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In this handbook for working in the creative arts, the authors describe sources and strategies for working within and across various forms of expression, including movement, making things with materials, and writing.
Widening the Circle is a passionate, even radical argument for creating school and classroom environments where all kids, including children labeled as “disabled” and “special needs,” are welcome on equal terms. In opposition to traditional models of special education, where teachers decide when a child is deemed “ready to compete” in “mainstream” classes, Mara Sapon-Shevin articulates a vision of full inclusion as a practical and moral goal. Inclusion, she argues, begins not with the assumption that students have to earn their way into the classroom with their behavior or skills, it begins with the right of every child to be in the mainstream of education, perhaps with modifications, adaptations, and support. Full inclusion requires teachers to think about all aspects of their classrooms—pedagogy, curriculum, and classroom climate. Crucially, Sapon-Shevin takes on arguments against full inclusion in a section of straight-talking answers to common questions. She agrees with critics that the rhetoric of inclusion has been used to justify eliminating services and “dumping” students with significant educational needs unceremoniously back into the mainstream with little or no support. If full inclusion is properly implemented, however, she argues, it not only clearly benefits those traditionally excluded but enhances the educations and lives of those considered mainstream in myriad ways. Through powerful storytelling and argument, Sapon-Shevin lays out the moral and educational case for not separating kids on the basis of difference.
Scholars and artists revisit a hugely influential essay by Rosalind Krauss and map the interactions between art and architecture over the last thirty-five years. Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary art's transformation of modernist medium-specificity into postmodernist medium multiplicity, the art historian Rosalind Krauss published an essay, “Sculpture in the Expanded Field,” that laid out in a precise diagram the structural parameters of sculpture, architecture, and landscape art. Krauss tried to clarify what these art practices were, what they were not, and what they could become if logically combined. The essay soon assumed a canonical status and affected subsequent developments in all three fields. Retracing the Expanded Field revisits Krauss's hugely influential text and maps the ensuing interactions between art and architecture. Responding to Krauss and revisiting the milieu from which her text emerged, artists, architects, and art historians of different generations offer their perspectives on the legacy of “Sculpture in the Expanded Field.” Krauss herself takes part in a roundtable discussion (moderated by Hal Foster). A selection of historical documents, including Krauss's essay, presented as it appeared in October, accompany the main text. Neither eulogy nor hagiography, Retracing the Expanded Field documents the groundbreaking nature of Krauss's authoritative text and reveals the complex interchanges between art and architecture that increasingly shape both fields. Contributors Stan Allen, George Baker, Yve-Alain Bois, Benjamin Buchloh, Beatriz Colomina, Penelope Curtis, Sam Durant, Edward Eigen, Kurt W. Forster, Hal Foster, Kenneth Frampton, Branden W. Joseph, Rosalind Krauss, Miwon Kwon, Sylvia Lavin, Sandro Marpillero, Josiah McElheny, Eve Meltzer, Michael Meredith, Mary Miss, Sarah Oppenheimer, Matthew Ritchie, Julia Robinson, Joe Scanlan, Emily Eliza Scott, Irene Small, Philip Ursprung, Anthony Vidler
Ground-based optical astronomy is undergoing a renaissance inspired by recent technological advances. This book collects contributions from expert international designers and observers which show the fundamental role of innovative optical design in modern astrophysics and cosmological research. The papers are based on those presented at a conference held at the Royal Greenwich Observatory, Cambridge, in September 1991 in celebration of Professor C. G. Wynne. New and future telescopes, instruments, spectrographs and detector-systems are described in the context of the research problems at which they are targeted. This book is an essential reference for both state-of-the-art instrumentation and future design.
The past few decades have witnessed a dramatic expansion of management education, consulting, and the formalization of management practice, with a widespread diffusion of management ideas across sectors and continents. This book describes and analyzes this worldwide flow of management ideas and the key carriers of these ideas.
\My tailor is Object-Oriented". Most software systems that have been built - cently are claimed to be Object-Oriented. Even older software systems that are still in commercial use have been upgraded with some OO ?avors. The range of areas where OO can be viewed as a \must-have" feature seems to be as large as the number of elds in computer science. If we stick to one of the original views of OO, that is, to create cost-e ective software solutions through modeling ph- ical abstractions, the application of OO to any eld of computer science does indeed make sense. There are OO programming languages, OO operating s- tems, OO databases, OO speci cations, OO methodologies, etc. So what does a conference on Object-Oriented Programming really mean? I honestly don’t know. What I do know is that, since its creation in 1987, ECOOP has been attracting a large number of contributions, and ECOOP conferences have ended up with high-quality technical programs, featuring interesting mixtures of theory and practice. Among the 183 initial submissions to ECOOP’99, 20 papers were selected for inclusion in the technical program of the conference. Every paper was reviewed by three to ve referees. The selection of papers was carried out during a t- day program committee meeting at the Swiss Federal Institute of Technology in Lausanne. Papers were judged according to their originality, presentation qu- ity, and relevance to the conference topics.
This completely revised edition features new sections on glass-ceramic applications and their performance, CDC-grinding, and laser gyroscopes containing Zerodur®., providing an overview of Schott's activities for scientists, engineers, and managers.
Reproduction of the original.