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Jamestown and Plymouth serve as iconic images of British migration to the New World. A century later, however, when British migration was at its peak, the vast majority of men, women, and children crisscrossing the Atlantic on English ships were of African, not English, descent. Captives and Voyagers, a compelling study from Alexander X. Byrd, traces the departures, voyages, and landings of enslaved and free blacks who left their homelands in the eighteenth century for British colonies and examines how displacement and resettlement shaped migrant society and, in turn, Britain's Atlantic empire. Captives and Voyagers breaks away from the conventional image of transatlantic migration and illustrates how black men and women, enslaved and free, came to populate the edges of an Anglo-Atlantic world. Whether as settlers in Sierra Leone or as slaves in Jamaica, these migrants brought a deep and affecting experience of being in motion to their new homelands, and as they became firmly ensconced in the particulars of their new local circumstances they both shaped and were themselves molded by the demands of the British Atlantic world, of which they were an essential part. Byrd focuses on the two largest and most significant streams of black dislocation: the forced immigration of Africans from the Biafran interior of present-day southeastern Nigeria to Jamaica as part of the British slave trade and the emigration of free blacks from Great Britain and British North America to Sierra Leone in West Africa. By paying particular attention to the social and cultural effects of transatlantic migration on the groups themselves and focusing as well on their place in the British Empire, Byrd illuminates the meaning and experience of slavery and liberty for people whose journeys were similarly beset by extreme violence and catastrophe. By following the movement of this representative population, Captives and Voyagers provides a vitally important view of the British colonial world -- its intersection with the African diaspora. Captives and Voyagers traces the departures, voyages, and landings of enslaved and free blacks who left their homelands in the eighteenth century for British colonies and examines how displacement and resettlement shaped migrant society and, in turn, Britain's Atlantic empire. Alexander X. Byrd focuses on the two largest and most significant streams of black dislocation: the forced migration of Africans from the Biafran interior of present-day southeastern Nigeria to Jamaica as part of the British slave trade and the journeys of free blacks from Great Britain and British North America to Sierra Leone in West Africa. By paying particular attention to the social and cultural effects of transatlantic migration on the groups themselves and focusing as well on their place in the British Empire, Byrd illuminates the meaning and experience of slavery and liberty for people whose movements were similarly beset by extreme violence and catastrophe.
Postcolonial Nigeria has been the subject of many literatures that identify and interrogate the many issues and problems that had made it near impossible for Nigerians to achieve the anticolonial aspirations that gave birth to independent Nigeria. The rationale for this volume is to situate the thematic inquiry into the problematic of postcolonial Nigerian within the ambit of the humanities and its concerns. These thematic issues include identity configurations, aesthetics, philosophical reflections, linguistic dynamics, sociological framings, and so on. The objective of the volume is to enable scholars and students to have new insights and arguments about possibilities that postcoloniality throws up for rethinking the Nigerian state and society.
When star of Bravo’s The Real Housewives of Potomac Dr. Wendy Osefo was growing up, her mother was her everything. But when she became a mother herself, everything changed. In this “exquisitely-drawn portrait of the intense bond that only a mother can have with a daughter” (Katie Haufner, author of Mother Daughter Me), Wendy explores how her Nigerian upbringing has affected her life, her success, and her role as a parent. Wendy Osefo’s mother, Iyom Susan Okuzu, arrived in the United States from Nigeria with two things: a single suitcase and the fierce determination to make a better life for herself and her future family. And she succeeded: starting out working in a fast-food restaurant and ultimately becoming the director of nursing at a major metropolitan hospital. While Susan may have taken pride in triumphing over every financial and emotional challenge, in Nigerian culture, a parent is only as successful as his or her children. And so her daughter, with gratitude and appreciation for her mother’s sacrifices, worked hard to meet every demand Susan made of her. With four advanced degrees and a position at Johns Hopkins University as a professor—as well as being a highly sought-after political commentator, a cherished wife, and a loving mother of three—Dr. Wendy has given her mother bragging rights for life. But at what cost to herself? In Tears of My Mother, the star of The Real Housewives of Potomac describes growing up as a first-generation American, balancing two distinct cultures. And she takes a critical look at the paradox of her mother’s parenting: approval conditioned by achievement. As a teenager, Wendy struggled to carve out her own identity while still walking the narrow path of her mother’s expectations. Unwavering family loyalty and obedience gave Wendy the road map to making it in America, but it also drove a wedge between mother and daughter, never more so than when she began to build her own family. “A love letter to Dr. Osefo’s mother and first-generation immigrants all across America” (Library Journal), this book is for anyone who has faced conflict in the mother-daughter relationship or wondered how much of their own upbringing they want to pass on to the next generation.
This volume builds on recent scholarship on contemporary poetry in relation to medieval literature, focusing on postmodern poets who work with the medieval in a variety of ways. Such recent projects invert or “queer” the usual transactional nature of engagements with older forms of literature, in which readers are asked to exchange some small measure of bewilderment at archaic language or forms for a sense of having experienced a medieval text. The poets under consideration in this volume demand that readers grapple with the ways in which we are still “medieval” – in other words, the ways in which the questions posed by their medieval source material still reverberate and hold relevance for today’s world. They do so by challenging the primacy of present over past, toppling the categories of old and new, and suggesting new interpretive frameworks for contemporary and medieval poetry alike.
“One of the most vital and original novelists of her generation.” —Larissa MacFarquhar, The New Yorker From the bestselling author of Americanah and We Should All Be Feminists Fifteen-year-old Kambili and her older brother Jaja lead a privileged life in Enugu, Nigeria. They live in a beautiful house, with a caring family, and attend an exclusive missionary school. They're completely shielded from the troubles of the world. Yet, as Kambili reveals in her tender-voiced account, things are less perfect than they appear. Although her Papa is generous and well respected, he is fanatically religious and tyrannical at home—a home that is silent and suffocating. As the country begins to fall apart under a military coup, Kambili and Jaja are sent to their aunt, a university professor outside the city, where they discover a life beyond the confines of their father’s authority. Books cram the shelves, curry and nutmeg permeate the air, and their cousins’ laughter rings throughout the house. When they return home, tensions within the family escalate, and Kambili must find the strength to keep her loved ones together. Purple Hibiscus is an exquisite novel about the emotional turmoil of adolescence, the powerful bonds of family, and the bright promise of freedom.
This reference work, the sixth edition of Who's Who Among Black Americans, contains biographical entries on over 17,000 accomplished Black professionals, each of whom stands upon a legacy, of Black success and achievement.
The distinguished scholar Steven Feld shaped the field of the anthropology of sound and music. In this new work, he looks at the vernacular cosmopolitanism of a group of jazz players in Ghana, including some who have traveled widely, played with American jazz greats, and blended Coltrane with local instruments and philosophy. He describes their cosmopolitan outlook as an accoustemology, a way of knowing the world through sound. Feld combines memoir, biography, ethnography, and history, telling a story of diasporic intimacy and dialogue that contests both American nationalist and Afrocentric narrations of jazz history.
Utilizing a historical and international approach, this valuable two-volume resource makes even the more complex linguistic issues understandable for the non-specialized reader. Containing over 500 alphabetically arranged entries and an expansive glossary by a team of international scholars, the Encyclopedia of Linguistics explores the varied perspectives, figures, and methodologies that make up the field.