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Mysterious Kemet - Book I is a collection of mysteries anchored in different periods of ancient Egyptian history. Tempered in the fire of passion, greed, revenge, and ambition, this collection offers the following five stories. A Prayer to OsirisIntef wishes to be Pharaoh, and he would be, if it weren't for his niece Neferu and nephew Mentuhotep. The only way he can win this game of political senet is by winning Neferu's heart and marrying her. But before he can accomplish any of it, Osiris must answer his prayers. What he doesn't expect is that Osiris might give him exactly what he asks for. Imhotep's Secret DrawerDisturbed by the inexplicable disappearance of someone he secretly loves, Imhotep, the architect and builder of the Step Pyramid, opens the hidden compartment in his work desk and finds something shocking. Left with a gruesome memento, Imhotep must learn a terrible truth about the woman he desires and accept the consequences. The Pharaoh's EarSunamun, a junior sculptor in Thutmose's workshop, is enamored by the beauty of Queen Nefertiti. When he stumbles upon a secret rendezvous between Thutmose and a mystery woman, he is pulled into witnessing and assisting the power struggle following the death of Akhenaten, which eventually leads him to discover two truths that he must never tell. The Savior of EdfuWhen his lost love beckons, Ankhtifi, the nomarch of Nekhen sees an opportunity in Edfu, which neglected by its nomarch Khuy, has fallen into poverty and anarchy. An elaborate plan, carefully woven into the carnal adventures of Khuy and his mad brother, is executed with finesse. The plan begets its goal and Edfu is saved, but Edfu's gain turns out to be Ankhtifi's loss. The Keeper of SecretsAnen, an artist who works at the building site of Djeser Djeseru is the favorite pupil of Senenmut, the Master builder. He is also the secret lover of Senenmut's mistress. As he toils over the relief of the Punt expedition and prepares himself for the visit of Pharaoh Hatshepsut, a mysterious man turns his life upside down.
In the 9th century BC, a powerful kingdom arose in northern Sudan (Kush). Conquering Egypt, its kings ruled the Nile Valley, from the Mediterranean as far as Khartoum, for half a century. This was a period of dramatic historical events, dominated by the expansion of the Assyrian Empire into Syria and Palestine. The Nubians supported the kings of Israel against Assyria, but even Egypt itself was invaded. Allied with the Assyrians, the Libyan princes of Sais succeeded in ousting the Nubians and reuniting Egypt under their own rule. Despite these constant wars, this was also a period of artistic renaissance, attested by many building works in Egypt and Sudan, by a striking series of portrait sculptures, and the splendid burial treasures of the royal family. Withdrawal from Egypt did not mark the end of the Kushite state, which continued for nearly 1000 years.
A profound statement of the Afrocentric perspective.
Ashby explains the Tree of Life metaphysical teachings, disciplines, and techniques from the hieroglyphic texts.
“Between the Christianity of this land, and the Christianity of Christ, I recognize the widest possible difference.” –Frederick Douglass, 1845 The prophets of old were not easy to listen to because they did not flatter. They did not cajole. They spoke hard words that often chafed and unsettled their listeners. Like the Old Testament prophets, and more recent prophetic voices like Frederick Douglass, Dr. Eric Mason calls the evangelical church to a much-needed reckoning. In a time when many feel confused, complacent, or even angry, he challenges the church to: Be Aware – to understand that the issue of justice is not a black issue, it’s a kingdom issue. To learn how the history of racism in America and in the church has tainted our witness to a watching world. Be Redemptive – to grieve and lament what we have lost and to regain our prophetic voice, calling the church to remember our gospel imperative to promote justice and mercy. Be Active – to move beyond polite, safe conversations about reconciliation and begin to set things aright for our soon-coming King, who will be looking for a WOKE CHURCH.
The Middle Kingdom (ca. 2030–1650 B.C.) was a transformational period in ancient Egypt, during which older artistic conventions, cultural principles, religious beliefs, and political systems were revived and reimagined. Ancient Egypt Transformed presents a comprehensive picture of the art of the Middle Kingdom, arguably the least known of Egypt’s three kingdoms and yet one that saw the creation of powerful, compelling works rendered with great subtlety and sensitivity. The book brings together nearly 300 diverse works— including sculpture, relief decoration, stelae, jewelry, coffins, funerary objects, and personal possessions from the world’s leading collections of Egyptian art. Essays on architecture, statuary, tomb and temple relief decoration, and stele explore how Middle Kingdom artists adapted forms and iconography of the Old Kingdom, using existing conventions to create strikingly original works. Twelve lavishly illustrated chapters, each with a scholarly essay and entries on related objects, begin with discussions of the distinctive art that arose in the south during the early Middle Kingdom, the artistic developments that followed the return to Egypt’s traditional capital in the north, and the renewed construction of pyramid complexes. Thematic chapters devoted to the pharaoh, royal women, the court, and the vital role of family explore art created for different strata of Egyptian society, while others provide insight into Egypt’s expanding relations with foreign lands and the themes of Middle Kingdom literature. The era’s religious beliefs and practices, such as the pilgrimage to Abydos, are revealed through magnificent objects created for tombs, chapels, and temples. Finally, the book discusses Middle Kingdom archaeological sites, including excavations undertaken by the Metropolitan Museum over a number of decades. Written by an international team of respected Egyptologists and Middle Kingdom specialists, the text provides recent scholarship and fresh insights, making the book an authoritative resource.
It should be known that the struggle between MAAT and ISFET is actually a force to be reckoned with and it is continuous and so we cannot escape the whirlpool of its manifestation. Whether we agree with this fact or not, or whether or not we can determine its course, our reality and growth must take place within the wider context of this eternal struggle. The mainstream of this struggle is the process upon which every remarkable manifestation occurs in the world and it is ever present, physically, mentally and spiritually.
The Kemetic Creation Story is the beautiful mythological story of how the world was created as told in Kemet (Ancient Egypt). It presents a host of remarkable gods and goddesses that are the physical embodiments of the elements and principles of the universe. It shows the sense of balance and harmony in which the Kemetians lived.
In Kemet 101 Dr. Kyles brings to life one of the most misunderstood cultures in human history with a wide range of images and methodologies. Kemet 101 dispels several myths, including the myth of an Asiatic origin of Nile Valley civilizations. Kemet 101 should be read by all with an interest in Ancient Egyptian History or African History in general. It is an excellent resource for beginners, teachers, and those already familiar with the subject. Topics addressed include: The Ethiopian and Sudanic origins of the divine kingship concept and the Ausarian (Osirian) Resurrection; The moral and spiritual beliefs of ancient Egypt; Ancient Egyptian writing systems, including the Medtu Neter (aka hieroglyphs); the plight of political figures such as Seqenenre Tao, Queen Aahotep, Hatshepsut, and the Nubians of the 25th Dynasty; and the stolen legacy of Ancient Egypt.