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A true, no holds barred account of a family living with dementia, frustration, love and heartbreak and a welfare system that let them down.In a busy world it’s easy to miss the decline of cognitive function in an elderly person; easy to judge it as slight confusion; easier still to ignore it completely – until suddenly, without warning, it explodes into your life. For John Walsh’s family, that’s exactly what happened; his parents’ 60 years of togetherness were suddenly no more. Now they, as a family, were dependent on others; reliant on Britain’s welfare system. What happened next was shocking and devastating.Eighteen months of social services, doctors, hospitals, care homes and frustration. No chance of a happy ending; absolutely no light leading to the end of the tunnel. Just darkness and injustice.John was horrified by what happened to his parents, shocked by the lack of support for them, as he struggled to reconcile himself to a welfare system in which pensioners are forced to sell their homes to fund depressingly poor standards of care, whilst young men who’ve never worked a day in their lives, happily stand at the bar drinking their way through hundreds of pounds worth of benefits.There are almost a million people living with dementia in Britain today. That number will double within the next 20 years. Forty-two percent of the population are affected by the disease in one way or another, yet money allocated to its research accounts for just 2.5 percent of the funds available. What has gone so wrong?This is a dark story, told with the honesty of humour and the distress and turmoil of loss.
Have you ever wondered who hummed the first tune? Was it the flowers? The waves or the moon? Dove Award-winning recording artist Ellie Holcomb answers with a lovely lyrical tale, one that reveals that God our Maker sang the first song, and He created us all with a song to sing. Go to bhkids.com to find this book's Parent Connection, an easy tool to help moms and dads (or anyone else who loves kids) discuss the book's message with their child. We're all about connecting parents and kids to each other and to God's Word.
Profound reflections on the cross that help you to meditate on and marvel at the sacrificial love of Jesus. This book can be used as a devotional, especially during Lent and Easter. These profound reflections on the cross from David Mathis, author of The Christmas We Didn’t Expect, will help you to meditate on and marvel at Jesus’ life, sacrificial death, and spectacular resurrection-enabling you to treasure anew who Jesus is and what he has done. Many of us are so familiar with the Easter story that it becomes easy to miss subtle details and difficult to really enjoy its meaning. This book will help you to pause and marvel at Jesus, whose now-glorified wounds are a sign of his unfailing love and the decisive victory that he has won: “He was pierced for our transgressions, he was crushed for our iniquities; the punishment that brought us peace was on him, and by his wounds we are healed.” (Isaiah 53:5) This book can be used as a devotional. The chapters on Holy Week make it especially helpful during the Lent season and at Easter.
(Piano/Vocal/Guitar Artist Songbook). This songbook includes all 15 songs from the 2006 release, Jackson's first ever gospel album. Songs: Blessed Assurance * How Great Thou Art * I'll Fly Away * In the Garden * The Old Rugged Cross * Softly and Tenderly * What a Friend We Have in Jesus * and more.
Newfoundlanders have long and lustily sung their folksongs, and the tradition remains strong today. Despite modern influences, the old songs persist, mixed with new songs that are composed to record the events of our time. This is the first major collection of Newfoundland folksongs compiled and edited by native Newfoundlanders. It concentrates on songs of local composition largely ignored by earlier collectors and presents a significant number of songs never before published. For most of the last decade Lehr and Best have been travelling around the island recording the voices and favourite songs of anyone, young and old, who would perform. Recordings took place in family kitchens, on stage heads, and in trap stores while the singer knitted twine or repaired lobster pots, aboard ships at anchor or en route to some small deserted harbour. Humming engines, blowing oilstoves, or clattering supper dishes provided accompaniment. The 120 songs collected here by Lehr and Best have been transcribed by Pamela Morgan and illustrated by Elly Cohen. Some recall the distant past of a long and rich seafaring tradition; others tell of such recent tragedies as the displacement of outport people and the sinking of the Ocean Ranger. The selection represents the state of the folk-song in Newfoundland today; in some part it documents what is lost and forgotten, but it also celebrates what has survived, and thrives.