Charley leveled firearms at each other. Their duel triggered a war that capped a decades-long genocidal attack that was emblematic of the United States’ conquest of Native America’s peoples and lands. Robert Aquinas McNally tells the wrenching story of the Modoc War of 1872–73, one of the nation’s costliest campaigns against North American Indigenous peoples, in which the army placed nearly one thousand soldiers in the field against some fifty-five Modoc fighters. Although little known today, the Modoc War dominated national headlines for an entire year. Fought in south-central Oregon and northeastern California, the war settled into a siege in the desolate Lava Beds and climaxed the decades-long effort to dispossess and destroy the Modocs. The war did not end with the last shot fired, however. For the first and only time in U.S. history, Native fighters were tried and hanged for war crimes. The surviving Modocs were packed into cattle cars and shipped from Fort Klamath to the corrupt, disease-ridden Quapaw reservation in Oklahoma, where they found peace even more lethal than war. The Modoc War tells the forgotten story of a violent and bloody Gilded Age campaign at a time when the federal government boasted officially of a “peace policy” toward Indigenous nations. This compelling history illuminates a dark corner in our country’s past.
Bringing together Custer, Sherman, Grant, and other fascinating military and political figures, as well as great native leaders such as Crazy Horse, Sitting Bull, and Geronimo, this “sweeping work of narrative history” (San Francisco Chronicle) is the fullest account to date of how the West was won—and lost. After the Civil War the Indian Wars would last more than three decades, permanently altering the physical and political landscape of America. Peter Cozzens gives us both sides in comprehensive and singularly intimate detail. He illuminates the intertribal strife over whether to fight or make peace; explores the dreary, squalid lives of frontier soldiers and the imperatives of the Indian warrior culture; and describes the ethical quandaries faced by generals who often sympathized with their native enemies. In dramatically relating bloody and tragic events as varied as Wounded Knee, the Nez Perce War, the Sierra Madre campaign, and the Battle of the Little Bighorn, we encounter a pageant of fascinating characters, including Custer, Sherman, Grant, and a host of officers, soldiers, and Indian agents, as well as great native leaders such as Crazy Horse, Sitting Bull, Geronimo, and Red Cloud and the warriors they led. The Earth Is Weeping is a sweeping, definitive history of the battles and negotiations that destroyed the Indian way of life even as they paved the way for the emergence of the United States we know today.
During times of conflict, Americans have worried that enemies within would twist freedom of speech into a weapon of propaganda and use freedom of assembly to unleash violent internal chaos. As a result, the government isolated and confined within federal communities groups that they deemed dangerous. Within these so-called cultural structures of realistic democracy, the government awkwardly attempted to protect citizens while curbing their rights and freedoms. ø It is no accident that the government?s enclosed worlds were most numerous in the American West, where abundant open space has long symbolized the glory of American freedom and progress. Heather Fryer looks at four of these inverse utopias in the American West: the Klamath Indian reservation; the community of nuclear scientists in Los Alamos; the Japanese internment camp in Topaz, Utah; and the wartime company town of Vanport, Oregon. Each community stripped freedoms from Americans based on beliefs about the treacherous tendencies of minorities, workers, and radicals. Although the differences of experience among the four populations were considerable, they shared the marginalization, repression, displacement, and disillusionment with the federal government that flourished within the confined spaces of America?s inverse utopias. Nor was their experience theirs alone; it is instead part of a patterned, national, wartime dynamic that makes enemies of citizens while fighting to extend American freedom to every corner of the globe.