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A National Book Award finalist for her story collection Who Do You Love, Jean Thompson towers into the stratosphere with her new novel, Wide Blue Yonder. It is the summer of 1999, and something big and bad is coming to Springfield, Illinois, "the place the Weather lived." Wide Blue Yonder is a novel about weather in all its permutations -- climatic, emotional, even metaphysical. Our guides through this summer of blazing heat and fearsome storms compose an unlikely quartet, each preparing in some measure for the end of the world. Uncle Harvey believes he is the Weather Channel's "Local Forecast." Yet even an arsenal of meteorological facts and figures can't stanch his existential fears. Harvey's niece, Josie, is fixed with a different predicament. She's seventeen, with nowhere to get to in the Land of Lincoln except into deep trouble. Josie's mother, Elaine, feigns cheerful efficiency, desperately masking a far more urgent quest. And then there's the loner Rolando, who hails from Los Angeles. A human storm system fueled by boundless rage, Rolando is on course to make Springfield the ground zero of his wrath. Newsweek memorably described Thompson's previous collection, Who Do You Love, as "a beautiful book, but a hell of a sad one." Wide Blue Yonder burns brighter, yet moves in the same mysterious ways.
Kid gives us one of the liveliest poetic voices to have emerged in the last ten years. Simon Armitage's inspired ear for the demotic and his ability to deal with subjects that many poets turn their backs on have marked him as a poet of originality and force.
"Perillo's poetic persona is funny, tough, bold, smart, and righteous. A spellbinding storyteller and a poet who makes the demands of the form seem as natural as a handshake, she pulls readers into the beat and whirl of her slyly devastating descriptions."—Booklist "Whoever told you poetry isn't for everyone hasn't read Lucia Perillo. She writes accessible, often funny poems that border on the profane."—Time Out New York The poetry of Lucia Perillo is fierce, tragicomic, and contrarian, with subjects ranging from coyotes and Scotch broom to local elections and family history. Formally braided, Perillo gathers strands of the mythic and mundane, of media and daily life, as she faces the treachery of illness and draws readers into poems rich in image and story. When you spend many hours alone in a room you have more than the usual chances to disgust yourself— this is the problem of the body, not that it is mortal but that it is mortifying. When we were young they taught us do not touch it, but who can keep from touching it, from scratching off the juicy scab? Today I bit a thick hangnail and thought of Schneebaum, who walked four days into the jungle and stayed for the kindness of the tribe— who would have thought that cannibals would be so tender? Lucia Perillo's Inseminating the Elephant (Copper Canyon Press, 2009) was a finalist for the Pulitzer Prize and received the Bobbitt award from the Library of Congress. She lives in Seattle, Washington.
“We walked toward the part of the library where the air smelled as if it had been interred for years….. Finally, we got to the hallway where the wooden floor was the creakiest, and we sensed a strange whiff of excitement and fear. It smelled like a creature from a bygone time. It smelled like a dragon.” Thirteen-year-old Juan’s favorite things in the world are koalas, eating roast chicken, and the summer-time. This summer, though, is off to a terrible start. First, Juan’s parents separate and his dad goes to Paris. Then, as if that wasn’t horrible enough, Juan is sent away to his strange Uncle Tito’s house for the entire break! Uncle Tito is really odd: he has zigzag eyebrows; drinks ten cups of smoky tea a day; and lives inside a huge, mysterious library. One day, while Juan is exploring the library, he notices something inexplicable and rushes to tell Uncle Tito. “The books moved!” His uncle drinks all his tea in one gulp and, sputtering, lets his nephew in on a secret: Juan is a Princeps Reader––which means books respond magically to him––and he’s the only person capable of finding the elusive, never-before-read Wild Book. Juan teams up with his new friend Catalina and his little sister, and together they delve through books that scuttle from one shelf to the next, topple over unexpectedly, or even disappear altogether to find The Wild Book and discover its secret. But will they find it before the wicked, story-stealing Pirate Book does?
This groundbreaking book charts the origins and spread of the systems movement. After World War II, a systems approach to solving complex problems and managing complex systems came into vogue among engineers, scientists, and managers, fostered in part by the diffusion of digital computing power. Enthusiasm for the approach peaked during the Johnson administration, when it was applied to everything from military command and control systems to poverty in American cities. Although its failure in the social sphere, coupled with increasing skepticism about the role of technology and "experts" in American society, led to a retrenchment, systems methods are still part of modern managerial practice. This groundbreaking book charts the origins and spread of the systems movement. It describes the major players including RAND, MITRE, Ramo-Wooldrige (later TRW), and the International Institute of Applied Systems Analysis—and examines applications in a wide variety of military, government, civil, and engineering settings. The book is international in scope, describing the spread of systems thinking in France and Sweden. The story it tells helps to explain engineering thought and managerial practice during the last sixty years.
In Wild Blue Media, Melody Jue destabilizes terrestrial-based ways of knowing and reorients our perception of the world by considering the ocean itself as a media environment—a place where the weight and opacity of seawater transforms how information is created, stored, transmitted, and perceived. By recentering media theory on and under the sea, Jue calls attention to the differences between perceptual environments and how we think within and through them as embodied observers. In doing so, she provides media studies with alternatives to familiar theoretical frameworks, thereby challenging scholars to navigate unfamiliar oceanic conditions of orientation, materiality, and saturation. Jue not only examines media about the ocean—science fiction narratives, documentary films, ocean data visualizations, animal communication methods, and underwater art—but reexamines media through the ocean, submerging media theory underwater to estrange it from terrestrial habits of perception while reframing our understanding of mediation, objectivity, and metaphor.
This collection, named a finalist for the National Book Award and other honors, presents the lives of ordinary people who long for communion and grace with others.
"It's the rarest author who can pull off laugh-out-loud hilarious, profound, and breathlessly romantic, all in the most sparkling prose. That shortlist includes Rainbow Rowell, Nicola Yoon, and now, Carlie Sorosiak."—Jeff Zentner, Morris Award-winning author of The Serpent King and Goodbye Days Last June, the summer camp Quinn’s family owns in Winship, Maine, was still a magical place. A place where wild blueberries grew no matter the season, a legendary sea monster lurked in the waters, and Quinn fell in love with her best friend, Dylan. Then the accident happened. Now it’s winter, the magic has drained from Quinn’s life, and she knows it’s her fault. But the new boy in town, Alexander, doesn’t see her as the monster she believes herself to be. As Quinn lets herself open up again, she begins to understand the truth about love, loss, and monsters—real and imagined. Perfect for fans of Morgan Matson, Jenny Han, and Jandy Nelson, this wondrous novel was proclaimed “a striking examination of love—of friends, of family, of self—as well as of grief” by ALA Booklist in a starred review.
A "New York Times" bestseller and a National Book Award finalist, "The Year We Left Home" chronicles the lives of the Erickson family as the children come of age in 1970's and '80's America.
Air Transport Auxiliary pilot Doris Winter is accused of stealing a valuable item from a famous Hollywood movie star, now a captain in the US Army Air Corps, after a dance at the air base in England where he's stationed. Gathering her close friends together, she's determined to clear her name. Ruth's POW son suffers a life-changing injury just as her own cottage takes damage in an air raid and Penny's estranged little sister unexpectedly turns up, having run away from school. Together with the ongoing thefts of items of clothing and surprise personal revelations, these all threaten to hamper their investigation. In spite of the worsening war situation, they must band together to rise above their troubles and prove love and friendship is worth fighting for.