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Written as an act of protest in a Welsh-speaking community in north-west Wales, Why Wales Never Was combines a devastating analysis of the historical failure of Welsh nationalism with an apocalyptic vision of a non-Welsh future. It is the ‘progressive’ nature of Welsh politics and the ‘empire of the civic’, which rejects both language and culture, that prevents the colonised from rising up against his colonial master. Wales will always be a subjugated nation until modes of thought, dominant since the nineteenth century, are overturned. Originally a comment on Welsh acquiescence to Britishness at the time of the 2014 Scottish independence referendum, the book’s emphasis on the importance of European culture is a parable for Brexit times. Both deeply rooted in Welsh culture and European in scope, Why Wales Never Was brings together history, philosophy and politics in a way never tried before in Wales. First published in Welsh in 2015, Why Wales Never Was affirms the author’s reputation as one of the most radical writers in Wales today.
The history of women in medieval Wales before the English conquest of 1282 is one largely shrouded in mystery. For the Age of Princes, an era defined by ever-increased threats of foreign hegemony, internal dynastic strife and constant warfare, the comings and goings of women are little noted in sources. This misfortune touches even the most well-known royal woman of the time, Joan of England (d. 1237), the wife of Llywelyn the Great of Gwynedd, illegitimate daughter of King John and half-sister to Henry III. With evidence of her hand in thwarting a full scale English invasion of Wales to a notorious scandal that ended with the public execution of her supposed lover by her husband and her own imprisonment, Joan’s is a known, but little-told or understood story defined by family turmoil, divided loyalties and political intrigue. From the time her hand was promised in marriage as the result of the first Welsh-English alliance in 1201 to the end of her life, Joan’s place in the political wranglings between England and the Welsh kingdom of Gwynedd was a fundamental one. As the first woman to be designated Lady of Wales, her role as one a political diplomat in early thirteenth-century Anglo-Welsh relations was instrumental. This first-ever account of Siwan, as she was known to the Welsh, interweaves the details of her life and relationships with a gendered re-assessment of Anglo-Welsh politics by highlighting her involvement in affairs, discussing events in which she may well have been involved but have gone unrecorded and her overall deployment of royal female agency.
Based on the most recent historical research and current debates about Wales and Welshness, this volume offers the most up-to-date, authoritative and accessible account of the period from Neanderthal times to the opening of the Senedd, the new home of the National Assembly for Wales, in 2006. Within a remarkably brief and stimulating compass, Geraint H. Jenkins explores the emergence of Wales as a nation, its changing identities and values, and the transformations its people experienced and survived throughout the centuries. In the face of seemingly overwhelming odds, the Welsh never reconciled themselves to political, social and cultural subordination, and developed ingenious ways of maintaining a distinctive sense of their otherness. The book ends with the coming of political devolution and the emergence of a greater measure of cultural pluralism. Professor Jenkins's lavishly illustrated volume provides enthralling material for scholars, students, general readers, and travellers to Wales.
Prince Frederick spent his childhood in Hanover and was twenty-one when he first arrived in England. He quickly won the affection of the people, and though his informal manners drew criticism from the court, he enjoyed the company of intelligent men and women. A friend of Pope and Dryden, he became the most important royal patron of the arts since Charles I. Many of his acquisitions of paintings and silverware enhance the Royal Collection today.
The inspiration for the primetime ITV series on Great Britain, this is a spellbinding journey around Wales by bestselling author Christopher Winn. Packed full of legends, firsts, birthplaces, inventions and adventures, I Never Knew That About Wales visits the thirteen traditional Welsh counties and unearths the hidden gems that they each hold. Discover where history and legends happened; where people, ideas and inventions began; where dreams took flight; where famous figures were born and now rest. A glittering pantheon of writers and artists, thinkers and inventors, heroes and villains have lived and toiled in this small country. Remarkable events, noble (and dastardly) deeds and exciting adventures have all taken place with Wales as their backdrop. This book seeks out their heritage, their monuments, their memories and their secrets. You'll be able to visit Britain's smallest city, St David's with its glorious 12th-century cathedral slumbering in a sleepy hollow near the sea. Explore Britain's greatest collection of castles from the first stone fortress at Chepstow to Britain's finest concentric castle at Beaumaris and the magnificent Caernarvon, birthplace of the first Prince of Wales. Browse through the second hand book capital of the world, Hay-on-Wye, wander the glorious Gower peninsula, Britain's first Area of Outstanding Natural Beauty. Take a trip to Fishguard, where the last invasion of Britain took place in 1797. Marvel at Thomas Telford's Menai Bridge, the world's first iron suspension bridge or Pontcysyllte, the longest bridged aqueduct in Britain. This irresistible compendium of interesting facts and good stories will give you a captivating insight into the people, ideas and events that have shaped the individual identity of every place you visit, and will have you exclaiming again and again: 'Well, I never knew that!'
The Conquest, Assimilation, and Re-birth of a NationFROM THE VERY BEGINNINGS OF WALES, ITS PEOPLE HAVE DEFINED THEMSELVES AGAINST THEIR LARGE NEIGHBOUR. That relationship has defined both what it has meant to be Welsh and Wales as a nation. Yet the relationship has not always been a happy one and never one between equals. Wales was England's first colony and its conquest was by military force. It was later formally annexed, ending its separate legal status. Yet most of the Welsh reconciled themselves to their position and embraced the economic and individual opportunities being part of Britain and its Empire offered. Only in the later half of the twentieth century, in response to the decline of the Welsh language and traditional industry, did Welsh nationalism grow.This book tells the fascinating story of an uneasy and unequal relationship between two nations living side-by-side. It examines Wales' story from its creation to the present day, considering key moments such as medieval conquest, industrial exploitation, the Blue Books, and the flooding of Cwm Tryweryn.Wales: England's Colony? challenges us to reconsider Wales' historical relationship with England and its place in the world.
Ranging from the nineteenth-century to the present, this book explores several central aspects of the ways in which the English-language poetry and fiction of Wales has responded to what was, for a crucial period of a century or so, the dominant culture of Wales: the culture of Welsh Nonconformity. In the introduction, the author reflects on why no sustained attempt has hitherto been made to investigate one of the formative cultural influences on modern 'Anglo-Welsh' literature, the Nonconformist inheritance. The importance of addressing this strange and significant cultural deficit is then explained, and a preliminary attempt made to capture something of the spirit of Welsh Nonconformity. The succeeding chapters address and seek to answer such questions as: What exactly did the Welsh chapels believe and do? Why have the English-language writers of Wales, from Caradoc Evans and Dylan Thomas to R.S. Thomas and the authors of today, been so fascinated by them? How accurate are the impressions we've been given of chapel life and chapel people in the English-language poetry and fiction of Wales? The answers offered may alter our views both of the Welsh Nonconformist past and of Welsh writing in English. One of the ideas advanced is that many of Wales' most important writers went to war with the preachers in their texts, and that their work is therefore the site of cultural struggle. Theirs was a war in words waged to determine who would have the last word on modern Welsh experience.
The first ever full-scale biography of the last native Prince of Wales who fought to maintain an independent Wales.
Collected writings by Adam Price, leader of Plaid Cymru and one of the great thinkers in current Welsh politics. It explores the viability of Welsh independence and includes some of his most famous speeches to Parliament, offering a great assessment of the current Welsh situation as well as ideas for securing a brighter future for Wales.
A WWII-era Welsh barmaid begins a secret relationship with a German POW in this “beautiful” novel by the author of A Lie Someone Told You About Yourself (Ann Patchett). Longlisted for the Man Booker Prize Set in the stunning landscape of North Wales just after D-Day, this critically acclaimed debut novel traces the intersection of disparate lives in wartime. When a prisoner-of-war camp is established near her village, seventeen-year-old barmaid Esther Evans finds herself strangely drawn to the camp and its forlorn captives. She is exploring the camp boundary when an astonishing thing occurs: A young German corporal calls out to her from behind the fence. From that moment on, the two begin an unlikely—and perilous—romance. Meanwhile, a German-Jewish interrogator travels to Wales to investigate Britain’s most notorious Nazi prisoner, Rudolf Hess. In this richly drawn and thought-provoking “tour de force,” all will come to question the meaning of love, family, loyalty, and national identity (The New Yorker). “If you loved The English Patient, there’s probably a place in your heart for The Welsh Girl.” —USA Today “Davies’s characters are marvelously nuanced.” —Los Angeles Times “Beautifully conjures a place and its people, in an extraordinary time . . . A rare gem.” —Claire Messud, author of The Woman Upstairs “This first novel by Davies, author of two highly praised short story collections, has been anticipated—and, with its wonderfully drawn characters, it has been worth the wait.” —Booklist, starred review