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The Continental Op delves into his violent past and avenges a murdered partner in this collection of stories from master of hardboiled fiction Dashiell Hammett When he joins the Continental Detective Agency, Bob Teal shows every sign of becoming a crack operative. Cool headed, quick witted, and not afraid to take a punch, Teal’s on the verge of a great career when a .32 cuts him down. Two bullets are enough to kill Teal and to set the Continental Op chasing the tangled tale that lead to his demise. In “Who Killed Bob Teal?” Dashiell Hammett experimented with a premise that he would later repurpose in his most famous novel: The Maltese Falcon. But while Sam Spade is devilishly tough, the Continental Op is even tougher. And in this titular story, as well as “The Whosis Kid” and “The Scorched Face,” the Op pursues Bay-area underworld operators with the deep wrath of a San Francisco earthquake.
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Dashiell Hammett, like most successful writers, honed his skills in the trenches. Long before The Maltese Falcon and The Thin Man made him a household name, Hammett developed his technique writing satirical magazine pieces, then moved on to churn out tales of sex, crime and adventure for pulp magazines. Characters like Sam Spade and Nick and Nora Charles made him famous, but Hammett perfected his style--and created the first hard-boiled detective fiction--writing stories and novels about an anonymous, middle-aged detective, known as the Continental Op. This detailed examination of the early works of Dashiell Hammett takes a new look at one of the 20th century's most influential crime writers and his creation of the hard-boiled detective story. Each chapter covers an element of Hammett's early writing career--his magazine fiction; the Continental Op's development as a character; the Continental Op novels; and the last Continental Op stories. A concluding chapter provides afterthoughts on Hammett's career, style and place in the history of detective fiction. A chronology of works cited, a bibliography and an index supplement the text.
A brilliantly researched reinvestigation into the nearly forgotten century-old murder that inspired one of the most seductive mysteries in the history of television and film. In 1908, Hazel Drew was found floating in a pond in Sand Lake, New York, beaten to death. The unsolved murder inspired rumors, speculation, ghost stories, and, almost a century later, the phenomenon of Twin Peaks. Who killed Hazel Drew? Like Laura Palmer, she was a paradox of personalities--a young, beautiful puzzle with secrets. Perhaps the even trickier question is, Who was Hazel Drew? Seeking escape from her poor country roots, Hazel found work as a domestic servant in the notoriously corrupt metropolis of Troy, New York. Fate derailed her plans for reinvention. But the investigation that followed her brutal murder was fraught with red herrings, wild-goose chases, and unreliable witnesses. Did officials really follow the leads? Or did they bury them to protect the guilty? The likely answer is revealed in an absorbing true mystery that's ingeniously reconstructed and every bit as haunting as the cultural obsession it inspired.
Essential tales from the files of San Francisco’s hard-bitten, prototypical PI—penned by the undisputed “master of the detective novel” (The Boston Globe). Before Dashiell Hammett introduced such iconic sleuths as Sam Spade in The Maltese Falcon or Nick and Nora Charles in The Thin Man, he put to work the most influential detective ever to scour America’s hard-boiled literary landscape. An operative of San Francisco’s Continental Detective Agency, the Continental Op was a world-weary, pragmatic, and inelegant company man—and though always nameless, he has remained as distinctive as a fingerprint. Informed by Hammett’s own work with the Pinkertons, the twenty-three stories collected here—originally published between 1923 and 1930—introduced a bracing, jaded, dry-witted realism to the genre. Written with “the precision of a diamond cutter,” they are seminal masterworks in the legacy of a genuine original (Newsweek).
Twenty long-unavailable stories by Dashiell Hammett, the author of The Maltese Falcon and the incomparable master of detective fiction. In the title story, a man on a bender enters a small town and ends up unraveling the dark mystery at its heart. A woman confronts the brutal truth about her husband in the chilling story "Ruffian's Wife." "His Brother's Keeper" is a half-wit boxer's eulogy to the brother who betrayed him. "The Second-Story Angel" recounts one of the most novel cons ever devised. In seven stories, the tough and taciturn Continental Op takes on a motley collection of the deceitful, the duped, and the dead, and once again shows his uncanny ability to get at the truth. In three stories, Sam Spade confronts the darkness in the human soul while rolling his own cigarettes. And the first study for The Thin Man sends John Guild on a murder investigation in which almost every witness may be lying. In Nightmare Town, Dashiell Hammett, America's poet laureate of the dispossessed, shows us a world where people confront a multitude of evils. Whether they are trying to right wrongs or just trying to survive, all of them are rendered with Hammett's signature gifts for sharp-edged characters and blunt dialogue. Hammett said that his ambition was to elevate mystery fiction to the level of art. This collection of masterful stories clearly illustrates Hammett's success, and shows the remarkable range and variety of the fiction he produced.
Toward a Theory of True Crime Narratives vivifies how nonfiction murder stories are told, what role they play in society, and in the form of true crime why they remain enduringly popular internationally on every platform. This book establishes for the first time the actual line—or dotted line—between mainstream journalism and the multimedia phenomena of true crime. Presenting a stable definition of what is—and what is not—true crime will either challenge or justify Truman Capote’s claims regarding the creation of a "new journalism" with In Cold Blood, and accordingly expose the reluctance of the promoters of NPR’s Serial, HBO’s The Jinx, and Netflix’s Making a Murderer to refer to their products as such. This research codifies true crime texts of various types on multiple platforms—radio, television, print, digital, and film—to reveal the defining characteristics of the genre.
For the fourth volume of this series, Robert Sampson has selected more than fifty magazine series characters to illustrate the development of the character of the detective. Included here are both the amateur and professional detective, female investigators, deducting doctors, brilliant amateurs, and equally brilliant professional police. There are private detectives reflecting Holmes and hard-boiled cops from the parallel traditions of realism and melodramatic fantasy. Characters include Brady and Riordan, Terry Trimble, Glamorous Nan Russell, J. G. Reeder, plus many others.
Melodrama is the foundation of American cinema. It is, however, a poorly understood term. While it is a pervasive and persuasive dramatic mode, it is not tied to any specific moral or ideological system. It is not a singular genre; rather, it operates as a "genre generating machine" capable of determining the aesthetics and structure of the drama within many genres. Melodrama centers the conflict around the clash between good and evil and provides a sense of poetic justice--but the specific values embedded in notions of good and evil are determined by the culture, and they shift from nation to nation, region to region, and period to period. This book explores the "populist" westerns of the 1930s, the propaganda films that followed the Japanese attack on Pearl Harbor, and the popularity of Sax Rohmer's master villain Fu Manchu. "Melodramas of passion" and film noir also offer a challenge to melodrama with its seemingly alienated protagonists and downbeat endings. Yet, with few exceptions, Hollywood was able to assimilate these genres within its melodramatic imagination.
Now for the first time ever in one volume, all twenty-eight stories and two serialized novels starring the Continental Op—one of the greatest characters in storied history of detective fiction. Dashiell Hammett is the father of modern hard-boiled detective stories. His legendary works have been lauded for almost one hundred years by fans, and his novel The Maltese Falcon was adapted into a classic film starring Humphrey Bogart. One of Dashiell Hammett's most memorable characters, the Continental Op made his debut in Black Mask magazine on October 1, 1923, narrating the first of twenty-eight stories and two novels that would change forever the face of detective fiction. The Op is a tough, wry, unglamorous gumshoe who has inspired a following that is both global and enduring. He has been published in periodicals, paperback digests, and short story collections, but until now, he has never, in all his ninety-two years, had the whole of his exploits contained in one book. The book features all twenty-eight of the original standalone Continental Op stories, the original serialized versions of Red Harvest and The Dain Curse, and previously unpublished material. This anthology of Continental Op stories is the only complete, one-volume work of its kind.