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Whitechapel at War: Isaac Rosenberg and his Circle is the first book for almost 20 years to focus on the visual work of poet-painter Isaac Rosenberg. It is also the first to explore his art in the context of his Whitechapel peers, including painters David Bomberg, Mark Gertler, Jacob Kramer, Bernard Meninsky and Clare Winsten, and the writers John Rodker, Joseph Leftwich and Stephen Winsten.
This title presents an anthology of texts which frames the recent educational turn in the arts within a wider historical and social context.
A real-life murder mystery in turn-of-the-century London, and Scotland Yard’s “greatest detective of all time” who was determined to discover whodunit. By 1919, Det. Chief Inspector Fred Wensley was already a legend, having investigated the Jack the Ripper slayings, busted crime syndicates, and risked his life at the notorious Siege of Sidney Street. But the brutal murder of kindly fifty-four-year-old widow and shopkeeper Elizabeth Ridgley was an unexpected challenge in a storied career. Elizabeth and her dog were both found dead in her blood-spattered shop in Hitchin. But even in the early days of forensics, Wensley was stunned by the inept conclusion of local Hertfordshire police: it was a freak, tragic accident that had somehow felled Elizabeth and her Irish terrier. At Wensley’s urging, Scotland Yard proceeded with a second investigation. It led to the arrest of an Irish war veteran. The only real evidence: a blood-stained shirt. But the Ridgley case was far from over. Drawing on primary sources and newly-discovered material, Paul Stickler exposes the frailties of county policing in the years after WWI, reveals how Ridgley’s murder led to fundamental changes in methods of investigation, and attempts to solve a seemingly unsolvable crime.
New perspectives on Anglo-Jewish history via the poetry and song of Yiddish-speaking immigrants in London from 1884 to 1914. Archive material from the London Yiddish press, songbooks, and satirical writing offers a window into an untold cultural life of the Yiddish East End. Whitechapel Noise: Jewish Immigrant Life in Yiddish Song and Verse, London 1884–1914 by Vivi Lachs positions London’s Yiddish popular culture in historical perspective within Anglo-Jewish history, English socialist aesthetics, and music-hall culture, and shows its relationship to the transnational Yiddish-speaking world. Layers of cultural references in the Yiddish texts are closely analyzed and quoted to draw out the complex yet intimate histories they contain, offering new perspectives on Anglo-Jewish historiography in three main areas: politics, sex, and religion. The acculturation of Jewish immigrants to English life is an important part of the development of their social culture, as well as to the history of London. In part one of the book, Lachs presents an overview of daily immigrant life in London, its relationship to the Anglo-Jewish establishment, and the development of a popular Yiddish theatre and press, establishing a context from which these popular texts came. The author then analyzes the poems and songs, revealing the hidden social histories of the people writing and performing them. For example, how Morris Winchevsky’s London poetry shows various attempts to engage the Jewish immigrant worker in specific London activism and political debate. Lachs explores how themes of marriage, relationships, and sexual exploitation appear regularly in music-hall songs, alluding to the changing nature of sexual roles in the immigrant London community influenced by the cultural mores of their new location. On the theme of religion, Lachs examines how ideas from Jewish texts and practice were used and manipulated by the socialist poets to advance ideas about class, equality, and revolution; and satirical writings offer glimpses into how the practice of religion and growing secularization was changing immigrants’ daily lives in the encounter with modernity. The detailed and nuanced analysis found in Whitechapel Noiseoffers a new reading of Anglo-Jewish, London, and immigrant history. It is a must-read for Jewish and Anglo-Jewish historians and those interested in Yiddish, London, and migration studies.
Russomania: Russian Culture and the Creation of British Modernism provides a new account of modernist literature's emergence in Britain. British writers played a central role in the dissemination of Russian literature and culture during the early twentieth century, and their writing was transformed by the encounter. This study restores the thick history of that moment, by analyzing networks of dissemination and reception to recover the role of neglected as well as canonical figures, and institutions as well as individuals. The dominant account of British modernism privileges a Francophile genealogy, but the turn-of-the century debate about the future of British writing was a triangular debate, a debate not only between French and English models, but between French, English, and Russian models. Francophile modernists associated Russian literature, especially the Tolstoyan novel, with an uncritical immersion in 'life' at the expense of a mastery of style, and while individual works might be admired, Russian literature as a whole was represented as a dangerous model for British writing. This supposed danger was closely bound up with the politics of the period, and this book investigates how Russian culture was deployed in the close relationships between writers, editors, and politicians who made up the early twentieth-century intellectual class--the British intelligentsia. Russomania argues that the most significant impact of Russian culture is not to be found in stylistic borrowings between canonical authors, but in the shaping of the major intellectual questions of the period: the relation between language and action, writer and audience, and the work of art and lived experience. The resulting account brings an occluded genealogy of early modernism to the fore, with a different arrangement of protagonists, different critical values, and stronger lines of connection to the realist experiments of the Victorian past, and the anti-formalism and revived romanticism of the 1930s and 1940s future.
Writings on color from modernism to the present, with contributions writers from Baudelaire to Baudrillard, surveying art from Paul Gauguin to Rachel Whiteread.
For centuries the East End of London was synonymous with poverty and brutal labor, with Cockney solidarity and popular protest. The poverty is still there but now--once again--East London is beginning to reshape itself. Fashionable riverside restaurants multiply and shining new office buildings spread south toward the Millennium Dome. Now the term "East End" begins to have a different ring. Alan Palmer takes us back through four centuries of life in this great melting pot, which was once the very center of Empire trade. Both people and goods have flowed in and out of it, from the Huguenot weavers of the seventeenth century to the Indians, Pakistanis and Bangladeshis of today. Its story is one of extremes--of narrow, dingy streets and grand Hawksmoor churches, of great social campaigners, and out-and-out criminals like the Krays. This fascinating book, with an introduction by London's great chronicler Peter Ackroyd, captures the spirit of the East End and its people, of those who have left their mark on it and those whose lives were marked by it forever.
The bestselling author of "Washington's Crossing" and "Albion's Seed" offers a strikingly original history of America's founding principles. Fischer examines liberty and freedom not as philosophical or political abstractions, but as folkways and popular beliefs deeply embedded in American culture. 400+ illustrations, 250 in full color.
Shmuel Katz’s detailed and comprehensive biography of Vladimir Jabotinsky (1880–1940) is an unabashedly partisan defense of one of the most complex Zionists of the early 20th century. Jabotinsky was a Russian poet, playwright, journalist, and novelist as well as the founder of Revisionist Zionism and of Betar. His oratory in many languages was legendary. Katz first heard him speak in South Africa in the early part of the 20th century and was so impressed that he dropped out of university to work for Revisionist Zionism. Katz recounts Jabotinsky’s efforts to create the Jewish Legion during World War I, traces the history of Jewish relations with the British during the time of the Palestine Mandate, describes Jabotinsky’s role in the defense of the Jewish Yishuv and in organizing the Af-Al-Pi “illegal” Jewish immigration to Palestine before World War II. He paints a vivid mural of competing Jewish personalities, factions and ideologies in the decades before the establishment of Israel. “Shmuel Katz has written an intelligent, journalistic account of Jabotinsky’s life […] and was able to use a substantial amount of previously unavailable material, particularly British archival documents. Although Katz clearly has tremendous respect and affection for Jabotinsky, he does not hesitate to criticize him, for example, for his ineffectiveness as a fundraiser [...] Lone Wolf’s greatest strength is its comprehensive breadth. Every major event and many minor incidents are extensively covered. Furthermore, Katz has taken the rather unorthodox move of including verbatim large sections of Jabotinsky’s original speeches and writings.” — Paul Radensky, H-Net “[S]cholarly and yet totally gripping... we must be everlastingly grateful [...] to Shmuel Katz for so masterfully giving [Jabotinsky’s] memory fresh life... this [book] — quiet, calm, and, while certainly partisan, without a single shrill note — may one day help to direct the course of Israel’s seemingly endless argument with itself.” — Midge Decter, Commentary Magazine “Dr. Katz's monumental and superb biography is a balanced, detailed story of a lion and not a wolf. (Ze'ev in Hebrew means a wolf and this is the reason why the title isLone Wolf)” — Jewish Post
Winner of the Society of American Historians' Francis Parkman Prize Winner of the PEN / Jacqueline Bograd Weld Award for Biography Best Biography of 2016, True West magazine Winner of the Western Writers of America 2017 Spur Award, Best Western Biography Finalist, National Book Critics Circle Award for Biography Long-listed for the Cundill History Prize One of the Best Books of 2016, The Boston Globe The epic life story of the Native American holy man who has inspired millions around the world Black Elk, the Native American holy man, is known to millions of readers around the world from his 1932 testimonial Black Elk Speaks. Adapted by the poet John G. Neihardt from a series of interviews with Black Elk and other elders at the Pine Ridge Reservation in South Dakota, Black Elk Speaks is one of the most widely read and admired works of American Indian literature. Cryptic and deeply personal, it has been read as a spiritual guide, a philosophical manifesto, and a text to be deconstructed—while the historical Black Elk has faded from view. In this sweeping book, Joe Jackson provides the definitive biographical account of a figure whose dramatic life converged with some of the most momentous events in the history of the American West. Born in an era of rising violence between the Sioux, white settlers, and U.S. government troops, Black Elk killed his first man at the Little Bighorn, witnessed the death of his second cousin Crazy Horse, and traveled to Europe with Buffalo Bill’s Wild West show. Upon his return, he was swept up in the traditionalist Ghost Dance movement and shaken by the Massacre at Wounded Knee. But Black Elk was not a warrior, instead accepting the path of a healer and holy man, motivated by a powerful prophetic vision that he struggled to understand. Although Black Elk embraced Catholicism in his later years, he continued to practice the old ways clandestinely and never refrained from seeking meaning in the visions that both haunted and inspired him. In Black Elk, Jackson has crafted a true American epic, restoring to its subject the richness of his times and gorgeously portraying a life of heroism and tragedy, adaptation and endurance, in an era of permanent crisis on the Great Plains.