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Geoffrey Chaucer was a spy, a diplomat, and England's finest poet, and yet nothing is known of his death; after 1400, his name simply disappears from the record. Was he the victim of a political murder? In this book, Terry Jones reassesses Chaucer's work and the turbulent times in which he lived.
Why did Eleanor Roosevelt, in 1957, 12 years after FDR's death, suddenly hire a private investigator to probe the case? Why were all of FDR's medical records were stolen from a locked filing cabinet at Bethesda Naval Hospital? History now reveals that FDR died in the presence of two Russian spies who were painting his portrait and in 1995 his cousin published a diary claiming that his doctors knew he was being poisoned but couldn't determine the cause. Are we really expected to believe that FDR, Hitler, and Mussolini all died within an 18-day span of each other by coincidence? This book answers all of these questions and is a full-fledged punch in the face to anyone who believes the lies that we've been told in the history books for more than 75 years. FDR didn't just die, he was murdered. Prepare to be fascinated.
Profiles the 1975 murder of Martha Moxley, presents new evidence that points the finger of suspicion to Martha's neighbors, and discusses how the police mishandled the case and may have prevented the crime from being solved.
Charles Manson was an unlikely messiah. Freshly paroled, he stumbled into San Francisco in 1967 just as thousands of impressionable young people were streaming into town for the Summer of Love. Posing as a musician-come-guru-come-Christ-figure, Manson built a commune cult of hippies, consisting mainly of troubled young women. But what made this group set out on the four-week killing spree that claimed seven lives? Former Journalism Professor, David J Krajicek, seeks to discover just that. This book includes: • Introduction into the counterculture of the sixties • In-depth profiles of Manson's followers • Breakdowns of each murder, including diary accounts, interviews and legal testimonies from the killers themselves • An account of the events in Manson's own words • Insight into Manson's manipulations and psychology Set against events of the time - the sexual revolution, the civil rights movement, race riots, space exploration, rock music -this is the story of Flower Power gone to seed.
The bestselling author of The Hot House once again combines the facts, the real people, and the location itself into this true story, a wide-ranging portrait of the interplay of race, sex, and justice in the American South, made all the more real because it takes place in the same small Alabama town that was the fictional "Maycomb" in Harper Lee's To Kill a Mockingbird. Optioned for film by MGM. Photos.
TOM THORNE IS BACK . . . AND SO IS HIS WORST NIGHTMARE A gripping, grisly read. Mark Billingham is a terrific crime writer' ----- ANTHONY HOROWITZ Tom Thorne has it all. In Nicola Tanner and Phil Hendricks, Thorne has good friends by his side. He finally has a love life worth a damn and is happy in the job to which he has devoted his life... He has everything to lose. Hunting the woman responsible for a series of grisly murders, Thorne has no way of knowing that he will be plunged into a nightmare from which he may never wake. And he'll do anything to keep it. Finally, Thorne's past has caught up with him and a ruinous secret is about to be revealed. If he wants to save himself and his friends, he must do the unthinkable. PRAISE FOR MARK BILLINGHAM 'Mark Billingham is a master of psychology' Ian Rankin 'Fast-paced and twisting' Paula Hawkins 'At the very least it should reach the shortlist of this year's Booker prize' The Times
"A good story, well told, of a sliver of life in Richmond, a small, elite-driven capital city in the young nation's most influential state." —Publishers Weekly George Wythe clung to the mahogany banister as he inched down the staircase of his comfortable Richmond, Virginia, home. Doubled over in agony, he stumbled to the kitchen in search of help. There he found his maid, Lydia Broadnax, and his young protegé, Michael Brown, who were also writhing in distress. Hours later, when help arrived, Wythe was quick to tell anyone who would listen, "I am murdered." Over the next two weeks, as Wythe suffered a long and painful death, insults would be added to his mortal injury. I Am Murdered tells the bizarre true story of Wythe's death and the subsequent trial of his grandnephew and namesake, George Wythe Sweeney, for the crime—unquestionably the most sensational and talked-about court case of the era. Hinging on hit-and-miss forensics, the unreliability of medical autopsies, the prevalence of poisoning, race relations, slavery, and the law, Sweeney's trial serves as a window into early nineteenth-century America. Its particular focus is on Richmond, part elegant state capital and part chaotic boomtown riddled with vice, opportunism, and crime. As Wythe lay dying, his doctors insisted that he had not been poisoned, and Sweeney had the nerve to beg him for bail money. In I Am Murdered, this signer of the Declaration of Independence, mentor to Thomas Jefferson, and "Father of American Jurisprudence" finally gets the justice he deserved.
"From the prize-winning biographer--the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder: can a novel kill? In May 1840, Lord William Russell, well known in London's highest social circles, was found with his throat cut. The brutal murder had the whole city talking. The police suspected Russell's valet, Courvoisier, but the evidence was weak. And the missing clue lay in the unlikeliest place: what Courvoisier had been reading. In the years just before the murder, new printing methods had made books cheap and abundant, the novel form was on the rise, and suddenly everyone was reading. The best-selling titles were the most sensational true-crime stories. Even Dickens and Thackeray, both at the beginning of their careers, fell under the spell of these tales--Dickens publicly admiring them, Thackeray rejecting them. One such phenomenon was William Harrison Ainsworth's Jack Sheppard, the story of an unrepentant criminal who escaped the gallows time and again. When Courvoisier finally confessed his guilt, he would cite this novel in his defense. Murder By the Book combines the thrilling true-crime story with a illuminating account of the rise of the novel form and the battle for its early soul between the most famous writers of the time. It is a superbly researched, vividly written, fascinating read from first to last"--