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John Kenneth Galbraith's classic study of the Wall Street Crash of 1929.
The classic examination of the 1929 financial collapse, with an introduction by economist James K. Galbraith Of John Kenneth Galbraith's The Great Crash 1929, the Atlantic Monthly said: "Economic writings are seldom notable for their entertainment value, but this book is. Galbraith's prose has grace and wit, and he distills a good deal of sardonic fun from the whopping errors of the nation's oracles and the wondrous antics of the financial community." Originally published in 1955, Galbraith's book became an instant bestseller, and in the years since its release it has become the unparalleled point of reference for readers looking to understand American financial history."
How do you tailor education to the learning needs of adults? Do they learn differently from children? How does their life experience inform their learning processes? These were the questions at the heart of Malcolm Knowles’ pioneering theory of andragogy which transformed education theory in the 1970s. The resulting principles of a self-directed, experiential, problem-centred approach to learning have been hugely influential and are still the basis of the learning practices we use today. Understanding these principles is the cornerstone of increasing motivation and enabling adult learners to achieve. The 9th edition of The Adult Learner has been revised to include: Updates to the book to reflect the very latest advancements in the field. The addition of two new chapters on diversity and inclusion in adult learning, and andragogy and the online adult learner. An updated supporting website. This website for the 9th edition of The Adult Learner will provide basic instructor aids including a PowerPoint presentation for each chapter. Revisions throughout to make it more readable and relevant to your practices. If you are a researcher, practitioner, or student in education, an adult learning practitioner, training manager, or involved in human resource development, this is the definitive book in adult learning you should not be without.
The definitive resource for tiers and anglers interested in the rich tradition of steelhead flies. Learn the histories of these classic flies, as well as how to tie them. • Covers steelhead flies from their origins in the 1890s up through the mid-1970s • Includes flies that remain popular today, as well as forgotten classics that were once popular or that exhibit stylistic merit • Contains 350 beautiful full color photos
"The most original piece of imaginative fiction since Wells wrote The War of the Worlds." - Birmingham Mail "Against the novels written for wholesale consumption, the fantasies of Frank Baker are an unfailing delight." - New York Times "The story . . . is ingenious, and succeeds in creating a sinister atmosphere." Time and Tide Those who are old enough to remember still speak of the days "before the birds came." For the birds did come, descending on London by the thousands or even millions, inexplicably and seemingly out of nowhere. At first, the birds did little but congregate and watch, and Londoners found them amusing, if perhaps a bit odd. But then they began to show their sinister side: attacking, maiming, and even killing in incidents of tremendous brutality and violence. Were they a force of nature, or a supernatural manifestation? No one knew. The only thing that was clear was that the birds' aim was the destruction of mankind, and no one had any idea how to stop them. . . . The Birds (1936) went largely unnoticed when originally published, but after the release of Alfred Hitchcock's popular film in 1963, Frank Baker (1908-1983) threatened to sue, believing the film had borrowed from his book. The Birds was last reprinted in 1964, in a "revised" edition that in fact failed to incorporate hundreds of additions, deletions, and corrections Baker had made. This new edition is based on the author's personal copy of the revised text, making this definitive edition available for the first time. Also included is a new introduction by Hitchcock scholar Ken Mogg.
The Art of the Reprint is a vivid and engaging history of the nineteenth-century novel as it was re-imagined for everyday readers by four extraordinary twentieth-century illustrators. It focuses especially on four reprints: a 1929 edition of Thomas Hardy's The Return of the Native (1878) with engravings by Clare Leighton, a 1930 edition of Herman Melville's Moby Dick (1851) with images by Rockwell Kent, a 1943 edition of Charlotte Brontë's Jane Eyre (1847) with woodblocks by Fritz Eichenberg, and a complete set of Jane Austen's novels (1786-1817) illustrated from 1957 to 1974 by Joan Hassall. Taken together, these reprints are indicative of a legacy crafted from historical distance, through personal, political, and artistic circumstance, and for a new century. With biographical, archival, and art- and literary-historical sources as well as close readings of images and texts, this is a richly illustrated account of how artists reinvent canons for the general reader.
In the pantheon of air power spokesmen, Giulio Douhet holds center stage. His writings, more often cited than perhaps actually read, appear as excerpts and aphorisms in the writings of numerous other air power spokesmen, advocates-and critics. Though a highly controversial figure, the very controversy that surrounds him offers to us a testimonial of the value and depth of his work, and the need for airmen today to become familiar with his thought. The progressive development of air power to the point where, today, it is more correct to refer to aerospace power has not outdated the notions of Douhet in the slightest In fact, in many ways, the kinds of technological capabilities that we enjoy as a global air power provider attest to the breadth of his vision. Douhet, together with Hugh “Boom” Trenchard of Great Britain and William “Billy” Mitchell of the United States, is justly recognized as one of the three great spokesmen of the early air power era. This reprint is offered in the spirit of continuing the dialogue that Douhet himself so perceptively began with the first edition of this book, published in 1921. Readers may well find much that they disagree with in this book, but also much that is of enduring value. The vital necessity of Douhet’s central vision-that command of the air is all important in modern warfare-has been proven throughout the history of wars in this century, from the fighting over the Somme to the air war over Kuwait and Iraq.